1. Poems about expressing feelings about mountains and rivers
Poems about expressing feelings about mountains and rivers 1. The green mountains on both sides of the strait rise opposite each other, and the lone sail is coming from the sun.
——Li Bai's "Looking at Tianmen Mountain" 2. Zhumen smells of wine and meat, and there are frozen bones on the road. ——Du Fu's "Five Hundred Words of Ode to the Emperor from Beijing to Fengxian" 3. The clouds are steaming over Mengze, and the waves are shaking Yueyang City.
——Meng Haoran's "Looking at Dongting Lake as a Gift to Prime Minister Zhang" 4. If you can't get tired of looking at the green mountains, how interesting is the flowing water? ——Qian Qi, "A Banquet at Dongchiting Pavilion in the Outer City with the King of Examiners" 5. Thousands of miles of yellow clouds in the daytime, and the north wind blows wild geese and snow.
——Gao Shi's "Farewell to Dong Da" 6. I still miss Xiang Yu and refuse to cross Jiangdong. ——Li Qingzhao's "Summer Quatrains" 7. If I wish to have this life and serve the country, why should I be born in Yumen Pass?
——Dai Shulun's "Two Songs on the Fortress" 8. But the flying generals of Dragon City are here, and Huma is not taught to cross the Yin Mountain. ——Wang Changling's "Out of the Fortress" 9. No one can be seen in the empty mountain, but the sound of people's voices can be heard.
——Wang Wei's "Deer and Chai" 10. All the birds are flying high, and the lonely cloud is alone. ——Li Bai "Sitting Alone on Jingting Mountain" 11. Sacrificing one's life to go to the national disaster, seeing death as a sudden return home.
——Cao Zhi's "White Horse" 12. The clouds on the wild paths are all dark, but the fire on the river boats is only bright. ——Du Fu's "Spring Night Happy Rain" 13. The shadow of the lone sail in the distance is gone in the blue sky, and only the Yangtze River can be seen flowing in the sky.
——Li Bai's "Yellow Crane Tower Sends Meng Haoran to Guangling" 14. Returning to Laoning does not have five acres of land, and the original intention of reading is Yuanyuan. ——Lu You's "Reading" 15. The willows are green and the Qingjiang River is level, and I hear the singing on the Langjiang River.
——Liu Yuxi's "Bamboo Branch Poems" Classic poems expressing love for landscapes 1. The clear water is beautiful when the water is shining, but the mountains are empty and rainy, which is also strange. ——Su Shi's "Drinking from the First Sunny and Later Rain on the Lake" 2. The spring is silent and cherishes the trickle, and the shade of the tree shines on the water and loves the clear and soft water.
——Yang Wanli's "Little Pond" 3. Heal the sores in front of your eyes, but cut out the flesh in your heart. ——Nie Yizhong's "Ode to the Tian Family" 4. I dare not forget about my country despite my humble position. The coffin must be closed before the matter is settled.
——Lu You's "Sickness arose from the Book" 5. Take a long breath to cover your tears, mourning the hardships of people's lives. ——Qu Yuan's "Li Sao" 6. My heart is like a magnetic needle, and I will not rest until I point to the direction.
——Wen Tianxiang's "Yangtze River" 7. Every inch of mountains and rivers is full of gold, and who can resist the power of division? ——Huang Zunxian's "Inscribed on the same year as Liang Renfu" 8. A few peach blossoms outside the bamboo are a prophet of the warmth of the spring river.
——Su Shi's "Evening Scene of the Spring River in Huichong" 9. The white emperor's speech among the colorful clouds, thousands of miles of rivers and mountains are returned in one day. ——Li Bai's "Early Departure from Baidi City" 10. A man in a boat with a coir raincoat fishing alone in the snow in the cold river.
——Liu Zongyuan's "Snow on the River" 11. Tianmen interrupts the opening of the Chu River, and the clear water flows eastward here. ——Li Bai's "Looking at Tianmen Mountain" 12. The water of the Yellow River comes up from the sky and rushes to the sea never to return.
——Li Bai's "Jinjinjiu" 13. Although the three households of Chu were able to destroy Qin, how could China be empty and deserted? ——Lu You's "The Journey of the Golden Knife" 14. There are tens of millions of mansions in Ande, which can shelter the poor people all over the world and make them happy. They are as safe as a mountain despite the wind and rain.
——Du Fu's "Song of Thatched Cottage Broken by the Autumn Wind" 15. The river is made of green ribbons, and the mountains are like jade hairpins. ——Han Yu's "Send to Dr. Yan of Guizhou with the Chinese Character Nan" A poem describing the landscape of love 1. I hope that all the people will be fed and warm, and go out of the mountains and forests without any trouble.
——Yu Qian's "Ode to Coal" 2. The wild sandy shore is clean, the sky is high and the moon is bright in autumn. ——Xie Lingyun's "First Arrival in the County" 3. The poor bones by the Wuding River are like those in a spring boudoir's dream.
——Chen Tao's "Journey to Longxi" 4. The country is broken by mountains and rivers, and the city has deep spring vegetation. ——Du Fu's "Spring View" 5. Viewed from the side, it looks like a ridge and a peak on the side, with different heights from near and far.
——Su Shi's "Inscription on the Wall of the Western Forest" 6. Far up the cold mountain, the stone path is sloping, and there is a home deep in the white clouds. ——Du Mu's "Mountain Travel" 7. Flying down three thousand feet, it is suspected that the Milky Way has fallen from the sky.
——Li Bai's "Looking at Lushan Waterfall" 8. From the top of the mountain, you can see all the small mountains at a glance. ——Du Fu's "Wang Yue" 9. The south of the Yangtze River is good, and the scenery is familiar to me.
When the sun rises, the flowers on the river are as red as fire, and when spring comes, the river is as green as blue. ——Bai Juyi's "Remembering the South of the Yangtze River" 10. The vast sea is covered with hundreds of feet of ice, and the gloomy clouds condense thousands of miles away.
——Cen Shen's "Bai Xue Ge Sends Magistrate Wu Back to the Capital" 11. The river flows beyond the sky and the earth, and the mountains are beautiful. ——Wang Wei's "The Flood of the Han River" 12. The survivors shed tears in the dust and looked south to Master Wang for another year.
——Lu You "Feeling the coolness of the autumn night when I step out of the fence" 13. Only in this mountain, the clouds are deep and I don’t know where to go. ——Jia Dao's "Those who seek hermitage are not found" 14. The war has been going on for three months, and a letter from home is worth ten thousand gold.
——Du Fu's "Spring Hope" 15. Under the moon, the flying mirror is filled with clouds and sea towers. ——Li Bai's "Farewell at Crossing Jingmen" 16. The lonely smoke is straight in the desert, and the sun is setting in the long river.
——Wang Wei's "Envoy to the Fortress" 17. It is the beautiful scenery in the south of the Yangtze River, and you will see it again when the flowers are falling. ——Du Fu's "The Year of Li Gui in the South of the Yangtze River" 18. White bones are exposed in the wild, and there is no rooster crow for thousands of miles.
——Cao Cao's "Hao Li Xing" 19. The water in Peach Blossom Pond is a thousand feet deep, and it is not as deep as Wang Lun's gift to me. ——Li Bai's "Gift to Wang Lun" 20. When the sun rises, the flowers on the river are as red as fire, and when spring comes, the river is as green as blue.
——Bai Juyi's "Remembering Jiangnan". 2. Poems expressing affection for landscapes
It is beautiful when the water is shining, but it is beautiful when the sky is clear, and it is also strange when the mountains are empty and covered with rain. ―――――Su Shi's "Drinking the First Sunny and Later Rain on the Lake"
From the top of the mountain, you can see all the small mountains. ―――――Du Fu's "Wang Yue"
Picking chrysanthemums under the eastern fence, you can leisurely see the Nanshan Mountain. ―――――Tao Yuanming, "Drinking>>
Let's put the white deer among the green cliffs and ride to the famous mountains as soon as possible. ————-Li Bai's "Sleepwalking Tianmu's Song of Farewell"
If life is not satisfactory, the Ming Dynasty will ruin the boat. ————-Li Bai's "Farewell to the School Secretary Shu Yun at Xuanzhou Xie Mao Tower"
A river of water protects the fields and surrounds them with green, and two mountains with rows of gates bring green to them - Song Dynasty. Wang Anshi's "Book of Mr. Huyin" "Wall"
The bright moon shines among the pines, and the clear spring flows up the stone - Wang Wei
The Tianmen interrupts the opening of the Chu River, and the clear water flows eastward here - Li Bai "Wang Tianmen Mountain"
The mountains reflect the setting sun and the sky meets the water, and the fragrant grass is ruthless, even outside the setting sun. --Fan Zhongyan
The half-autumn moon in Emei Mountain casts its shadow into the water of Pingqiang River. The clear stream flows towards the Three Gorges at night, and I miss you and go down to Yuzhou without seeing you. --"Moon Song of Mount Emei" Li Bai
The water is so dull, but the mountains and islands are standing tall. --Cao Cao's "Viewing the Sea"
A river of water protects the fields and surrounds them with green, and two mountains with rows of gates bring in the green ---Wang Anshi's "Book on the Wall of Mr. Yin of the Lake"
The water is shining It's nice when it's sunny, but the scenery of the mountains is also strange when it's raining. ---Su Shi's "Drinking on the Lake at First Sunny and Later Rain" 3. Looking for the poems of poets in the Southern and Northern Dynasties expressing their love for landscapes and their understanding
Section 1. Xie Lingyun and the rise of landscape poetry 1. The reason why landscape poetry emerged in the early Song Dynasty 1. As early as in "The Book of Songs" and "Chu Ci", there have been descriptions of landscapes, but they appeared as background or sceneries in poems, and have not yet become an independent aesthetic object and formation. A conscious aesthetic consciousness.
In the Han Dynasty, descriptions of landscapes also mostly appeared in Han Fu. It was not until Cao Cao's "Guan Cang Hai" during the Jian'an period that the first complete landscape poem in the history of Chinese poetry was written. Since then, Zuo Si's "Zhaoyin Poems" and Guo Pu's "Youxian Poems", as well as Xuanyan poems and poems by Yu Chan, Yin Zhongwen, Xie Hun and others all have some descriptions of natural landscapes.
All these have provided artistic experience for the independence and maturity of landscape poetry. 2. Since the Wei and Jin Dynasties, metaphysical thoughts, mainly Lao-Zhuang Taoism, have been popular. The Taoist spirit of advocating nature and pursuing seclusion have deeply affected the mentality and literary creation of literati and officials.
"Wen Xin Diao Long·Ming Poems" says: "The literary chants in the early Song Dynasty had a change in style. Zhuang Lao resigned, and the mountains and rivers flourished." Mysterious poems, pastoral poems, and landscape poems that appeared in literary creation , are all produced under the influence of the Taoist spirit of life and art that advocates nature. The aesthetic orientation of advocating nature has become a relatively common trend.
The literati and officials were close to nature, advocated seclusion, and flaunted the life interest of mountains and forests, which provided the basis of life for the creation of landscape literature. After crossing south, the beautiful scenery of mountains and rivers south of the Yangtze River naturally attracted literati to experience nature and describe landscapes.
2. The artistic achievements of Xie Lingyun’s landscape poetry 1. Xie’s poetry is good at describing landscapes in detail and creating a fresh, natural, vivid and vivid painting environment. Bao Zhao commented: "The five words of thanks are like a hibiscus, which is naturally cute."
("Southern History·Yan Yan's Biography") Xiao Gang also said: "Thanks to the guests and the words are outstanding, it is natural." But Xie The nature of poetry is different from the nature of Tao's poetry: the nature of Tao's poetry is the natural expression of the soul, and its description of scenery lies in freehand brushwork; the nature of Xie's poetry is the imitation of objective nature, and its depiction of scenery lies in imitation.
Therefore, Xie Shi pays attention to the detailed observation of natural scenery, and adopts exquisite and meticulous description methods to express the objective beauty of natural objects. Wang Shizhen commented on his poems and said: "The extreme beauty makes it seem plain, the extreme consideration makes it more natural."
(Volume 3 of "After Reading") With the beauty of diction and the precision of thinking, The most prominent feature of Xie's poetry is to achieve a fresh and natural painting environment. It is also an artistic realm that is different from the predecessors and was opened up by Xie's ingenuity. Therefore, Xie's poetry has become one of the pioneers of the new style of landscape poetry. 2. Xie Shi paid great attention to the training of words and sentences when imitating the scenery, and created many beautiful sentences that will be famous for future generations.
For example, "Spring grass grows in the pond, and the willows in the garden turn into songbirds" ("Climbing the Pond and Going Up the Tower"); "The wild sand bank is clean, the sky is high and the moon is bright in autumn" ("The First Arrival in the County"); "White clouds embrace the quiet "The stone is green and dazzling with clear ripples" ("Passing the Ningshu"); "The forest ravine gathers the dark color, and the clouds collect the sunset" ("The Stone Wall Jingshe Returns to the Lake"); "The maple leaves are red in the morning frost, and the evening mist is misty." "Qi Yin" ("Late Out of Xishetang"); "The green fields are beautiful in the spring evening, and the rocks are high in Baiyun Village" ("Pengli Hukou"), etc., the words are exquisite, the realm is fresh, and the colors are bright. Indeed, "like the first bloom of hibiscus, natural Cute", showing superb artistic skills. However, there are good sentences but no good articles, which is also a shortcoming of Xie's poems.
3. The conception and structure of Xie's poems are relatively simple. His landscape poems often narrate first, describe the scene secondly, and finally reason, forming a standardized conception and structure. Because they focus on the objective description of landscapes and lack enough penetration of the subject's spirit and emotions, most of the poems cannot reach the artistic realm of Tao's poems where scenes blend together and are naturally integrated.
4. Xie Shi pays attention to the artistic skills of language, is good at refining words and sentences, pays attention to diction, emphasizes parallelism, and seeks novelty. Liu Xie commented on the landscape poetry of the early Song Dynasty and said: "Li picks up hundreds of characters, and competes for the wonder of one sentence.
Emotions must be extremely beautiful to write things, and words must be exhausted to pursue new things." ("Wen Xin") "Diao Long·Ming Poetry") summarizes the language characteristics of Xie's poems.
Xie's poems pay attention to language skills, which is a contribution to improving the ability to describe objective objects and giving full play to the expressive power of language. However, excessive carving and pursuit of novelty also make Xie's poems blunt and obscure. [Reading of the work] 1. Xie Lingyun's "Climbing the Pond and Going Up the Tower" 1. This poem was written in the early spring of the first year of Emperor Jingping of the Song Dynasty (423). The author was the prefect of Yongjia at the time. After a long illness, he climbed up the tower and looked into the distance. He was moved by the scene and expressed his political thoughts. Frustration and longing for seclusion.
2. The structural level of the poem is very clear: the first eight sentences describe the poet's life situation; the middle eight sentences describe the vibrant scenery of early spring that he saw and heard when he climbed up the stairs and looked at the window; the last six sentences express the poet's life experience. Inner emotions. 3. The main artistic features of this poem (1) It evokes emotions and expresses emotions.
The poem starts with "Qianqiu" and "Feihong". The vivid image of "Qianqiu" and "Feihong" are not just the beginning, but symbolize the two life paths and values ??of seclusion and becoming an official. Then he lamented that he could not advance like a "feihong" or retreat like a "hiding Qiu". He could neither advance morally and cultivate his career, nor return to farming to support himself, but ended up living in poverty and poverty in the forest.
It expresses his dilemma, expresses his inner conflicts and pain, and reveals the sadness and melancholy of political frustration. The poem rises from the support of objects, triggering deep lamentations about life's circumstances. (2) This poem is most praised for its depiction of scenery, which is fresh and picturesque and natural. It typically embodies Xie's poem "like a hibiscus blooming at the beginning, naturally lovely" ( The style of "Southern History·Yan Yan's Biography").
The scenery he describes is meticulous and vivid; the layout is skillful and intricately changes from far to near, from hearing to vision. It has reached the artistic state of "making natural words, painting clear scenes, and being vivid and vivid" (Xie Zhen's "Siming Poetry").
Especially the two sentences "Spring grass grows in the pond, and the willows in the garden turn into songbirds", there is no trace of algae decoration and sculpture, like "hibiscus emerges from the water", the beauty is that it is natural, fresh and beautiful, it is indeed a stroke of genius . Therefore, it has been highly praised in the past dynasties. Ye Mengde said: "The work of this sentence has no intention. It suddenly meets the scene and is ready to form a chapter. It is not just a string, so it is beyond the reach of emotion."
(" "Shilin Poetry Talk") Yuan Haowen praised: "The spring grass in the pond is grateful for the spring of the family, and the five characters are new for eternity." ("Thirty Quatrains on Poetry") (3) This poem turns from describing the scenery to expressing feelings, "Qi Qi", " The two sentences "luxury" are adapted from ancient poems to convey the mood of hurting spring.
He also wrote about the feeling of loneliness and isolation. He also said that he would maintain noble moral integrity and pursue a secluded life without boredom.
In the end, the writing is a bit obscure and difficult to understand, but it is not lost.
4. Poems and appreciation of landscapes
Zhuli Pavilion
Wang Wei
Sitting alone in the secluded bamboo, playing the piano and whistling loudly.
People in the deep forest don’t know, but the bright moon comes to shine.
The poet sat alone in the deep bamboo forest, playing the piano and screaming. No one knew his existence, only the bright moon came to accompany him. Nature understands his inner loneliness best, The clear light of the bright moon brought him a kind of quiet happiness. Things and I are one and the thing
I forget both, Zen and poetry blend together.
Lu Chai
Wang Wei
No one can be seen in the empty mountain, but people can hear their voices.
Returning to the deep forest, the light shines on the moss again.
Wang Weiye He is good at capturing the moving moments where sound, color, picture and feeling are intertwined, and unifies them into the artistic conception that best conveys the emotion, and expresses it with appropriate language.
Bird Ming Stream
Wang Wei
When people are idle, osmanthus flowers fall, the night is quiet and the spring mountain sky is empty.
The moonrise scares the birds, and they sing in the spring stream.
In the mountains
Wang Wei
White rocks emerge from Jingxi River, the weather is cold and red leaves are sparse.
There is no rain on the mountain road, and the sky is green and the clothes are wet.
p>Mountain Dwelling in the Dark Autumn
Wang Wei
After the new rain in the empty mountains, the weather is late and autumn comes.
The bright moon shines among the pines, and the clear springs flow up the rocks.
The bamboo noise returns to Huan Nu, and the lotus leaves the fishing boat.
Let the spring fragrance rest at will, and the king and grandson can stay.
Stay in Jiande River
Meng Haoran
Moving the boat to Yanzhu, the guests are worried about the new arrival at dusk.
The sky is low in the wilderness and the trees are low, and the moon is clear in the river.
The sky is clear and the sand is full of autumn thoughts.
Ma Zhiyuan
Withered vines and old trees and dim crows,
Small bridges and flowing water, people’s homes.
The old road has a thin horse in the west wind.
The sun sets in the west,
The heartbroken man is at the end of the world.
Night mooring at Maple Bridge
Zhang Ji of the Tang Dynasty
The moon sets The sky is filled with crows and frost, and the river maples and fishing fires are facing melancholy.
Hanshan Temple outside Suzhou City, the midnight bell rings for the passenger ship.
Spring View in Hangzhou
Bai Juyi< /p>
The Wanghai Tower shines brightly in the morning glow, and the embankment protecting the river is white on the clear sand.
The sound of waves sounds at the enlisted member’s temple at night, and the willow color spring hides Su Xiaojia.
Red sleeves weaving The damask praises the persimmon stems, and the green flag sells wine while the pear blossoms are blooming.
Who opened the southwest road of Husi, the grass is green and the waist of the skirt is slanted.
Early spring in Nanhu
Bai Juyi
p>The wind returns to the clouds and the rain clears. The lakeside is warm and bright again.
The red mountain apricot hair is scattered randomly, and the new green water apples are spread out.
Wings The white wild geese are still flying low, and the tongue is astringent and the oriole language has not yet been completed.
I don’t think Jiangnan spring is bad, but my mood is weakened by illness every year.
Su Jiandejiang
Meng Haoran
Move the boat to Yanzhu,
At dusk, the guests are worried about the new arrival.
The wild sky is low and the trees are low,
The clear moon on the river is close to the people.
A guest in the mountains
Zhang Xu
Light and matter create the glow of spring, don’t be tempted to return home just because of the light shade.
Even if there is no clear sky The color of rain touches clothes even when it reaches the depths of the clouds. 5. What are the poems expressing love for the landscape?
1. Poems expressing love for the landscape: "Picking chrysanthemums under the eastern fence, leisurely seeing the Nanshan Mountain" in Tao Yuanming's "Drinking".
Drinking · Part Five
Tao Yuanming
The house is in a human environment, without the noise of cars and horses.
How can you do this? The mind is far away from itself.
Picking chrysanthemums under the eastern fence, you can see Nanshan leisurely.
The mountain air is getting better day by day, and the birds are flying back and forth.
There is a true meaning in this, but I have forgotten to explain it.
3. Notes
Jielu: To build a residence, here it means to live. Human realm: the human world, the place where humans live.
The noise of carriages and horses: refers to the noise of worldly interactions.
Jun: refers to the author himself. He Neng'er: Why is this possible? Er: So, so. This sentence and the next sentence are set as question and answer words, indicating that the heart is far away from the world, and even though it is in a noisy environment, it feels like living in a remote place.
Leisurely: a complacent look. Nanshan: generally refers to the mountain peak, sometimes refers to Lushan Mountain. See: (pronounced jiàn), verb
Rixi: evening. Xiangyu: intersect, become companions. These two sentences mean that the mountains are beautiful in the evening and the birds fly back together.
Return with each other: return together.
Translation
Living in the human world, but without the hustle and bustle of cars and horses.
Ask me why I can do this. As long as you are ambitious, you will naturally feel that the place you are in is secluded.
Picking chrysanthemums under the east fence, leisurely, the Nanshan Mountain in the distance comes into view.
The atmosphere in the mountains and the scenery in the evening are very good. There are birds flying back with their companions.
This contains the true meaning of life. I want to identify it, but I don’t know how to express it.
4. Brief analysis
The whole poem uses calm and simple language to describe the scenery and lyrical narrative, and the form and content have reached a high degree of unity. Whether it is describing the beautiful scenery of Nanshan in the evening, or expressing the feeling of retreat The feeling of leisurely contentment, the joy of living in the fields, or the true meaning of life are all full of interest and rationality. Such as "picking chrysanthemums under the eastern fence, leisurely seeing the Nanshan Mountain", "the mountain air is getting better day and night, and the birds return to each other". Needless to say, such famous sentences that integrate scenery, emotion and reason are like "How can I ask you? My heart is far away." Sentences such as "Self-biased" and "There is a true meaning in this, but I have forgotten to say it even if I want to distinguish it." Although the words are plain, simple and natural, they are also profound, have lofty meanings, contain meaningful truths, are worth chewing, and have endless theoretical interest. and interest. 6. Poems that express love for landscapes should be more detailed
My COPY: A river of water protects the fields and surrounds them with green, and two mountains with rows of gates bring greenery - Song Dynasty Wang Anshi's "Book of Mr. Hu Yin's Wall" between the bright moon and the pines According to the light, the clear spring stone flows upstream - Wang Wei's Tianmen interrupts the opening of the Chu River, and the clear water flows eastward here - Li Bai's "Wang Tianmen Mountain" The mountain reflects the setting sun and the sky receives the water, and the fragrant grass is ruthless, even outside the setting sun.
--Fan Zhongyan The half-autumn moon in Emei Mountain casts its shadow into the water of Pingqiang River. The clear stream flows towards the Three Gorges at night, and I miss you and go down to Yuzhou without seeing you.
-- "Moon Song of Mount Emei" Li Bai The water is so dull, but the mountains and islands are standing tall. --Cao Cao's "Viewing the Sea" A river of water protects the fields and surrounds them with green, and two mountains with rows of gates bring in the green ---Wang Anshi's "Book of Mr. Hu Yin's Wall" It's good to be clear when the water is shining, but the mountains are empty and rainy, which is also strange.
---Su Shi's "Drinking from the First Sunny and Later Rain on the Lake" The water is like waves in the eyes, and the mountains are like the gathering of eyebrows and peaks"--Wang Guan's "Bu Shuzi." 7. Ancient poems about "Sentiment on the Landscape"
A river of water protects the fields and surrounds them with green, and two mountains with rows of gates bring in the green - Song Dynasty Wang Anshi's "Book of Mr. Hu Yin's Wall" The bright moon shines among the pines, and the clear spring rocks flow up - Wang Weitianmen interrupts the opening of the Chu River, and the clear water east The flow comes back here - Li Bai's "Looking at Tianmen Mountain" The mountains reflect the setting sun and the sky catches the water, and the grass is ruthless, even outside the setting sun
- Fan Zhongyan The half-moon in Mount Emei, the shadow falls into the water flow of Pingqiang River. . The clear stream flows to the Three Gorges at night, and I miss you in Yuzhou.
- "Mount Emei Moon Song" How is the water flowing, and the mountains and islands stand tall? - "Guan Canghai" by Cao Cao. Protecting the fields will be surrounded by green, and the two mountains will be lined with green doors - Wang Anshi's "Book of Mr. Hu Yin's Wall" The clear water is beautiful, but the mountains are empty and rainy.
---Su Shi. "Drinking on the Lake after the Clear Rain" "The water is like the waves in the eye, and the mountains are like the gathering of eyebrows and peaks" - Wang Guan's "Businessman". 8. Poetry about landscapes
Original publisher: Liu Pingping
Poems about landscapes
1. Scene introduction:
Traditional Chinese landscape painting, It emphasizes imaginative activities facing nature, pursues the artistic conception of poetry, and creates an artistic realm where scenes blend. Painters of all ages have used their pens and ink to create pictures that can be traveled and lived in, pursuing the ideal of life that is integrated with nature. They express their true feelings about life among mountains, forests, clouds and water. The side peaks and hills and ravines of the Hengling Ridge are continuous; the smoke and water are misty and sparkling; the strong pines are majestic, and the distant trees are smokey; the flat sand is far away from Zhug, and the Shuiguo villages are not only majestic mountains and rivers, but also plain and simple. . 2. Collaborative Research
1. "Residence in Fuchun Mountain" by Huang Gongwang of the Yuan Dynasty ● Looking at the whole picture, is the painter's perspective static or moving? ●Can you imagine the artist's emotions through lines and colors through ink?
●How does the painter express depth, distance, breadth, and plainness? ●Based on the title of the painting, find appropriate words to describe the artistic conception you feel about the whole or part of the painting. Think and practice Chinese landscape painting emphasizes the principles of "feasible, promising, travelable, and habitable". Based on this, choose a paragraph from "Dwelling in the Fuchun Mountains" to describe your feelings.
2. Trees and rocks●How to draw trees
The shapes of trees are ever-changing, and there are no two identical trees in the world; the structural rules of trees are roughly the same, and they never change. Zong. When writing, you should take the momentum to determine the posture of the tree trunk, and then complete it according to the rules of the tree structure. The branches sprouting from the front, back, left and right of the tree trunk reflect the sense of space. The branches should give way, increase or decrease, and intersperse naturally. The combination of trees follows the law of unified change, emphasizing size contrast, transformation of front and rear spatial relationships, and more emphasis on the affection between trees.
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