The big IP of the three male protagonists of "Walker 2: The Spy", starring Louis Koo, Nick Cheung and Ng Chun-yu, has made fans recognize the brotherhood that is portrayed in the play.

Perhaps, Xiaoyu is one of the few people who immediately called his brothers whom he had not contacted for a long time as soon as he walked out of the theater after watching the movie. Xiaoyu wants to say yes, the brotherhood between Louis Koo and Nick Cheung really ignited me. I have seen a video of the road show of the two of them promoting this movie before. Nick Cheung held Louis Koo's shoulders and said to the audience: "Hello everyone, this is Louis Koo". At the same time, Louis Koo also held Zhang Jiahui's shoulders and said to the audience: "Hello everyone, this is Zhang Jiahui." The picture is very warm, and full of brotherly love is everywhere.

Back to this movie, Xiaoyu’s rating is “Four stars, good for you to watch”. The beauty here can be divided into two points: the brotherhood between Louis Koo and Nick Cheung in the play

For a long time, in film and television dramas, if you want to heal a person, the emotion you often rely on is either family affection. Either that or love. And this is almost never described in terms of brotherly (friendship). Because, compared to the other two emotions, brotherhood is more difficult to grasp, and the intensity is also difficult to control. If it is too much, it will easily make people feel like Brokeback Mountain, and if it is too light, it will not be able to achieve healing.

After watching "Walker 2", Xiaoyu was overjoyed that the brotherhood created by the two was surprisingly touching and the intensity was just right. Perhaps, this is the spark that comes from the collision between movie stars. I believe that many movie fans, like Xiaoyu, were deeply moved by the touching plot in the play. They hid behind the chairs and secretly wiped away tears. There is no afterlife in this life. If we can meet in this life, this life will be worthwhile. Super-hot fighting scenes

Although the name of this film follows "Apostle Walker", there is no logical relationship between this drama and the first one. Although it is the original cast of the previous film, it is a brand new story. Even viewers who have not watched the first film will not feel any pressure to watch the second film "Walker 2: The Spy of Spy" directly. .

This drama did not use the previous IP to make a fuss because of the huge success of the first part. This is enough to touch the hearts of many Hong Kong film fans. In this era of IP abuse, the filmmakers are able to wear old clothes in new styles and wear them in a brand new way, which is indeed worth a movie ticket.

In this way, the Walker series seems to have set a new benchmark in Hong Kong films. We have always liked to follow the trend and say: "Hong Kong movies have declined". In fact, Xiaoyu believes that this definition is one-sided. Although Hong Kong movies are indeed like a pot of random stew, it is undeniable that in this pot, It is still constantly producing refinements, and "Walker 2: The Spy" is such a masterpiece.

It can be seen from many scenes that the film crew really spent a lot of money this time, and many of the scenes can be described with words such as "explosion, explosion". This can be seen whether it is a car battle on the streets of Myanmar or a bullfight in Spain. At the same time, it is worth mentioning that the purpose of using such a wide-area shooting method is to expand the tension of this story. The two scenes in Myanmar and Spain are enough to elevate this story to the international realm. This unique ingenuity Yun's technique is actually an organic fusion of Hollywood blockbusters and Hong Kong films. ?Looking for an undercover? It turns out that it can be filmed this way

Although the drama continues the usual style of "looking for an undercover" in Hong Kong films, this drama focuses more on the deep brotherhood.

Thirty years is a long time. It is difficult to remember someone you have not contacted in 30 years, but it is very easy to forget someone you have not contacted in 30 years. Louis Koo and Nick Cheung, the brothers who have been separated for 30 years in the play, have been struggling to find each other. No matter how humble the emotion, persisting for 30 years is enough to penetrate the hearts of the audience.

In the play, undercover agents and brotherhood are interspersed. From the suspense of finding out the ghost, the focus gradually falls on personal destiny. Struggle and confusion, determination and relief are all self-salvation of brotherhood. A true portrayal. The whole process of watching a movie is like riding a roller coaster with mustard in your mouth. The feeling is unforgettable for a lifetime. Only when everything is settled, will you feel that all the efforts were worth it.

Both the literary and martial arts in the play are equally exciting, and no part slows down the rhythm of the entire story. As a three-legged big IP film, such an answer is indeed very satisfying. There is no such thing in the play. Living up to the mission and redemption of each character is the basic quality that a very high-quality film must achieve.