In the 31st year of Guangxu (1905), the magazine "quintessence of Chinese culture" was founded in Shanghai on the 20th day of the first month. Journal of Chinese quintessence is a monthly magazine, which is divided into politics, history, science, literature and other categories. With the aim of "inventing military science, preserving national quintessence" and "patriotism, preserving species and saving the world", the propaganda of national quintessence is closely combined with the propaganda of anti-Qing revolution. The editor-in-chief of the magazine is Deng Shi, the founder of Sinology Preservation Society. Editors and contributors mainly include Zhang Taiyan, Liu, Huang Kan and Ma Xulun, and most of them are members of the Society for the Preservation of Chinese Studies. After the establishment of Nanshe, most of the editors were members of Nanshe. Most of these people are accomplished China scholars with strong anti-Manchu thoughts. The magazine "quintessence of Chinese culture" published a large number of articles on studying the history and culture of the motherland, promoting national traditions, praising loyalty and righteousness in the late Ming Dynasty and inspiring national feelings. The magazine also collected a large number of banned books in the Ming and Qing Dynasties, and published them under the names of National Essence Series, National Essence Series and China Guoguang Collection, which had a considerable influence on the media and academic circles at that time. Three years after Xuantong, the magazine stopped publishing, and * * * published the 82nd issue.
The Evil Flower of the Sea was published.
In the spring of the 31st year of Guangxu (1905), the first episode (1-kloc-0/0) and the second episode (1-20) were published by Xiaoshulin Bookstore, and in the 31st year of Guangxu (1900). First, at the end of Guangxu's 29th year, Jin Tianao (Song Cen) started writing the novel "Evil Sea Flower" at the request of Jiangsu magazine. The first two chapters were published on the first day of December at the turn of summer and autumn (1904), and Jin sent the first two chapters and the newly written three to six chapters to the organizer of the forest bookstore. After reading the manuscript, I think we can use the story of Jin and Fu (alluding to Hong Jun and Sai Jinhua) as a clue to make a masterpiece reflecting the political, social and cultural changes in the late Qing Dynasty and mocking the officialdom, and draw up 60 chapters with Jin. Jin thought that the idea was very desirable and mature, so he agreed to modify the manuscript at will, and Zeng continued to finish the novel. Ceng Pu then took over the creation of the novel The Evil Flower of the Sea. "Evil Sea Flower" is different from ordinary novels. The characters in the book are all innuendo, and most of the things mentioned can be studied. Based on the story of Jin and Fu, the work shows the political, economic, diplomatic and social life of the late Qing Dynasty through the ideological life and social atmosphere of bureaucrats and celebrities and feudal literati inside and outside Beijing at that time. To a certain extent, it criticized the decay and failure of the feudal ruling class and the aggressive ambition of imperialism, praised Feng Zicai, Liu Yongfu and other heroes who fought against the enemy, and preached "natural human rights" through the mouths of the characters in the works. Ceng Pu, a native of Changshu, Jiangsu Province, was born in Tongzhi for ten years (187 1). Influenced by western capitalist culture in his early years, he studied French in Wentong Museum and translated Hugo and others' works, and his interest in literature increased day by day. Later, he participated in the Reform Movement of 1898, which was closely related to the new Uighur school such as Kang Liang. When the Qing government killed Qiu Jin, a female revolutionary, he also signed a protest. In the 30th year of Guangxu (1904), Xiao Shuolin Bookstore was founded. His family is related to court officials and is a family friend of the emperor Weng Tonghe. He knows everything about the affairs in the court, so he can write a masterpiece that outlines the historical picture of political and social changes in the late Qing Dynasty.
Zhina was first published in the 20th century.
In May of the 31st year of Guangxu (1905), students studying in Japan with anti-Qing revolutionary ideas such as Hunan, Hubei, Guangdong, Jiangsu and Anhui advocated "breaking the consciousness of local groups" and decided to jointly establish revolutionary publications. Soon, zhina in the Twentieth Century was published in Tokyo. Zhina in the Twentieth Century has columns on discussion, doctrine, politics, military affairs, industry and history, which flaunts patriotism. The magazine is presided over by Song and Cheng Jiachang. Main editors, screenwriters and publishers: Tian Tong, Bai Chuanhuan, Chen Tianhua, Lu Yu, He Zhanlin, Lei Keyu, Zhang Bingbiao and Gao. The first issue of this magazine published "Zhina's First Speech in the 20th Century", claiming that the purpose of running this magazine is to "put correct and feasible theories into people's minds, make them independent and self-reliant, get rid of old pollution, become the most civilized citizen in the world, and make me the first power in the world to the same extent, because a new country has been built". The inaugural issue is printed with a portrait of Xuanyuan Huangdi, with the inscription "I dedicated my love to 40 million compatriots, but I forgot my ancestors because of countless classics", revealing the anti-Qing revolutionary tendency with the Huangdi calendar. On July 20th, the Alliance held its inaugural meeting in Tokyo. Huang Xing proposed that more than half of the members of Ji Zhina in the 20th century have joined the League, and the magazine can be reorganized into the organ magazine of the League. The members attending the meeting agreed unanimously, and then began to handle the handover procedures. But the formalities are not finished yet. On July 27th, the second issue of the journal was published, which published Cai Huidong's Talks on Japanese Politicians Managing China, exposing Japan's territorial ambitions to Liaodong Peninsula in China and arousing the anger of Japanese officials. All printed publications were confiscated, and Song and Tian Tong were summoned by the Japanese police, so publications were banned. Soon, after the handover procedure was completed, the magazine was renamed People's Daily for publication.
The People's Daily was founded.
In the 30th year of Guangxu (1905), People's Daily was founded in Tokyo. People's Daily started as a monthly magazine, and then it was published irregularly, with about 60,000 to 80,000 words per issue. The magazine has editorial, commentary, translation series, conversation series, chronicle, compilation, pictures and other columns. The actual editors are Hu, Zhang Taiyan, Tao, Wang Jingwei and others. Most articles in this magazine are written or edited by our members. Main drafters of this standard: Zhang Taitan, Chen Tianhua, Hu, Wang Jingwei, Dong Wang, Liao, Song, Liu, Huang Kan and Wang Zengbi. The purpose of People's Daily is to publicize the program of the League, so that the theory of bourgeois democratic revolution becomes common sense and is deeply rooted in the hearts of the people. In the inaugural issue, Sun Yat-sen personally prefaced and put forward three principles of "national character", "civil rights character" and "people's livelihood character" for the first time. Among the "Six Principles of People's Newspaper" published in Our Society, there are three: "subverting the current bad government", "establishing a political system" and "state ownership of land", which are actually the concretization of the Three People's Principles. At the beginning of Guangxu's thirty-second year, Xinmin Cong Bao published articles such as Liang Qichao's Theory of Enlightened Autocracy and On the Gains and Losses of Racial Revolution and Political Revolution, advocating constitutional monarchy and opposing * * * and revolution. The People's Daily published a special article to refute it, which opened the prelude to the debate between revolution and constitutionalism, and the People's Daily became the main position for revolutionaries to explain their views. People's Daily attached great importance to the introduction of various theories in the world at that time. In the second issue after publication, Biography of German Social Revolutionaries was published, which was the first text to systematically introduce the life and theories of Marx and Engels. The second year of Xuantong (19 10). The People's Daily published the last issue, a total of 26 issues.
The first screening of Dingjunshan China film.
1905, China's first film Dingjun Mountain was born in Fengtai Photo Studio. Tan Xinpei, a famous Peking Opera actor, performed some wonderful clips of him in front of the camera. The film was then shown in the bustling crowd of the Grand View Building in Qianmen. Since entering China, movies have become an extension of local commercial culture, and traditional tastes have found the latest and most fashionable expressions. Later facts will prove that this combination will prove its necessity in deviation and torture. No matter how highly the descendants value Dingjun Mountain, we should first express our heartfelt thanks: Dingjun Mountain has given China a decent start.