Question 1: How can adults practice hard-pen calligraphy well? It's generally easier for teenagers than for adults. Because their fonts have not yet been finalized and they are easy to accept new things and new ideas, they can generally achieve better results in a short period of time. However, a common problem among this type of students is that their understanding and acceptance are worse than those of adults. They can write seriously when the teacher is next to them, but they remain the same below and do not understand the characteristics and charm of the words. Therefore, this is also true. Something that should be avoided as much as possible in the teaching of hard-pen calligraphy.

Let’s talk about adults. For adults, the font has been basically finalized, and it seems difficult to practice hard-pen calligraphy well. Adults are most likely to practice hard-pen calligraphy around the age of 40. Their previous wrong writing habits have been repeated for 30 years and are difficult to correct in the short term. After many adults become successful in their careers, they gradually begin to notice their second image, and therefore they also work hard to practice hard-pen calligraphy. I bought a lot of copybooks and spent several hours every day practicing calligraphy. However, the results achieved were very small, and some even became more ugly with practice.

They have fallen into a misunderstanding when practicing hard-pen calligraphy. They think that by writing repeatedly and putting in the same effort as what is written on the copybook, they can write hard-pen calligraphy well. In fact, this is not the case. If you want to write hard-pen calligraphy well, you must master some characteristics of hard-pen calligraphy and learning methods, so that you can make great and obvious progress.

In my practical experience, if adults want to write hard-pen calligraphy well, they must pay attention to the following issues:

First, when practicing, it is a temporary calligraphy and a tracing calligraphy ( Copying the post), or copying the post?

This is very important and determines the success of your calligraphy practice.

Tracing is a method often used by adults to learn hard-pen calligraphy. An important feature of tracing is passive practice, which is a mechanical repetition of an action. This is completely different from practice making perfect. We know that when we ask ourselves to draw a painting, we can basically draw an accurate picture, but when we are asked to draw a gourd and a gourd, we often cannot even draw a three or four-point pattern. Even if you trace dozens of times, your painting level has not improved. Because tracing is mechanical, the brain's learning component is only secondary. To write good calligraphy, you must pay attention to "the intention comes first", that is, you have the image of the word in your mind and then write it out. The opposite is true for tracing. Good writing cannot produce conditioned reflexes in the brain, so after leaving the copybook, the writing is still the same as before.

Copying posts is a misunderstanding. What matters every day is just the quantity. After copying it dozens or hundreds of times, the words on the copybook are the same and what I write is another. This practice method is nothing more than "copying homework" and you won't learn much. Quantity and quality are not the same concept, so copying is actually copying the text of the copybook, not the calligraphy of the copybook. What you copy is still your own handwriting, and what you repeat is still your own mistakes.

Posting is a more important learning method. But you must understand the essentials of writing a post, which cannot be explained in a few words. But there are a few key points that you need to know: 1. Use your brain when writing a copybook. Use your brain to think about how the words on the copybook are written, what the strokes are like, and what the combination is. 2. When writing a post, you should always compare it with the original post. After the first pass, you should go back and compare it with the original post. After you find the shortcomings, write again, compare again, and repeat until you are done. Otherwise, repeating it over and over again will reinforce your mistakes. 3. When writing a calligraphy, "the intention comes before the writing", which means that you should have the image of the word in your mind before writing. Therefore, you need to read the copybook frequently and remember the writing method of the words in the copybook. The more you read it, the more you will become familiar with it. . "Read thousands of volumes and write like a god" is still important for calligraphy.

Second, forget your previous fonts and practice the basics in a down-to-earth manner

If adults want to learn calligraphy thoroughly, they must forget their previous fonts and recognize the meaning of their own handwriting. Ugly, even disgusting and disgusting with my own words.

Then start from scratch, starting from the most basic points and strokes, and then to the structure. This should be the case for temporary posts. When writing, you should still write in the same way as when you practice hard-pen calligraphy. No matter how slow you are, you must forget your previous font.

Third, correct the structure

For hard-pen characters, the structure must be corrected first. This is also my opinion. Whether using a hard pen or a soft pen, the structure must be adjusted first. The quality of the structure directly affects the overall effect of the calligraphy. Choose a regular script copybook that you like, but this copybook must have good calligraphy and beautiful calligraphy. You are not required to write regular script well. Of course, it is best if you can write regular script well. The function of regular script copybooks is to straighten the glyphs and adjust the structure.

Fourth, to build interest...gt;gt;

Question 2: How to practice pen calligraphy effectively. To practice pen calligraphy, you must first be patient and calm. Hold your breath and practice for 40 minutes to an hour at a time and take a break. If you have enough time, you can practice for an hour after breakfast and dinner. The key to practicing calligraphy is to focus on it. It is not just tracing, it also requires memorization. Only by remembering it in the end can you become good at it. The ultimate goal of copying and copying is to remember the strokes and structure of each character, and to learn how to write this type of characters or the same characters, so practice calligraphy step by step, be patient, and hurry. It is not up to standard. When learning, focus on memorizing strokes and structures. When tracing, you need to think about and memorize the glyphs, not just imitate them. It is recommended to practice word by word, describe first, then memorize, and don't get bored. Writing one word all the time is very boring, but it is also the easiest to learn something. If you really can’t write any more, practice the next word, and then come back and copy it again. You can set yourself a few words to write every day, or write the words next to the word gold today, and the words next to the word water tomorrow, focusing on the radicals. If you are interested in the combination with each character, you can also study soft-pen calligraphy, which will have a good impact on hard-pen calligraphy. The emphasis is on persistence and memory, come on

Question 3: How do adults practice pen calligraphy well (quick test) How do adults practice pen calligraphy well

1. First, they must completely forget their previous fonts , Start from scratch, start from the most basic dots and strokes.

2. Then practice the structure. For pen calligraphy, the most important issue is the structure. The quality of the structure directly affects the beauty of the calligraphy. Therefore, it is most important to write well in pen calligraphy. But now there is a very difficult problem to solve, that is, it is difficult to forget the previous fonts, and old habits are often brought into new fonts during the post writing process. To change this situation, the best way is to choose block letters that are completely different from your previous fonts for copying. The purpose of practicing block script is to get it right. After practicing for a week or two or more, you can get it right. After the shape is corrected, you should also choose a running script copybook that is completely different from your original font and that you think is beautiful for copying. If the font is rigid before, choose a bold copybook; if the font is loose, choose a rigorous copybook; if the font is dull, choose a chic copybook; if the font is soft and smooth, choose a firm copybook; if the font is bloated, choose a delicate copybook... ...If you practice like this for two to three months, you can learn new fonts. The purpose of copying is to forget the previous words and remember the words on the copybook and apply them.

3. Arrange the relationship between words and lines, which is the so-called layout.

4. Learn from the brush strokes, structure, composition, charm, etc. of brush calligraphy, and give full play to the inherent characteristics of the pen.

Only in this way can the art of pen calligraphy flourish and have strong and permanent vitality. Otherwise, pen calligraphy can only be a vassal of brush calligraphy, unable to develop and innovate, and it will not have strong and permanent vitality.

Question 4: How can I practice pen calligraphy in regular script faster? Only by mastering the correct method of copywriting can I practice pen calligraphy in regular script faster.

The best way to practice regular script is to practice regular script. In fact, you can use any of the scripts. You can choose the stele sticker according to your own preferences. Yan, Ou, Liu, and Zhao are all acceptable, but when purchasing the stele sticker Try to buy word stickers of better quality.

On the basis of selecting the posts, there are five steps: reading the posts, tracing the posts, copying the posts, memorizing the posts, and creating.

The first step is to read the post

We all know the pronunciation of the Chinese characters on the post, so there is no need to read it again. What to read? Read the glyphs, structure, and strokes, analyze and figure out the characteristics of the strokes and the relationship between the strokes. For example: when we read the Chinese character "中", we need to read that the vertical line of "中" passes through the middle of "口". The character "口" is slightly flat, and the long vertical line in the middle is divided into lengths by the lower horizontal line of the character "口". The upper segment of the two equal segments is divided into two segments of equal length by the upper horizontal line of the word "口". This is reading glyphs and structures. Different fonts and strokes have different characteristics.

The second step is tracing. "Tracing" refers to tracing red, that is, beginners use a brush to trace along the handwriting on the printed red copybook. "Copy" refers to copying, that is, covering the model characters with transparent paper and writing stroke by stroke along the shadow of the characters on the paper, which is also called copying.

The third step is to post. It means to put the copybook aside and look at the copybook to write word by word. This method is helpful for mastering the style and meaning of the calligraphy, but it is not easy to master the structure of the calligraphy.

The fourth step is to memorize the post. It refers to the method of removing the copybook based on the original copy, recalling the glyphs on the copybook according to your own memory, and writing it on paper. This is a key step in practicing calligraphy. Only by carefully scrutinizing the words you write and having a solid plan in mind can you write with spirit and accuracy. When writing, if you can see the exact shape of the Chinese characters you want to write on the white paper, and "write the characters on the paper, and the characters in your chest", and write like tracing red, writing good calligraphy will not be a problem.

The fifth step is to post. After mastering the writing method of the words on the copybook, I can understand the writing method of the words that are not on the copybook by analogy. According to the needs of one's own expression and expression, writing a piece of text that has a center, content and self-contained system is creation.

If you can write handwriting that is close to the copybook in your daily study life, your goal of practicing calligraphy will be achieved.

Posture for practicing calligraphy:

When practicing calligraphy, you should pay attention to the posture of writing and the way to hold the pen, so as to achieve "head upright, body straight, arms open, and feet secure." Generally, copybooks have writing postures and methods of holding the pen.

Question 5: How can I quickly practice pen calligraphy? 1. The font for writing has been formed. Can it be changed and how to change it?

Answer: It can be changed, and it won’t take long. Many comrades believe that writing has already taken shape and cannot be changed as we get older... This view is wrong. You know, writing well is not difficult, nor is it unattainable, but it is extremely easy to learn, as long as you use the right method and correct your old writing habits. Specifically, when you practice writing, you must correct your writing posture and method of holding the pen. This is the first condition.

Now I will list two examples of calligraphy practice by our ancestors and discuss this issue based on my own experience.

As we all know, Wang Xizhi, the sage of Chinese calligraphy, first learned calligraphy from Wei Shuo, and then he changed his learning after reading more famous works by famous writers such as Zhong Yao. It was he who carried on the past and opened up the future, turning the ancient calligraphy style into the beautiful and smooth modern style, and making creative contributions to regular script, running script and cursive script. This is Wang Xizhi's historical contribution in the history of Chinese calligraphy.

Let’s talk about Yan Zhenqing. He first learned from Chu Suiliang and later learned from Zhang Xu. He adapted the style of seal script and wrote dignified and majestic regular script. It was he who created a new style other than Erwang.

I first copied the regular script of Zhong Shaojing, and then the regular script of Ouyang Xun and Huang Ziyuan. I followed Huang Ruozhou's calligraphy in running script. I felt that there was still a long way to go and I still had to work hard. But no matter how many years it takes for your handwriting to take shape, it can be changed.

Some comrades asked: Is it okay to write pen calligraphy and imitate calligraphy calligraphy? Practice has proven that yes, the effect is the same.

Write pen and brush calligraphy well, no matter your age, no matter whether your writing is in shape or not, as long as you write diligently, make up your mind, realize the importance of work and future, after some hard work, It can be written well.

Even if you start late, you can still catch up. Throughout the ages, there have been many famous teachers who became successful after studying in their thirties.

Liang Hao of the Song Dynasty was admitted to Jinshi at the age of eighty-two. He chanted: "We also know that it is better for young people to pass the exams, but it is the mature people who compete for the leading position." Li Zhi of the Ming Dynasty abandoned his official position to study and was already fifty-four years old when he determined to write a book. His famous works "Book Burning" and "Collection of Books" were completed when he was sixty-four and seventy-three years old respectively.

Achievement does not depend on age, the key lies in ambition and perseverance.

2. Where should I start learning to write?

Answer: You must first select your ideal copybook, and also consider whether it is similar to the glyphs you write. After you have selected it, read it several times to analyze the key points of the glyphs and the rules of the structure. This is called "the intention lies in the words first", and then use transparent white paper to trace first, then copy, and memorize the key parts of each word. The specific steps are described below:

Writing posture and writing

(1) Sit upright, shoulders flat, back straight, body and head not tilted, let alone lowered ; The distance between the eyes is about one foot from the table, and the distance between the chest and the edge of the table is about three inches.

(2) The pen should be held upright, and the pen tip should be straight forward, avoid inward tilt (as long as the palm is flat, the pen tip will naturally move forward); the tip of the index finger should be about one inch from the pen tip. If you hold the pen incorrectly or the tip of the pen is tilted inwards, you will not be able to write smoothly, you will not be able to write horizontally, you will not be able to write well, and you will not be able to write smoothly. You may even have to move your right hand every time you write a stroke. At the same time, the written lines have no spine and no rhythm, and the glyphs cannot be said to be relaxed and generous.

(3) The inclination of the pen barrel. When writing large characters, hold the pen upwards and the inclination of the pen barrel should be slightly larger. When writing small characters, hold the pen downwards and the inclination of the pen barrel should be slightly smaller. The general slope should be at the index finger joint. If it exceeds this position, the strokes written will be either rigid or dull. If the inclination of the pen barrel is inappropriate, the pen speed will be limited, and it will be impossible to write elegant and charming glyphs, so the "tiger's mouth" should not be tilted.

(4) Hold the pen lightly so that you can move the pen freely; if you hold the pen too tightly, your writing will not be broad and generous. According to what I saw during lectures in middle schools, in a class of fifty students, forty-five people held their pens incorrectly or their pen tip was tilted inward. This is also the case in universities. It is for this reason that the characters written by these students are not hooked properly. It looks like a hook, but the 捺 does not look like a 捺. The strokes are all flat and piled up.

As mentioned before, the quality of writing is absolutely related to posture and writing. Just like a carpenter sawing wood, if your posture and holding the saw are not correct, no matter how straight the "line" is, you will saw it crookedly. This is the same as writing good calligraphy.

3. How should the steps of learning calligraphy be arranged?

Answer: Start by learning the basic strokes of regular script, namely dot, horizontal, vertical, left, back, lift, hook, and fold.

A character is like a machine. Practicing the basic strokes is like processing the "parts"; practicing the radicals is like starting the "assembly"; practicing the entire glyph is like entering the "final assembly" . That is to say, learn "decomposition" first, and then learn "coherence". Therefore, regular script is the foundation, and basic strokes are the foundation of the foundation.

When practicing basic strokes, practice them in categories. For example, when practicing writing "丶", you should write 丶,丿,丶...gt；gt;

Question 6: How to practice pen calligraphy with zero basic knowledge within a certain period of time, how can ordinary people with zero basic knowledge do it? Write beautiful handwriting

It is said that good habits can be formed in 21 days. This is true, but it is not necessarily true in practice.

Whether it is writing, reading, memorizing words, swimming, practicing calligraphy, etc., it is impossible to achieve a certain amount without investing continuous motivation. So I have always been opposed to using numbers to measure the time it takes to learn something.

Spending three days fishing and two days drying nets is a waste of time.

Words are like people. When it comes to these four words, many people must understand it as the words are good-looking, the people are good-looking, and they understand that this kind of thing is related to appearance.

In fact, it originated from a famous saying by Yang Xiong, a writer of the Western Han Dynasty: "Calligraphy is also a painting from the heart." This sentence means that calligraphy is a depiction of human psychology, which is expressed by lines. and express the author's changes in emotion and mood.

"Words are like people" means that people and words, words and people, two become one, one becomes two, like fish and water blending together, seeing words is like seeing people.

In my opinion, handwriting can tell a lot of things, but it cannot be said that "the words are like the person".

Graphologist Yaman divides the results of graphology research into seven major categories:

1. The pressure of writing reflects the energy of human spirit and body.

2. The structure of strokes represents the writer’s attitude towards the external world.

3. The size of writing is a reflection of self-awareness.

4. The degree of continuous strokes reflects the coordination of thinking and behavior.

5. The direction of words and word lines reflects human autonomy and social relationships.

6. Writing speed is related to the speed of human understanding.

7. The layout of the entire text reflects the writer's attitude and way of occupying the external world.

The significance of writing beautiful handwriting is self-evident.

For students who have relatively ample time, good handwriting is a powerful tool to score extra points in exams.

For time-crunched professionals, signing documents is a moment of charisma.

So, do you want to practice calligraphy again?

Please think about your purpose and original intention of practicing calligraphy.

A friend of mine asked me for advice on calligraphy methods in order to chase girls in the literary club. The handwriting he wrote in the early stage was very ugly, just like the thin and twisted handwriting of a first- or second-grade elementary school student. Then he practiced hard on his own and developed his own style. As a result, the girl was filled with admiration after receiving the love letter and couldn't wait to get to know the boy. Finally the two were together.

If you have an idea, put it into practice. No matter what your purpose is, give yourself a goal, break it down, and take it step by step.

So, let’s talk about how to practice calligraphy systematically so that you can avoid detours?

Start from scratch and practice from the most basic dots and dashes. Is it difficult for you to forget your previous fonts? The answer is yes. But this is the period of labor pain, the old will not go away, and the new will not come. Dots and dashes are the most basic. Just like learning English, if you don’t memorize the words, reading, writing, and listening are just a fool.

Then practice the structure. For pen calligraphy, the most important thing is the structural issue. The quality of the structure directly affects the beauty of the characters. Therefore, to write pen calligraphy well, structure is the most important. But now there is a very difficult problem to solve, that is, it is difficult to forget the previous fonts, and old habits are often brought into new fonts during the post writing process. To change this situation, the best way is to first choose and copy block letters that are completely different from your previous font. Practicing block script is for the purpose of correcting the form. Some people may be able to take a week or two weeks to correct the form, but some people will take longer to correct the form. This has nothing to do with talent, it only depends on the day after tomorrow.

After the shape is corrected, you should also choose a cursive calligraphy copybook that is completely different from your original font and that you think is beautiful. If the font was rigid before, choose an unrestrained copybook; if the font was loose, choose a rigorous copybook; if the font was dull, choose a chic copybook; if the font was soft and smooth, choose a firm copybook; if the font was bloated, choose a delicate copybook, etc. After practicing this for a month or two, you can learn new fonts.

The purpose of copying is to forget the previous words, remember the words on the copybook, and apply them. After this, it is necessary to arrange the relationship between words and lines, which is the so-called layout.

Don’t pursue quantity. If you think you have a sense of accomplishment by writing 10 copybooks in one day according to your plan, it is actually of no use. In fact, even if you practice one word a day, write it over and over again, and write it accurately and thoroughly, the word will be yours from now on, and you will no longer be afraid of it running away.

...gt;gt;

Question 7: How do adults practice pen calligraphy effectively? For adults whose handwriting has been finalized, it is not so easy to practice pen calligraphy well.

Because they did not pay attention to the quality of handwriting before, some ugly or even wrong writing methods have become bad habits and are difficult to correct. Now they want to practice calligraphy, but they often only tinker with the existing fonts and choose fonts that are similar to their own. In this way, the good ones are often not learned and the bad ones are not discarded, and the more they practice, the more ugly they become.

So how do you let these people practice calligraphy well? My experience is: first of all, they must completely forget the previous fonts and start from scratch, starting from the most basic dots and dashes. Then practice the structure. For pen calligraphy, the most important issue is the structure. The quality of the structure directly affects the beauty of the calligraphy. Therefore, it is most important to write well in pen calligraphy. But now there is a very difficult problem to solve, that is, it is difficult to forget the previous fonts, and old habits are often brought into new fonts during the post writing process. To change this situation, the best way is to first choose block letters that are completely different from your previous fonts to copy. The purpose of practicing block script is to get it right. After practicing for a week or two or more, you can get it right. After the shape is corrected, you should also choose a cursive calligraphy copybook that is completely different from your original font and that you think is beautiful for copying. If the font is rigid before, choose a bold copybook; if the font is loose, choose a rigorous copybook; if the font is dull, choose a chic copybook; if the font is soft and smooth, choose a firm copybook; if the font is bloated, choose a delicate copybook... ...If you practice like this for two to three months, you can learn new fonts. We often encounter this problem in our studies. In the first few days, we make rapid progress, but after a while, we feel that our writing gets worse and worse. This is normal. At this time, you should stay calm and continue practicing. After a period of hard work, you will be able to get out of the predicament and get on track. The purpose of copying is to forget the previous words and remember the words on the copybook and apply them. After this, it is necessary to arrange the relationship between words and lines, which is the so-called layout. For people who generally just want to make their handwriting look better, but don't want to achieve anything in this area, being able to do the above is enough. This is the experience I gained during my studies. I have also introduced these experiences to others, and the results have been good.

If you want to achieve something in the art of pen calligraphy, it cannot be achieved overnight. Not only must we learn from the brush strokes, structure, composition, charm, etc. of brush calligraphy, but we must also give full play to the inherent characteristics of the fountain pen. Only in this way can the art of pen calligraphy flourish and have strong and permanent vitality.

Question 8: How can I learn to practice pen calligraphy by myself? Don’t be half-hearted and persevere. That's it

1. Read the post before posting it. Anyway, this is what my teacher taught me, you may wish to refer to it. The so-called reading is to pick up a copybook and carefully figure out the writing techniques, such as how to form characters-that is, the structure of characters. As for starting from a point of no return, I don't really care.

2. When you like a word, remember its structure and writing, and read it silently in your mind. Write it out in one go.

3. This method may not seem to make rapid progress at first, but it is the most rewarding. This is how I developed my own style.

4. Those who learn from me will live, and those who resemble me will die. These are the words of predecessors. I hope it will be helpful to you or others who want to write hand calligraphy well.

Question 9: How can adults practice pen calligraphy well? Adults have their own writing habits, so it is more difficult to achieve results. To write well, you must first improve your writing habits, slow down, and don’t If you are eager for success, you should observe every word in your favorite copybook, choose three or five words with complex structures every day, and keep practicing.

Generally, calligraphy practice requires sharpening of the pen, so it is easier to achieve the effect with a hard pen (pen) or a brush. However, if you just want to correct your handwriting as an adult, a ballpoint pen, ink pen or even a pencil will do.

Nowadays, no matter what age group you are, most people choose to use brushes because the brushes are soft and not easy to practice. If you can write well with a calligraphy pen, then it will be no problem to practice with a hard pen.

Nowadays, you can use any pen, but you must choose a copybook that suits you. It is best not to use running script or cursive script at first. Practicing regular script is the basis. Also, try to make the words as large as possible.

If you try it yourself, you will know that it looks good when you write it small, but it doesn't look good when you enlarge it. This is because the structure of the characters is less graspable when the characters are larger. When you first practice, you can write larger characters. Once you get used to it, you can grasp the structure. In the future, you will be better at writing both large and small characters. The key is persistence. Writing for twenty minutes every day is better than writing for two hours a day on weekends.

Question 10: What is the best way to practice calligraphy (block letters and pen calligraphy)? Please tell me the detailed method, thank you for your patience in answering! Buy a copybook with pen sketches and write directly, and stick to it for more than half a year. I will experience it firsthand, and the handwriting will definitely be good.

Regular script, also known as regular script, regular script, regular script or real script, is a common one-nail font in Chinese calligraphy. The shape of the characters is relatively square, unlike the flat shape of official writing. Regular script is still the reference standard for modern Chinese handwriting, and another handwriting style has also been developed - pen calligraphy.