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The medieval painter _ _ Biya. Letz's resume, be more detailed.
First of all, his name is Biya Zlai beardsley. Secondly, he is not from the Middle Ages. He was born in 1872 and died in 1898. His painting style is deeply influenced by pre-Raphael and symbolism, so those complicated lines and exquisite patterns make people think that they are back to the Renaissance. His most famous works include Death of Arthur, Salome and his own magazine Yellow Book, and he once drew illustrations for Savoy founded by Bernard Shaw. Biazli and his partner Wilde are gay, so he can make his role so sexy.

1892, Biazli went to Paris, where he discovered Lautreck's poster art and fashionable Parisian Japanese prints, which will be the main influence on his style.

From the change of his signature, we can see six main periods of his artistic creation career. In the early days, most of his works were unsigned. During the period of 189 1 and 1892, he began to use his own abbreviations, and his paintings gradually became more beautiful under the influence of Japan. He co-founded the Yellow Book with American writer Henry Harland, and served as the cover design and inner page illustration of Art editor and magazines. Most of his images are pen-and-ink drawings, with a large area of blank space+detailed description+a large area of dark parts, with strong contrast.

His most famous erotic illustrations are all about historical and mythical themes, including his privately printed illustration print aristophanes Lu Sist and his poster for Oscar Wilde's play Salome, which premiered in Paris on 1896.

Wilde said that his face was like a silver axe with grass-green hair. Biya Zlai always dresses meticulously: pigeon gray suit, hat, tie and yellow gloves. Beauticians such as Biazley and Oscar Wilde regard him as gay friends, and there are even rumors that his relationship with his sister Mabel is disorderly, and the latter miscarried because of his chaotic relationship with his younger brother.

Beards Li/KLOC-0 converted to Roman Catholicism in March, 897. To show his holiness, he begged the publisher Leonard Medus to delete all obscene illustrations. But meadows turned a deaf ear and continued to sell copies, forging Biazli's works.