In the 1970s, he studied under Mr. Qi Gong, mastered the wrist, and formed a book style with tight inside and wide outside, alternating density, delicate bones and elegance. The seal cutting works begin with the study of seal script, and then the ancient seal is carved in Chinese, with the heart chasing hands and rubbing stones. Seal processing methods are diverse, classical and elegant.
Playing with knives is calm and vigorous, the whole party is strange and steep, and the printing is natural. He was invited to create calligraphy works for the General Office of the Central Committee, the General Office of the State Council, the General Office of the Military Commission and China's embassies and consulates abroad.
Li Honghai is very concerned about society and life. He gave his calligraphy works to officers and men of grass-roots units and charities to help out-of-school children, support his mother's water cellar project and help the disabled. Highly praised, he is known as "Ambassador of Love", as "a literary artist who has made great contributions to the country in the past 60 years", "an outstanding people's artist who has devoted his love" and "an advanced individual who learns from Lei Feng in the whole army".
His main works are Pen Calligraphy of Poems and Songs in a Dream of Red Mansions, Examples of Zhuge Liang, Preface to the Lanting of Xizhi Wang by Li Honghai, Li Honghai Doufang Calligraphy Collection, Momo is Coastal, Lei Feng's Diary, Li Honghai's Reading Record, Li Honghai's Integrity and Olympic Games Fu, etc. His artistic experience and works have been included in Biography of China Writers and Artists, Works of World Contemporary Painters and Calligraphers, and Dictionary of World Contemporary Painters and Calligraphers. 1992 is listed as a world celebrity in painting and calligraphy.
2. Hongshen Jia
1955, a native of Anyang, Henan, a scholar in Xijiang. One of the four disciples who have contributed to contemporary calligraphy masters. Now he is a member of China Calligraphers Association. The real cursive script is omnipotent, especially good at regular script. Its books are valued by Yilin for their profound skills, strong personality and outstanding style.
I started studying at the age of six and have been studying for more than fifty years. He visited all the inscriptions, especially those of Yi Ying, Zhang Zhi, Er Wang, Huai Su, Zhang Xu, Liu Gongquan, Zhao Mengfu, Tang Bohu, Zhu Yunming, Lu Runyang, Hua Shikui and Yu Youren. By chance, in the autumn of 198 1, Mr Jia Hongsheng became a master of contemporary calligraphy.
Mr. Meng Qigong personally made suggestions and made extensive contact with inscriptions in the Northern Wei Dynasty and wooden slips in the Han Dynasty, and then traced back to the Jin and Tang Dynasties and down to the Ming and Qing Dynasties, learning from others. Mr. Jia Hongsheng has finally formed his own style, becoming more and more mature.
Mr. Jia Hongsheng's works are collected by many calligraphy lovers. Everyone described his words as "rigid, soft, strange and beautiful", like a pine tree in the depths of Taihang Mountain, shining with the light of life.
I started learning books at the age of six. Liu Gongquan, a beginner in regular script, became a doctor at the age of 20. In the meantime, there are famous posts, such as Preface to Lanting by Wang Xizhi, Book Score by Sun, Autobiographical Post by Huai Su, Zhuge Liang's Model by Yue Fei, calligraphy poems by Wang Xizhi, and cursive script by Wang Duo ...
1980 became Mr. Qi Gong's teacher, 1985 became Mr. Qi Gong's disciple. In the past 50 years, I have been writing instead of writing. I like reading in my spare time. Won many calligraphy competition awards.
In his spare time, he wrote Mao Zonggang's Review of the Romance of the Three Kingdoms twice with a hard pen, weighing 100 kilograms. Among them, it is completed in four parts: official script, enlightenment book, self-book, and red commentary book, which embodies the magnificent ancient battlefield scenes such as literary attack, military strategy, thousands of troops, swords and swords, and drums and horns contending. The great visual impact of calligraphy art.
Brush calligraphy is very attractive. Zhang Er, eight feet, six feet, four feet and other different carrier forms have their own characteristics in horizontal, vertical and bucket sectors, and they have unique skills regardless of any length. He is a powerful traditional calligrapher and a successful, influential and shocking calligrapher from the depths of Taihang!
3. Zhang Shizhong
/kloc-0 was born in Beijing in July, 1964. He studied calligraphy since childhood and studied under famous calligraphers such as Qi Gong and Wang Yixin./kloc-0 graduated from China Calligraphy University in 1988. Ouyang Zhongshi, Li Huajin and other famous artists. He copied the inscriptions of Zhen, Cao, Li, Xu and others on the basis of body. He focuses on running script, and his calligraphy skills are solid, and he keeps exploring. His sketch is dignified and magnificent, with its own style, clean and vivid style, and has the characteristics of "falling rocks out of the mountain", which is both traditional and full of the flavor of the times.
Zhang Shizhong has also been awarded the honorary titles of "World Art Celebrity", "International Painting and Calligraphy Seal Carving Celebrity" and "Chinese Yanhuang Artist" by some art authorities for many times.
Zhang Shizhong's Calligraphy Collection was published in 2000 and Zhang Shizhong's Calligraphy Collection was published in 2003. He began to collect his works, which was highly praised and affirmed by Ouyang Zhongshi.
4. What about Ding?
Ding is a famous calligrapher in China. 1939, a native of Xiangxiang city, Hunan province, with a university degree, has served as an air force flight instructor, vice minister of air force military affairs, director of air force recruitment center, and researcher of air force strategic development. 1986 awarded the rank of air force senior colonel. 199 1 was transferred to the central Committee of China agricultural workers' democratic party, and served as director of the general office, director of the research department, director of the central United front theory research society, and executive director of the rural primary health care fund in China.
1997 Join China Calligraphers Association. At present, he is the art consultant of China Famous Calligraphy and Painting Network, the vice president of China Jianguang Calligraphy and Painting Institute, the director of Huaxia Art Talents Research Association, the executive director of Beijing Oriental Calligraphy and Painting Society, the director of the International Artists Federation, the deputy director of the judging committee of TCL Ace Cup Japan-Korea Youth Calligraphy Competition, the honorary consultant of "World-famous Mo Bao Forest of Steles and Nanhai Xinglin Stone Carving Institute" in Shaanxi, the director of China United Front Theory Research Association, and the visiting professor of Japanese Art and Painting Institute. His works have been published in many national newspapers.
Mr. Ding loved calligraphy since childhood and received a good traditional education. Although I have been engaged in flying and army work for a long time, I have been studying calligraphy theory persistently and assiduously, starting with Ou Yangxun and Liu Gongquan, and then studying the calligraphy works of Erwang and Dong Qichang and the calligraphy skills of Mr. Qi Gong, a modern calligraphy master, mainly using running script.
I was lucky enough to get the guidance of Mr. Qi Gong and become a close disciple of Mr. Qi Gong. Mr. Ding adheres to the principle of unity of inheritance and development, artistry and practicality in his calligraphy creation, and his calligraphy art has profound traditional cultural heritage and innovative spirit of inheritance and development. His books are rigorous in structure, precise in brushwork, rich in brushwork and well-proportioned in flesh and blood, giving people a kind of beautiful enjoyment.
He has participated in many exhibitions of the Book Association, state organs, CPPCC, the Central Committee of the Agricultural Workers' Party, the United Front Work Department of the Central Committee and some provinces and cities, and the exhibition of China Famous Calligraphy and Painting Network, which has been collected by many units and memorial halls. Some of them were presented as gifts to IOC officials and embassies of the United States, Russia, Yugoslavia, Nepal, Switzerland, Gabon and other countries, as well as to the China Olympic bid committee and the China Association for the Promotion of International Friendship, and won special prizes for non-governmental diplomatic contributions.
In addition, seven organizations, including China Writers and Artists Association, International Chinese Talents Association, Hong Kong Chinese Culture Association and Hong Kong Administrative Region Calligraphy and Painting Association, awarded the highest artistic achievement award for the 10th anniversary of Hong Kong's return to China-Purple Golden Flower Gold Award.
5. Zhao
Born in June, 1942, Beijing. Member of Jiu San Society, professor of classical literature and doctoral supervisor of Beijing Normal University. In August 2003, he was appointed as a librarian in central research institute of culture and history.
1978, the state resumed the postgraduate diploma system and was admitted to the Chinese Department of Beijing Normal University, where he studied classical literature under Mr. Qi Gong and became the first batch of postgraduate students after the Cultural Revolution. During my study at school, I mainly engaged in literature research in Tang and Song Dynasties, and also learned from Mr. Qi Gong about poetry creation, calligraphy theory and calligraphy appreciation, which benefited me a lot.
He has served as the speaker of the classical poetry column of CCTV and education TV for many times. In recent years, Zhao turned his main energy to research, and successively assisted Mr. Zhao in sorting out and publishing Poems on Books (Annotated Edition), Oral History of Qigong, Qigong Lecture and Qigong Rhyme Collection (Annotated Edition).
After Mr. Qi Gong's death, he edited and published "Memories of Mr. Qi Gong" and "Memories of Mr. Qi Gong", and successively wrote more than 30 papers and articles on the study of Qi Gong, which were compiled into a book "Qi Gong Research Series". These books and articles have made a thorough and comprehensive study of Mr. Qi Gong's academic thoughts and achievements, and provided comprehensive and accurate information for further in-depth study of Mr. Qi Gong in the future.