1. Once a year, the autumn wind is strong, not like the spring scenery, but better than the spring scenery. The vast river and sky are covered with frost. (Mao Zedong's "Picking Mulberries·Double Ninth Festival")

2. The bleak autumn wind is here again, and the world has changed. (Mao Zedong's "Langtaosha·Beidaihe")

3. Ask the vast land, who is responsible for the ups and downs. (Mao Zedong's "Qinyuanchun·Changsha")

4. Point out the country and inspire words, and the dung will be like that of thousands of households. (Mao Zedong's "Qinyuanchun·Changsha")

5. To destroy something due to human strength is unkind; to lose what one has given is unknowing; to make chaos easy to rectify is not forceful. ("Zuo Zhuan·Zhu Zhiwu Retreats the Qin Master")

6. If you advance, you will think of rewards, if you retreat, you will think of punishment. In this way, there will be constant rewards. If you advance, you will not die, if you retreat, you will be shameless; if you do this, you will be punished. ("Guoyu·Gou Jian Destroyed Wu")

7. When a few people hear about the virtuous kings of ancient times, they don't worry that they are inferior to others, but they worry that their ambitions and actions are less shameful. ("Guoyu·Gou Jian Destroyed Wu")

8. When my wife beautifies me, she is selfish; when my concubine is beautifying me, she is afraid of me; when a guest is beautifying me, she wants something from me. ("Warring States Policy·Zou Ji satirizes the King of Qi for accepting advice")

9. Parents who love their children have far-reaching plans. ("Warring States Policy: Touching the Dragon and Talking about the Empress Dowager Zhao")

10. Don't worry about being few but worrying about inequality; don't worry about poverty but worrying about insecurity. ("The Analects of Confucius: The Ji family will attack Zhuan Yu")

11. No one is poor, no one is widowed in harmony, and there is no inclination. ("The Analects of Confucius: The Ji family will attack Zhuan Yu")

12. If people from afar are dissatisfied, cultivate literature and virtue and come to them. Once they come, make peace with them. ("The Analects of Confucius: The Ji family will attack Zhuan Yu")

13. If the farming season is not violated, the grain will not be enough to eat; if the grains of rice are not put into the pond, the fish and turtles will not be able to eat; the weight and ax will be brought in at the right time. In the mountains and forests, the timber is inexhaustible. ("Mencius: How the Ignorant Man Concerns the Country")

14. A five-acre house with mulberry trees, and a fifty-year-old can be clothed with silk. Animals such as chickens, dolphins, dogs, and pigs will not lose their food. Those who are seventy years old can eat meat. ("Mencius: What a Widow is to a Country")

15. A gentleman is knowledgeable and considers himself every day, then he will know clearly and make no mistakes. ("Xunzi Encouraging Learning")

16. It is not as good as what I have learned in just a moment to think about it all day long; it is not as good as to gain insights from climbing high while I am standing on my knees and looking at it. ("Gouzi Encouraging Learning")

17. Therefore, if you don't accumulate steps, you can't reach a thousand miles; if you don't accumulate small streams, you can't reach a river or sea. ("Xunzi Encouraging Learning")

18. If you persevere, the rotten wood will not break; if you persevere, the metal and stone can be carved. ("Xunzi Encouraging Learning")

19. Earthworms have no sharp claws and teeth, nor strong bones and muscles. They eat earth and drink from the underworld. ("Gouzi Encouraging Learning")

20. One man is in trouble and seven temples are destroyed, and he is killed by others. How can he make the world laugh? If benevolence and righteousness are not applied, the offensive and defensive momentum will be different. (Jia Yi's "On the Passage of the Qin Dynasty")

21. Today, Xiang Zhuang draws his sword and dances, and his intention is always with Pei Gong ("Historical Records: Hongmen Banquet")

22. Ignore the great deeds Be meticulous and do not hesitate to give in to the big gifts. Nowadays, people are like swordsmen, and I am like fish and meat, so why should I say that? ("Historical Records: Hongmen Banquet")

23. If you understand the past, you will not admonish it, and you will know that you can pursue those who are coming. (Tao Qian's "Return and Lai Ci")

24. It's not too far to go astray, and I feel that what is right now is not what it was yesterday. (Tao Qian's "Return and Return")

25. The clouds come out of Xiu without intention, and the birds know when they are tired of flying. (Tao Qian's "Return and Lai Ci")

26. The wood is flourishing, and the spring is beginning to trickle. (Tao Qian's "Return and Come Back")

27. Wealth and honor are not what I want, and the imperial hometown cannot be expected. (Tao Qian's "Return and Come Back")

28. The green smoke cries at night, and the fragrant trees fly in the daytime. (Fan Zhong'an's poem)

29. What is the way to die? The body is supported by the same mountain. (Tao Qian's "Elegy")

30. The sentences can be cut, which shows how sparse they are; the words cannot be reduced, which shows how dense they are. (Liu Xie's "The Literary Mind and the Carving of Dragons")

31. People's opinions make gold, but accumulation destroys bones. ("Historical Records·Biography of Zhang Yi")

32. With a cold eyebrow and a cold finger, he bows his head and is willing to be a Ruzi Niu. (Lu Xun)

33. A true warrior dares to face the bleak life and the dripping blood. What a mourner and a happy person. (Lu Xun's "In Memory of Mr. Liu Hezhen")

34. The tragic scene has made my eyes unbearable to look at; the rumors, especially the rumors, have made my ears unbearable to hear. ...Silence, silence! If you don’t break out in silence, you will perish in silence. (Lu Xun's "In Memory of Mr. Liu Hezhen")

35. The surviving people will vaguely see a faint hope in the light red blood. A true warrior will move forward even more courageously. (Lu Xun's "In Memory of Mr. Liu Hezhen")

36. Those who seek the growth of trees must strengthen their roots; those who wish to flow far away must dredge up their springs; those who long for the security of their country must accumulate their virtues. (Wei Zheng's "Ten Thoughts on Admonishing Taizong")

37. Those who are good at the beginning will be successful, and those who can control the end will overwhelm the few. (Wei Zheng's "Ten Thoughts on Admonishing Taizong")

38. If you can sincerely see what you want, then you will have enough knowledge to warn yourself; when you are about to do something, you will have enough knowledge to calm others; if you think about high dangers, then you will have a humble mind. To feed yourself; if you are afraid of overflowing, you will think of the rivers and seas and the hundreds of rivers. (Wei Zheng's "Ten Thoughts on Admonishing Taizong")

39. If you can simply let it go, choose the good and follow it, then the wise will do your best, the brave will respect his efforts, the benevolent will spread his benefits, and the trustworthy will follow his example. Loyal.

(Wei Zheng's "Ten Thoughts on Remonstrance to Emperor Taizong")

40. The treasures of heaven and earth, the dragon's light shooting down the ruins of the bull fight; (Wang Bo's "Preface to Prince Teng's Pavilion")

41. The setting clouds and solitary swans fly together, and the autumn water and the long sky are the same color. (Wang Bo's "Preface to Prince Teng's Pavilion")

42. Although Beihai is on credit, it can be picked up if it swings; the east corner is gone, but it is not too late to mulberry trees. (Wang Bo's "Preface to Prince Teng's Pavilion")

43. It is difficult to cross the mountain, and anyone who has lost his way feels sad; meeting someone by chance is like a guest from a foreign land. (Wang Bo's "Preface to Prince Teng's Pavilion")

44. Feng Tang Yi Lao, Li Guang is difficult to seal. (Wang Bo's "Preface to Prince Teng's Pavilion")

45. There is neither high nor low, neither long nor young. Where the Tao exists, the teacher exists. (Han Yu's "Master's Theory")

46. Disciples do not have to be inferior to their teachers, and teachers do not have to be better than their disciples. There is a priority in learning the Tao, and there is a specialization in skills, that's all. (Han Yu's "Master's Theory")

47. Woohoo! Those who destroy the six kingdoms are the six kingdoms, and they are not Qin; those who belong to Qin are Qin, and they are not the world. (Du Mu's "A Fang Guan Fu")

48. The people of Qin had no time to mourn for themselves, but later generations mourned them, and future generations mourned them without taking heed of them, which also made future generations mourn their descendants again. (Du Mu's "Afang Palace Ode")

49. Worry and labor can rejuvenate a country, while leisure can destroy one's life. (Ouyang Xiu's "Preface to the Biography of Lingguan")

50. Disasters often accumulate in the slightest, while wisdom and bravery are often trapped in drowning. (Ouyang Xiu's "Preface to the Biography of Lingguan")

51. Is it okay to make assumptions about the existence of things without seeing them and hearing them? (Su Shi's "The Story of Shizhong Mountain")

52. Otherwise, if you order the five people to keep their leader under the roof, then they will be able to serve them for the rest of their lives, and they will be able to subjugate the heroes. Liu, choke the tomb passage, express the sorrow of his lofty ideals? (Zhang Pu's "Tombstone Notes of Five People")

53. I and other gentlemen from the same society commemorated the tombs of the people who had their graves and marked them with stones. This also shows that life and death are important, and that they are more important than just one person. Sheji also. (Zhang Pu's "Tombstones of Five People")

54. The reeds on the wall are top-heavy and have shallow roots; the bamboo shoots in the mountains have sharp mouths, thick skin and hollow bellies. (Couplet by Zheng Banqiao)

55. When the spring comes, the women are used to leaving their young hair on their temples. In the dream, there are vague tears of loving mother, and the king's flag changes on the city wall. I can't bear to watch my friends become new ghosts, and I look for poems when I look at the knife with anger. After chanting, I lowered my eyebrows and found nothing to write about. The moonlight shone like water on my clothes. (Poetry by Lu Xun)

56. The tame bird misses the old forest, and the fish in the pond miss the old abyss. (Tao Yuanming's "Returning to the Garden and Living in the Fields")

57. The warmth of people in the distance is reflected in the smoke in the ruins. (Tao Yuanming's "Returning to the Garden and Living in the Fields")

58. Drinking and singing, what a life! (Cao Cao's "Dan Ge Xing")

59. The mountains never get too high, and the sea never gets too deep. The Duke of Zhou vomits food, and the world returns to its heart. (Cao Cao's "Dan Ge Xing")

60. An Neng's ability to bend his eyebrows and bend his waist to serve the powerful makes me unhappy. (Li Bai's "Sleepwalking Tianmu's Song of Farewell")

61. We are both fallen people at the end of the world, so why should we have known each other before meeting. (Bai Juyi's "Pipa Play (with Preface)")

62. Who cried the most in the audience? Jiangzhou Sima's green shirt was wet. (Bai Juyi's "Pipa Play (with Preface)")

63. The bright moon shines among the pines, and the clear spring flows up the stone. (Wang Wei's "Mountain Dwelling in the Dark Autumn")

64. The endless falling trees rustle, and the endless Yangtze River rolls in. (Du Fu's "Eight Poems of Autumn")

65. The wind is strong, the apes are high in the sky and howl in mourning, and the white birds are flying back from the clear sand in Zhugong. (Du Fu's "Eight Poems of Autumn")

66. Wanli is always a guest in the sad autumn, and he has been sick for a hundred years and only appears on the stage. (Du Fu's "Eight Poems on the Rise of Autumn")

67. Dying before leaving the army will make the hero burst into tears. (Du Fu's "Prime Minister of Shu")

68. My motherland is surrounded by mountains, and the city is lonely in the empty city. (Liu Yuxi's "Stone City")

69. Zhuang Sheng dreamed of butterflies at dawn, and looked forward to the emperor's spring heart entrusted to the cuckoo. (Li Shangyin's "Jin Se")

70. The bright moon in the sea has tears, and the warm sun in Lantian produces smoke. (Li Shangyin's "Jin Se")

71. The building boat is crossing Guazhou in the snow at night, and the iron horse is dispersed in the autumn wind. (Lu You's "Book of Indignation")

72. If you are a true celebrity, who can compare with you in a thousand years? (Lu You's "Book of Anger")

73. Listening to the spring rain in the small building all night, selling apricot flowers in the deep alley in the Ming Dynasty. (Lu You's "The First Spring Rain in Lin'an")

74. Asking you how much sorrow you can have is like a river of spring water flowing eastward. (Li Yu's "Yu Meiren")

75. Passion has hurt parting since ancient times, and it is even more embarrassing to neglect the Qingqiu Festival. (Liu Yong's "Yulin Bell")

76. Wherever I wake up from the drunkenness tonight, the dawn wind and moon are waning on the willow bank. (Liu Yong's "Yulin Bell")

77. The great river goes eastward, and the waves are washed away, and there are romantic figures throughout the ages. (Su Shi's "Niannujiao·Chibi Nostalgic")

78. If the love lasts for a long time, how can it last day and night? (Qin Guan's "Magpie Bridge Immortal")

79. One kind of lovesickness, two places of idle sorrow. There is no way to eliminate this feeling, so I just frown, but it is in my heart. (Li Qingzhao's "A Cut of Plum Blossoms")

80. Who can ask: Lian Po is old, can he still make a living? (Xin Qiji's "Yong Yu Le·Nostalgia for the Past at Beigu Pavilion, Jingkou")

81. The twenty-four bridges are still there, the waves are in the heart, and the cold moon is silent. (Jiang Kui's "Yangzhou Slowness")

82. If you read the red medicine beside the bridge, you will know who you are born for every year. (Jiang Kui's "Yangzhou Slowness")

83. When the cigarettes are sold out and no one is seen at sunrise, the mountains and rivers are green.

(Liu Zongyuan's "The Fisherman")

84. Where Nuwa was making stones to mend the sky, the rocks shattered the sky and made the autumn rain startle. (Li He's "Li Ping Kong Hou Yin")

85. A red concubine riding on a horse laughed, but no one knew it was a lychee. (Du Mu's "Quetra on Passing the Huaqing Palace")

86. Looking at flowers in the front and rear mirrors, the flowers reflect each other. (Wen Tingyun's "Bodhisattva Man")

87. When the water falls and the flowers fall, the spring is gone, and the heaven and the earth are gone. (Li Yu's "Lang Tao Sha")

88. The old things of the Six Dynasties flow with the flowing water, but the cold smoke fades and the grass becomes green. (Wang Anshi's "Jinling Nostalgia")

89. The colorful boats are covered with light clouds, and the stars and rivers have herons rising, making it difficult to draw a picture. (Wang Anshi's "Guizhixiang·Jinling Nostalgia")

90. The blood-fertile Central Plains is full of fertile grass, and the cold and frozen earth blooms with spring flowers. (Lu Xun's "Untitled")

91. The message is that the cold stars in Tsuen cannot be noticed, but I recommend Xuanyuan with my blood. (Lu Xun's "Self-Inscribed Portrait")

92. They stand alone, with shadows and shadows hanging from each other. (Li Mi's "Chen Qing Biao")

93. The breeze comes slowly, but the water is calm. (Su Shi's "Red Cliff Ode")

94. Send a flying dragon flying in the sky and earth, becoming a drop in the sea. (Su Shi's "Red Cliff Ode")

95. The sky is blue, the ground is yellow, the west wind is strong, and the northern geese are flying south. Who will be drunk in the forest at dawn? Always left in tears. (Wang Shifu's "The Romance of the West Chamber: Farewell at the Long Pavilion")

96. White birds fluttered, green water surged, some butterflies flew around the tender yellow flowers, and no one looked at the new red leaves. (Kong Shangren's "The Peach Blossom Fan: A Sorrow for Jiangnan")

97. That's it, the bright moon is floating in the sky, the stones are shining like steel, and all the tiles and cauldrons are silent and silent. (Yuan Hongdao's "Tiger Hill")

98. There are wild grasses and flowers beside the Suzaku Bridge, and the setting sun is setting at the entrance of Wuyi Lane. In the old days, the swallows in front of Wang Xietang flew into the homes of ordinary people. (Liu Yuxi's "Woyi Lane")

99. The red sun is scorching like fire, and the fields and rice are half withered. The farmer's heart is like boiling water, and the princes and princes are shaking their fans. ("Getting the Birth Plan Out of Wisdom")

100. The road to Shu is as difficult as climbing to the sky! (Li Bai's "The Road to Shu is Difficult")

101. One man can guard the gate, but ten thousand men cannot open it. (Li Bai's "The Road to Shu is Difficult")

102. There are six dragons returning to the sun on the top, and there are rushing waves and turning back to Sichuan below. (Li Bai's "The Road to Shu Is Difficult")

103. If you don't see it, the water of the Yellow River will come up from the sky and rush to the sea never to return. (Li Bai's "About to Enter the Wine")

104. Don't you see that the bright mirror in the high hall has sad white hair, and it looks like blue silk in the morning and turns to snow in the evening. (Li Bai's "About to Enter the Wine")

105. I am born with talents that will be useful, and I will come back after all my gold is gone. (Li Bai's "The Wine Will Come in")

106. The five-flowered horse and the golden fur will bring you the wine, and I will sell the eternal sorrow with you. (Li Bai's "About to Enter the Wine")

107. Holding his clothes and stamping his feet, he blocked the road and cried, and the cry went up to the sky. (Du Fu's "Army Chariots")

108. The side court bled into sea water, and Emperor Wu couldn't stop thinking about it. (Du Fu's "War Chariots")

109. It is believed that it is evil to have a boy, but it is good to have a girl. If you have a girl, you have to marry a neighbor, but if you have a boy, you will be buried under the grass. (Du Fu's "Army Chariots")

110. The flower path has never been swept by visitors, but now the gate is opened for you. (Du Fu's "Guest Arrival")

111. The stars hang down over the vast plains, and the moon surges across the river. (Du Fu's "Book of Travels at Night")

112. The sound of drums and horns at the fifth watch is solemn and solemn, and the shadow of the stars in the Three Gorges is shaken. (Du Fu's "Night in the Pavilion")

113. The mountains and valleys go to Jingmen, and there is a village of Mingfei. (Du Fu's "Ode to Ancient Relics")

114. Draw pictures to understand the spring breeze, and wear a ring in the sky to return to the soul of the moonlit night. (Du Fu's "Ode to Ancient Relics")

115. In the southeast corner of Wu and Chu, the universe floats day and night.

There are no relatives and friends, and there are no old and sick people. (Du Fu's "Climbing the Yueyang Tower")

116. The old and the old are like the old, and the young and the young are like the young. ("Mencius: The Matter of Qi Huan and Jin Wen")

117. The old man wears silk and eats meat, and the people are neither hungry nor cold, but there is no such thing as a king. ("Mencius·The Matter of Qi Huan and Jin Wen")

118. Respect the teachings of Xiangxu, express the meaning of teaching and brotherhood, and award white people to live up to the road. ("Mencius·Qi Huan and Jinwen")

119. Quan, then you know the importance; degree, then you know the length. ("Mencius: The Matter of Qi Huan and Jin Wen")

120. When the emperor cuts the candles from the west window, he talks about the night rain in Bashan. (Li Shangyin's "The Night Rain Sends to the North")

< p>121. The waves in the river are also surging from the sky, and the wind and clouds are blocking the ground. (Du Fu's "Eight Poems on the Rise of Autumn")

122. King Gaiwen was detained and performed "The Book of Changes"; Zhongnieu composed "Spring and Autumn"; Qu Yuan was exiled and wrote "Li Sao"; Zuoqiu lost his sight and passed away. There are "Guoyu"; Sun Tzu Binjiao, "The Art of War" revised list; Bu Wei moved to Shu, the biography "Lü Lan"; Han Fei imprisoned Qin, "Speaking Difficulties" and "Lonely Anger"; "Poetry" 300 chapters, the great sages What you do out of anger is what you do. (Sima Qian's "Report to Ren An")

123. His writing is simple, his words are subtle, his ambition is clean, and his conduct is honest. (Sima Qian's "The Biography of Qu Yuan")

124. The steam is rising over the Yunmengze, and the waves are shaking the Yueyang Tower. (Meng Haoran's "Looking at Dongting Lake and Presenting it to Prime Minister Zhang")

125. Viewed from the side, it looks like a ridge and a peak on the side, with different heights from near to far. (Su Shi's "Inscription on the Wall of the Western Forest")

126. Although the mountain alliance is there, it is difficult to trust the brocade book. (Lu You's "The Hairpin-headed Phoenix")

127. The green spring waves under the sad bridge were once the shadow of a startled grand.

(Lu You's "Shenyuan")

128. Water is like the waves in your eyes, and the mountains are like the gathering of eyebrows and peaks. (Wang Guan's "Businessman")

129. The garden is full of dark and light colors, shining in the green waves. (Wang Wei's "Spring Outing Song")

130. If you do too much injustice, you will surely die. ("Zuo Zhuan·Zheng Beke Duan Yu Yan")

131. It is better to defend the mouth of the people than to defend the river. If the river collapses and collapses, many people will be hurt. ("Guoyu·Zhao Gong admonished King Li and eliminated the slander")

132. Those who serve Sichuan will make decisions and guide them, and those who serve the people will declare their mission. ("Guoyu·Zhao Gong admonishes Li Wang Er and eliminates slander")

133. A sage will surely lose something if he worries a lot; a fool will gain something if he worries a lot. ("Yan Zi Chun Qiu·Yan Zi Ci Qian Jin")

134. Confucius climbed to the east mountain and made Lu small, climbed to Mount Tai and made the world small. ("Mencius: Devoting Your Heart")

135. When you stand at the top of the mountain, you can see all the mountains and small mountains at a glance. (Du Fu's "Looking at the Mountains")

136. There are clouds in the chest, and the birds are returning from the canthus. (Du Fu's "Looking at the Mountains")

137. It is the responsibility of the emperor to help the country, and it is the aspiration to bring peace to the people and benefit things. (Luo Yin's "Yue Women's Statement")

138. Yao was criticized for being unkind, and Shun was criticized for being unfilial. (Pi Rixiu's "Original Slander")

139. Yao's kindness was felt by the world, but it did not lie in his son; Shun's filial piety lasted for all generations, but it did not lie in his father. (Pi Rixiu's "Original Slander")

140. Gold and jade are on the outside, but there is decay on the inside. (Liu Ji's "Words from a Man Who Sells Oranges")

141. I cannot change my mind and follow the vulgar ways, otherwise I will be miserable and end up poor. (Qu Yuan's "She Jiang")

142. If I don't hesitate, I will fall into a coma for the rest of my life. (Qu Yuan's "She Jiang")

143. Xingtian dances with relatives, and the strong will is always there. (Tao Yuanming's "Reading the Classic of Mountains and Seas")

144. Bleeding smears the weeds, and the jackals are all covered with tassels. (Li Bai's "Ancient Style (Nineteen)")

145. I am a madman of Chu, and Feng Ge laughs at Confucius. (Li Bai's "A Ballad from Mount Lu to Lu Tai Yuxu Zhou")

146. The grass is dry, the eagle's eye is weak, and the snow is gone, and the horse's hooves are light. (Wang Wei's "Watching and Hunting")

147. It is the beautiful scenery in the south of the Yangtze River, and we meet you again when the flowers are falling. (Du Fu's "The Year of Li Gui in the South of the Yangtze River")

148. The sound of roosters echoes in the moonlight of Maodian, and the frost of Banqiao is frost. (Wen Tingyun's "Morning Journey to Shangshan")

149. Dance under the moonlight in the willow tower, and sing to the wind under the peach blossom fan. (Yan Jidao's "Partridge Sky")

150. The sky is connected with clouds and waves, and the morning mist is connected, and the stars are about to turn and a thousand sails are dancing. (Li Qingzhao's "The Proud Fisherman: Remembering Dreams")

151. The crowd searched for him thousands of times, but suddenly looking back, the man was there, in a dimly lit place. (Xin Qiji's "The Green Jade Case·Yuan Xi")

152. If you know your enemy and yourself, you will not be in danger in a hundred battles; if you don't know your enemy but know yourself, you will win one and lose one; if you don't know your enemy and yourself, you will be in danger in every battle. ("Sun Tzu·Planning for Government")

153. Words cannot be written, but actions will not go far. ("Zuo Zhuan: The Twenty-fifth Year of Duke Xiang")

154. When the year is cold, you will know that the pines and cypresses will wither! ("The Analects of Confucius·Zihan")

155. Zihan said on the river: "The deceased is like a man who never gave up day and night." ("The Analects of Confucius·Zihan")

156. Future generations are to be feared, how could one know that those who come will not be here now. ("The Analects of Confucius·Zihan")

157. Geng Xin's articles are more mature and mature, and Ling Yunjian's writing style is full of creativity. (Du Fu's "Six Quatrains in a Play")

158. The fresh Geng opened his mansion, and the handsome Bao joined the army. (Du Fu's "Spring Day with Li Bai")

159. The moon is setting, the crows are crying, the sky is covered with frost, and the river maples and fishing fires are facing melancholy. At Hanshan Temple outside Gusu City, the bell rang for the passenger ship at midnight. (Zhang Ji's "Night Mooring at Maple Bridge")

160. During the Qingming Festival, it rains heavily. Passersby on the road want to die and ask where the restaurant is. The shepherd boy points to Xinghua Village. (Du Mu's "Qingming")

161. See a world in a grain of sand, a paradise in a wild flower, put infinity in the palm of your hand, and collect eternity in a moment. (Blake's "Innocent Premonitions")

162. The spring tide brings rain late and comes quickly, and there is no boat crossing the wild crossing. (Wei Yingwu's "Xi Jian of Chuzhou")

163. When I was drunk, I read the sword by burning the lamp, and I dreamed of blowing the trumpet at the camp. Eight hundred miles away, the people under his command are burning, and the sound of fifty strings turning over the Great Wall. (Xin Qiji's "Broken Array")

164. The noisy cicada forest becomes quieter, and the bird-singing mountain becomes more tranquil. (Wang Ji's "Poems of Entering the Ruoye River")

165. Two orioles sang in the green willows, and a row of egrets climbed into the blue sky. (Du Fu's "Four Quatrains")

166. The sparse shadows are slanting across the clear and shallow water, and the faint fragrance is floating in the moonlight dusk. (Lin Bu's "Small Plum Blossoms in the Mountain Garden")

167. Abandon the small ambitions of sparrows and admire the swans in order to soar high. (Qiu Chi's "Book with Chen Bo")

168. The mountains are high and the moon is small, and the water will reveal the rocks. (Su Shi's "Hou Chibi Fu")

169. Great wisdom is like foolishness, great skill is like clumsiness. ("Laozi")

170. A small impatience will mess up a big plan. ("The Analects of Confucius·Wei Linggong")

171. Life is precious, but love is more valuable; if it is for freedom, both can be thrown away! (Poetry of Petofi)

172. How much leisure and sorrow are there? Yichuan tobacco, the city is full of wind and rain, and plums are yellow and rainy. (He Zhu's "The Sapphire Case")

173. The water is gone and the cold pond is clear, the smoke is condensed and purple appears at dusk. (Wang Bo's "Preface to Tengwang Pavilion")

174. The bird stayed in the tree beside the pond, and the monk knocked on the door under the moon.

(Jia Dao's "Inscribed on Li Ning's Residence in Seclusion")

175. The spring breeze is green again on the south bank of the river. When will the bright moon shine on me again?

(Wang Anshi's "Mooring in Guazhou")