Money, also called signature, is the author's name, year, month, and porch number outside the writing of this article. Before the Tang Dynasty, many writers didn't ask questions, so it was very troublesome to study ancient works, which became a lot of forgeries, so many works by Wang Youjun, a great scholar, were suspicious.
In addition to the changes in fonts and glyphs, styles can also be divided into "single style" and "double style", which are explained as follows:
Classification of signatures
(1) Single paragraph
Also known as the next paragraph, it is the author's own title. After the work is completed, it must be inscribed as a sign of courtesy and responsibility to the work.
1, a short paragraph is simply signed with a name or year, and at most it is a cross.
2. One-character calligraphy is called one-character calligraphy.
3. Only sign the author for the word "2" and give the title of the word "1".
Most of the three words are written in their own names, and the word "book" is added if one word is named.
5. Most of the four fields are the name followed by the word "book" or the year added to the two-character name, and the year is mostly the dry branch.
6. Add the year to the five-character name or the year to the two-character name, and add "book" below.
7. Among the six words in the six fields, the three-word name plus one year or the two-word name plus one year and one month; The moon has many uses.
8. In the seven words of the seven-character joke, the word "year, month" is added with the word "name", or the word "book" is added under the word "name".
9. Long style is to add many words to the year, month and name in order to seek change, balance the work, fill the vacancy and write the author's feelings.
10, add the name of the author Zhai Xuan.
1 1. Those who add the author's place names have their current names, such as Qing, Wu Changshuo, Anji, Zhejiang, etc., and the inscriptions mostly use "Anji Five Cang Shi".
12. For those who add the author's words or other names, such as Qinghe Wu Changshuo, formerly known as Cang Shi, it is often used as "Cang Ren". There are many nicknames.
13. The ancients also added official titles to inscriptions, especially in the Tang Dynasty. For example, the signature of Ou Yangxun's book "Ninety percent Palace Ritual Spring Inscription" is "the rate of concurrently serving as the Prince's envoy to Bohai Sea, and Ou Yangxun's imperial edict".
(2) Two paragraphs
That is to say, in addition to a single paragraph, the words such as the name, title and tribute of the recipient are added.
1, the recipient's name is a word to others, and the number is more respectful. If you don't have a font name, you can call it a first name, but it's best not to name it after a surname.
2. In ancient times, the official titles of recipients were mostly "adults", such as "viewing adults" and "being elders". Teachers nowadays are called "teachers", "principals" and "professors".
3, the recipient's title, if the recipient is associated with the book; Elders often use "in-laws" and "in-laws".
4. Respect the words Ya, Ya, Ya, Ya, Ya, Ya, Ya, Ya, Ya, Ya and Yu.
Words commonly used in calligraphy works
Elders: My teacher, Taoist, senior, Mr., Ms. (Miss).
Peer (or younger generation): brother, brother, good friend, respected brother, eldest brother, virtuous brother (younger brother), schoolmate (younger brother), Taoist brother, Taoist friend,
Xueyou, Fang Jia, Mr., Miss, Legalist (said to have expertise in painting and calligraphy or a certain aspect)
Close relationship: Xue Ren's brother, my brother (younger brother).
Teachers to students: learn from (benevolence) brother, learn from (benevolence) brother, be virtuous and virtuous.
Classmates: seniors, seniors, classmates, classmates, classmates.
Politeness or respect in the previous paragraph
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Elegant, elegant, elegant, elegant, elegant, elegant, exquisite, elegant, elegant, elegant, elegant, elegant, elegant, elegant, elegant, elegant, elegant, elegant, elegant, elegant, elegant, elegant, elegant, elegant, elegant, elegant, elegant.
Politeness or respect in the next paragraph
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Calligraphy inscription:
Worship books, worship books, respect books, nod, give books, drunk books, drunk pens, scribble, play books, celebrate festivals, write, record, write, write and print.
Painting title:
Respect, respect, special gift, painting wish, writing wish, writing proposal, nod, title, title, title, sentence, respect, memory, inscription, remember, and title, postscript, inscription, worship, record, and record, praise, praise, self-mockery.
Seal the cutting edge with the following materials:
Carving, recording, making, processing stones and seal cutting.
Layout of calligraphy works
A calligraphy work mostly includes three aspects: text, inscription and seal.
The text is the main content to be written and the main body of the work. Articles, poems, aphorisms, etc. All are healthy and uplifting, and auspicious and peaceful words can be used as the content of calligraphy works.
The title is the explanatory text outside the text. Including the theme of the text, the time and place of going out and writing, the author's name, font size, fasting number, the title and name of the given object, etc. Not every work has to write these contents. The content of the inscription depends on the specific needs of the work. Part of the inscription is written in front of the text, which is called the front paragraph; Some are written at the back of the text, which is called the next paragraph. The name and address of a given object should be written in front of the text to show respect.
The seal stamped in calligraphy works can be divided into name seal and idle seal according to its content. From the position of coverage, there are the first chapter and the foot chapter. The first chapter stamped on the work is called the first chapter, and the chapters stamped on the text and the next paragraph are called footprints. Seals mainly play an ornament role in calligraphy works, so it is not advisable to have too many seals in a work, usually one or three.
Characters, inscriptions and seals are three organic parts of a work. When creating, we must make overall arrangements to make the three constitute a perfect and harmonious whole.