I love immortal novels for no other reason than that the Xianxia series, as a part of traditional Chinese culture, has more imagination and room for development than martial arts. The role of "The Legend of Shushan" is not only limited to commercial box office profits after the new millennium, but also opens the door to the imagination of the Chinese people and lays the foundation for the development of cultivation novels in the new millennium. This is indispensable. From then on, in the long history of Chinese traditional art, the treasure land of fantasy art in people's minds, the dominance of a throwing monkey and a white snake came to an end.

The characters in Legend of Shushan are perfect in my opinion, and Cecilia Cheung's image of "the sun and moon golden wheels wrapped around the fingers" is even more amazing. In the script, there is a forbidden love that spans two hundred years (Tsu Hark-do is so fashionable) and an earth-shattering friendship. The entire film demonstrates the power of human confrontation, vividly interpreting a sense of irony and justice. . This is like the Chinese version of The Lord of the Rings, where people gather their strength to defeat powerful enemies, but Tsui Hark interprets it more elegantly, with a stronger Chinese flavor and a unique flavor. When I was lamenting that The Legend of Shushan had such a low rating, I suddenly remembered that the Hong Kong film industry is indeed quite viable. The Lord of the Rings was both released in 2001 and is regarded by most movie fans as one of the greatest movies in the world. They all belong to the fantasy camp. Although there are differences in production, for the Chinese film industry in the new millennium, which is extremely lacking in local elements, "The Legend of Shushan" has taken an extraordinary step.