The thin clouds in the sky are changing, the meteors in the sky convey the sadness of acacia, and the endless galaxy I quietly crossed tonight.
When the golden wind meets the dew, it will win, but there are countless people in the world.
Tender as water, ritual like a dream,
If two kinds of feelings last for a long time, they are still there, day and night.
Que Qiao Xian is a Qixi poem written by Qin Guan, a poet in the Song Dynasty. Queqiaoxian is the title of this word, and it is also the title of this word. This example of be worthy of the name was very common in the Tang and Five Dynasties. After the Southern Song Dynasty, the relationship between words and music became more and more alienated, and it became popular outside the adjustment of song names, and another song name was marked to show the things and contents of singing.
The thin clouds in the sky are changing, the meteors in the sky convey the sadness of acacia, and the endless galaxy I quietly crossed tonight. Thin clouds are Wei Yun, flying stars are meteors, and Han Yin is the Milky Way. Slight clouds, meteors streaking across the night sky, and the Tianhe River in the distance are all specific natural scenes on the night of July 7, not descriptions of ordinary nights. Trick, hatred, darkness, this is the vivid image of the weaver girl, and it is a description of the typical character and behavior of the weaver girl. The legendary Weaver Girl is an expert in weaving, and the things she weaves can be wonderful, which is better than the lightness and beauty of Xia Yun. Therefore, in the old society, on the night of July 7, no matter who was in the court, women would set fruit in the court under the moon, put down their needlework, and begged the weaver girl to give them dexterous hands in weaving, embroidering and sewing clothes, and give them good needlework. So Tanabata is also called Beggar's Day. The word "Qiao" contains many rich contents. Flying stars spread hatred, not general hatred, but the hatred of the earth and the hatred of the sky; One day both will end, and this endless sadness will last forever, just like Bai Juyi's Song of Eternal Sorrow. Clouds in the night sky are like brocade woven by the weaver girl, and meteors across the night sky seem to convey her resentment that husband and wife can't get together. At this time, the weaver girl quietly crossed the distant Tianhe River to see the cowherd. Trick, hatred, darkness, this series of actions, written in layers, organically combine the characters' personality, behavior and environment, and play a good role in blending scenes. In this sentence, I euphemistically wrote the specific scene of Tanabata, which requires a lot of clever thinking.
On the seventh day of autumn dew and autumn, it is time to meet, mostly those who are together in the world, but the appearance of husband and wife. Golden wind is autumn wind, and high curative value is white dew. This is a special scene in autumn. The golden wind and high jade dew imply the season and climate. Add a gold word before the wind word and a jade word before the dew word to show the beauty of the scenery. In such a beautiful scene, couples who really love each other can meet overnight, which is better than countless reunions in the world, more than many times. True love cannot be separated from Tianhe. With this kind of true love, even if we meet once a year, it is beautiful and valuable; Without the combination of love, it is meaningless to be together for a lifetime. It is obvious from here that the author's views on the meeting of cowherd and weaver girl on Tanabata are quite different from those usual views. In the author's view, the weaver girl is the real winner of noble love, not the loser. Weaver girl is very enviable. This sentence is actually a copy of the last sentence of the whole word.
Xia gan: tender as water, like a dream on vacation, can you manage the bridge and go home? Remote connection means meeting in the dark. The depth description of the scene from darkness to encounter, from encounter to encounter is very clear. Tenderness is like water, which refers to the tenderness of the weaver girl when she knows the cowherd, more than the milky way water in front of her. Compared with water, love is as deep as water, while Shui Rou is like love. The two are linked and play a role in setting off each other and deepening each other. The ceremony is like a dream. We meet once a year. I don't know how many feelings we have to pour out. Can we fall in love at first sight without dreaming? Can meeting tonight be as beautiful as a dream? So loving couples can meet secretly, only one night a year. Can they be willing to part? However, if you don't want to go back, you have to go back and take the road of Queqiao. This is where the hatred lies. This sentence strongly exaggerates the deep and sincere feelings of the Weaver Girl. Connected with the water of the Milky Way and the road of Queqiao, it goes deep into the psychological state of the characters from emotion and scenery, from scenery and emotion, and from scenery, euphemistically and implicitly. This is the characteristic of graceful poets.
As long as two people love us to the end, why covet my Heron? As long as the love between two people is truly everlasting, why get along with each other day and night?
The word * * * has 56 words, which is equivalent to a seven-meter poem, but the syntax is different. It wrote about thin clouds, meteors, golden winds, jade dew, the distant galaxy and the magpie bridge on the galaxy. I also wrote the wisdom of the Weaver Girl and the hatred of the Weaver Girl. She quietly crossed the Milky Way, crossed the Magpie Bridge, and went to the annual dream, and her heart was full of tenderness; She was absorbed in walking towards the Magpie Bridge, and never thought of coming back from this bridge after one night and enduring isolation and separation year after year. She only felt the long-term relationship and the preciousness and joy of meeting tonight; She doesn't want to be together all the time. She feels that this beautiful night is better than countless people, that is, forever. This is the feeling of Weaver Girl on Tanabata. The author skillfully integrates feelings and scenes everywhere, and creates characters in the blending of scenes. This character is flesh and blood, complete and plump.
If two people have a long-term relationship, sooner or later! Spread hate and love for a long time, and then use Bai Juyi's everlasting regret song. ...