When Degang Guo became famous in 2005, it was a period full of vitality and creativity. Coupled with years of accumulation, he suddenly launched a series of innovative works such as "Dream of the West", "Dream of Marriage" and "I", many of which have become classics.
When Degang Guo first became famous, he said cross talk in a small theater. At that time, most of the audience under the stage were veteran crosstalk lovers. When Degang Guo first became famous, the audience under the stage were all veteran crosstalk fans, who knew crosstalk like the back of their hands. Therefore, Degang Guo also made great efforts in creation and performance. When the stage in Degang Guo is getting bigger and bigger, and the audience is mostly new audience rather than veteran crosstalk lovers, Degang Guo chose to tell jokes in another style, which is what he called "works with thin skin and big stuffing".
Such works are more broken, more popular and easy to understand, and more likely to cause laughter from the audience. But even Degang Guo knew that their quality level was not as good as that of that year, but it was Degang Guo's active choice.
Spending less time and energy on notebook creation will inevitably affect the quality of works. After becoming famous, Degang Guo needed to record various programs and participate in various activities, leaving him much less time to concentrate on his creation. Spending less time and energy on notebook creation will inevitably affect the quality of the work.
For most cross talk audiences, it is certainly understandable and acceptable, and it is not realistic for a person to output continuously for a long time. Therefore, even if Degang Guo lives on his laurels, he has such capital. In addition, after all, Deyun Society has more than 400 crosstalk performers, so that these people can have enough to eat. For Degang Guo, the value is no less than saying a few good cross talks.
Deyun Society's crosstalk performance is very active, which is one of the reasons why people like it. Deyun Society's crosstalk performance is very active, which is one of the reasons why people like it. There are not so many mainstream performances. Crosstalk like Deyun Society will be grounded, and more and more audiences will inevitably like Deyun Society's cross talk.
Deyun Society in Degang Guo is getting better and stronger. When Deyun Society started this project in Jinan Cultural Square, Lao Guo said: I am ashamed that I don't have this ability. We are a small folk society, and it is insignificant to eat by craft. During the development of Deyun Society, Degang Guo constantly improved the weakness of his own culture, and his advantage was to accumulate income.
Degang Guo performed almost all new jokes on the stage, and Degang Guo performed almost all new jokes on the stage. I have to admit that only with culture can we write more works. This is what Degang Guo used to say: Artists fight for culture in the end.
Undoubtedly, Degang Guo's crosstalk has reached a certain master level, especially in inheriting and developing traditional crosstalk, which is unparalleled in today's comedy stage. No matter how to learn to tease, Degang Guo has a very deep foundation. He brought cross talk back to today's hot situation from the brink of decline. Degang Guo, basically.