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Classic quotations of traditional Chinese painting meticulous brushwork
One is Evonne, the other is Muxi, which holds up half of Chinese painting. One is the originator of freehand brushwork, and the other is the ultimate emperor of meticulous painting.

-Zhu Xinjian's "Back to Original Form"

Pipa also guessed that he was a good pianist. A handsome stroke, adding one point is too fat, subtracting one point is too thin and natural. Full of ink points out the moss on the cliff, and the priorities are very measured. Every point is a perfect pear. This painting itself may be a famous ancient painting, but I don't know that it is a mixture of many famous paintings and many similar places: boats, bridges, huts, trees and mountain walls. It is a collection of sentences in traditional Chinese painting and a major feature of China's poems. The sentences in ancient poems are combined into a poem, and the artistic conception is different from the original poem. Only a country with a long history like China can appreciate such creativity. But some phrases are really clever, Pipa thought. For some reason, she hates painting and collecting sentences. She likes to paint by herself, and she is very depressed to find that all the good pictures in the world have been painted. However, what she hates most about Chinese painting is that it has no color, and the snow-white one is only occasionally brushed with a faint rust brown. With such a mountain stream, she certainly doesn't want to go. Just watching, life is like something is missing.

-Zhang Ailing's "Leifeng Tower"

In oil painting, white should be cherished like gold, but Chinese painting is different. There are many blanks in it, and those blanks are the boundaries of Chinese painting.

-Liu

Oil painting is a mixture of pigment and oil painting, which is different from Chinese painting in which ink pigment and water are mixed.

-Jiang Xun's "A Talk on the Art History of China"