How to evaluate Kitano Takeshi's Fireworks?
Hana-Bi-Apologize, in Kitano Takeshi's own words, is "a film shot basically according to orthodox narrative techniques", which almost exhausts Kitano Takeshi elements and can be said to have reached the peak of Kitano Takeshi's film aesthetics. Kitano Takeshi integrated his philosophy of life and death and his will to refuse into it, which endowed the film with an unpredictable temperament. The first few fixed shots are switched back and forth, and the hero's character is displayed neatly through the expression state of the characters. Kitano Takeshi stood with a face of "facial paralysis" and kicked out the car washer who soiled his car. This must be another person with a story.