At the beginning of the film, Mrs. Baihuyu found Wang Daren who saved herself in the rain 300 years ago in order to repay her kindness, and promised to betroth her daughter to Wang Daren's silly son Wang Yuanfeng. When the image of Wang Yuanfeng appeared, I was frightened and felt that I was finished. Csillam's image really doesn't know how to meet the demanding requirements of the audience. I can only say that Csillam's acting skills are so good that he is used to his intelligent, calm and handsome image in Hong Kong and Taiwan dramas. This naive juvenile Wang Yuanfeng really regretted it. In the next paragraph, I can only give this film a funny title, explaining that the appearance of the little foxes, the beautiful fox fairy mansion and ten little foxes that Mrs. Yu took her father and son to see her made this scene not only beautiful, but also beautiful. The old fox named each daughter by the method and color classification that everyone often saw in movies. One of the mortals is called "Linger", but this name has a unique charm. You know, the least magical thing about Yuanfeng is "Linger". Every time he introduced a daughter, the old fox came up with the idea of flying kites to get married. This seemingly ugly idea has been tossed about by writers and directors. The kite can be torn, the picture scroll can be torn, but the old fox's heart cannot be torn, and the audience's heart must be torn. "Xiaocui", a white fox destined to be extraordinary, turned out to be ". Having said so much nonsense, I suggest that the film start a tortuous story around Yuan Feng, Xiaocui and Linger, and the ending of this story is just like the cause of all this, and the fragmented ending tears the hearts of the audience. But in the end, the director was not so cruel. He even arranged for Yuan Feng to make kites. He often said in his sleep, "I'll make one and you tear one", and Xiaocui once replied, "I'm tired of tearing. The words "Have a good sleep" mean that even if the kite is broken, Nima Yuanfeng will do it, even if the ending is doomed to be fragmented, but Yuanfeng is a fulcrum. He made the ending bleak and doomed to lose aesthetic feeling. The director is this nonsense "Xiao Cui". He turned this touching debt repayment story into a magical love drama, but the director was also doomed to be tired. He finally finished tossing it over. He made it into a good-looking play. . . I appreciate Chaoyang Niu's metaphor. He further refined the metaphor of China's films, making every line of the film quite full, with more than one sentence and less. The love story of this film is not limited to Yuanfeng. Of course, if only the relationship between Yuanfeng and Xiaocui can only be called fairy love, the Magic Road screenwriter also arranged a love triangle with Yao Ji, the sea bat king and Honglian to enrich it. In this relationship, the dog's blood is the blood of Honglian, the king of sea bats, and the intelligent spirit actually says "love". The demon king who has been practicing for ten thousand years also moved, moved. . . Eight emotions and nine spells, mortal, fairy fox, magic, essence, Buddha and the unpredictable love in the play are really colorful words full of magic, love and stories.

There is a magical love story. The love theme of this movie is "not stupid, not stupid, not love". I can only say that the plot is really vivid. At first, it was a fool who chose Xiaocui and was infatuated with Xiaocui. Unless she didn't marry, it could be described as infatuation. Later, Xiaocui moved his Millennium masterpiece to Yuanfeng for Yuanfeng, and he became a fool himself. He also thought that Yuanfeng woke up and chose her, so they could be together. Who knows that you Niang, who is crazy about love, came out and inserted a knife, telling Xiao Cuiyuan Feng that only by marrying a mortal can she exert her magic. (In this case, I really feel that You Niang seems to look down on Yuan Feng and Xiaocui, and she was killed. So he came out to help the director continue to make trouble. ) Xiaocui's stupidity bears the words of the old fox that the relationship between the fox and people has never had a happy ending. On this subject, I have to mention the relationship between bats and foxes. Red-violet and bats were fine, but since red-violet was tempted by mortals, tragedies have happened again and again. The phrase "not stupid is not love" was first put forward by Linger in the play. He didn't abandon the original fool, that is, the current 2b teenager, and Xiao Cui has been advocating the love of "embracing her husband and lasting forever". Although this is true, she thinks that Yuan Feng, a fool, can't give her the love she needs, so she despises 2b youth. Finally, she felt that the director was alluding to something. . .

In the film review, I have to mention that the 3d effect of White Fox is really good, very good. This film is moving towards aestheticism. The sea bat king also said in the play that "the scenery behind the Fox Fairy Valley is sometimes more attractive than blood", and the director also advertised in the film. Exquisite 3d presentation makes the scene of the film really attract many viewers' attention, not only the close-up of the scene, but also many special effects of aesthetic lens, such as the first scene in which Yuan Feng chooses his wife, Xiao Cui tears a kite, the plot of Shen Yuan's transition, Xiao Cui's dance, and finally the plot of the fox fighting bats. . . It seems that since the success of the delicate style of The Painted Skin 2, China's films have gradually become delicate and emotional. Although there is a lot of dog blood in this play, Chaoyang Niu, the director who directed this film for the first time, did quite well. He made up for this deficiency with delicate emotions and exquisite aesthetic scene special effects.

At the end of this film, I have to mention that I cried. After all kinds of tossing by the director, I fell into deep love, silly and funny love, playing with the hearts of the audience. When Yuanfeng hugged Xiaocui, he told him that I would "hold you forever, even if I stabbed me with a knife, I wouldn't let go with an arrow or fire." When Yuan Feng chose his wife for the second time and pulled Xiao Cui to say "My heartbeat remembers your fragrance", when Xiao Cui remembered that she was with Yuan Feng, and when Xiao Cui remembered that Yuan Feng wanted to watch her dance, she danced beautifully, and the theme song sounded. Finally, Yuan Feng hugged Xiao Cui. At the moment of Xiaocui's death, I can only say that their love was really fun, which made my heart thump to remember the rhythm of their playing. . .

I admit that there are too many irrationalities and coincidences in this film, but without these stories, China might not have a screenwriter like Nolan, and he could not make up such a convincing and in-depth story. China's movies may not have the visual enjoyment like Hollywood movies, nor do they present the elements of science fiction beautifully in 3d, but the White Fox is exquisite to the extreme, and both the scenery and the emotion deeply attract me. Perhaps this is the development trend of domestic films in the future.