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1. The film tries to find another angle to look at the possibility of war. Apart from realistic skills and skillful narration, this film is not lacking in reflection. Although most Hollywood works about the Iraq war are American, The Body of Lies is not. Of course, ridley has to write a eulogy for investors. The biggest flaw of this film is the emotional scene, in which Leonardo's image as a smart and capable agent was destroyed very easily in order to save the woman. Of course, this time Americans put themselves very low and modest.
2. In fact, many people are wondering why movies are not directly named. Middle East spy? Isn't this more straightforward? Probably to mock the CIA and the so-called hegemonic criticism. Scott thinks body of lies can better represent what he wants to convey, but there is no doubt that the action and war scenes in the film completely overwhelm ideology. There are so many foreshadowing ahead, I feel nervous and real, but in the end, I still have feelings with nurses. I feel that I can't write the ending, and then I forget it. This is a war in which we can't tell the enemy from ourselves, what is true and what is false, who is guilty and innocent, and even right and wrong and purpose. This is a war without a battlefield and all the time. Here and now is the battlefield. The most important thing is to survive.
3. Tucao: According to ridley scott's standards, this movie is almost a useless failure: action plays are rarely perfunctory, literary plays are bland and vulgar, and love plays are vulgar. Russell only knows how to coax children, and Leonardo's pure sincerity is pure fabrication. After reading the spy novels of forsyth and Le Delhoume in the 1970s, you will know that American agents are ruthless. How can there be a mother-in-law in this film? Even Tony Sugert's spy game is worse than a bad movie. The whole film has opinions and ideas, but it's a pity that the feelings in blade runner are gone. Is it to show that "long-distance love" is not reliable? Also, I think Xiao is a loser in this respect, and his planning has failed. Leonardo's acting is really not so good. The movie is anticlimactic, action movies are not like action movies, drama movies are not like drama movies, and spy movies are not like spy movies. Don't you feel sick?
4. Look at this piece, you should be studying geography. Reimbursement of international flights with public funds, traveling around four continents. It is said that the rhythm is fast because the narrative is fragmented and vague. But what about Ridley? Scott has been trying to cover everything in detail, and the final result is incompetence, smelly, long, unfocused and uncomfortable. Don't talk about being immersed in love without talking about intrigue. There is another interesting place: from beginning to end, I want to say DiCaprio's dialogue: you should lose weight, fat man! ! ~ ~ But, ridley? Scott really likes crow. Let Crowe eat too much in the film, is it to suggest to the readers that he is not fat, just to give my dear a step down ~ ~
5. Is it really refreshing the lower limit of Ridley's boredom? The main narrative is unclear and basically has no ups and downs; Moreover, the faces of Middle Easterners look so alike that they can't tell face blindness from blindness. An action spy movie makes people sleepy, and it really becomes a lullaby if you are not careful! Xiao Lizi and Russell Crobai are blind, and Lord Hanni's expensive suit. An inexplicable death, an inexplicable task, an inexplicable affair, and a more inexplicable departure? Perhaps the metaphor is that Xiao Lizi will gradually become his boss, but he doesn't control it well. RidleyScott's movie is a good movie, and then there will be several bad movies. Isn't it a bit too much, hehe!
6. In a word: this is a small and bad film. This is a common problem in modern American movies about the Middle East. There are too many scenes, the editing is chaotic, and the explosion scene is full of great courage. Throughout the past 20 years, there are very few excellent movies about Middle East spies. It is better to say that this kind of material selection is a minefield that great directors and actors have to avoid, and the overall structure has no sense of weight, let alone unexpected inversion!