Mr Miyazaki Hayao is like a compassionate old man. His works are full of care for innocence and fragility, and also full of hope. Even the "ghost princess" who expresses profound truth will feel harmony and longing at the end of the film. He is good at describing all kinds of simple and beautiful things in the world. Although there may be ups and downs, tears and pains in the process of getting these beautiful things, the ending is always so reassuring. This is reality. We are always looking for beauty, but we find a lot of ugliness, but we still move on, because beauty is still waiting for us to revisit and discover, and it has not changed. In fact, although Miyazaki Hayao's works are mostly fantasy works, they are actually works with Japanese society and even world culture as the background, which has a strong social critical influence. Beauty is the typical coloring of celluloid in Miyazaki Hayao's works, which is the painting style of the original work, while Miyazaki Hayao prefers the fairy tale narrative style, so as an audience, we feel beautiful and the picture is beautiful. But Miyazaki Hayao is more than just an animation director who tells stories. He is also a humanist. After reading Miyazaki Hayao's works, we can generally understand that this man is an extreme person, an environmentalist, a leftist and anti-war. Therefore, Miyazaki Hayao will also show his extreme aversion to what he opposes in his works. In Princess Ghost, humans kill each other, lose limbs and die everywhere. The ugliest thing in Spirited Away is Chihiro's parents, human beings, and the kindest thing in Red Pig is the pig. And when expressing these, the picture is also cruel and rude. But what fascinates me is Miyazaki Hayao's restrained but unobtrusive way of expressing his bootleg goods.