194 1 year, paper and ink painting.
130×76 cm
Collection of Xu Beihong Memorial Hall
Xu Beihong is good at using horses as metaphors and objects to express his patriotic enthusiasm. The horse in Xu Beihong's works is a "horse that flows forever", full of vitality and heroism.
Judging from the inscription of this painting, this "Running Horse Map" was made during the second Changsha Battle in the autumn of 194 1. At this time, War of Resistance against Japanese Aggression was in a stalemate, and the Japanese army wanted to completely defeat China before launching the Pacific War, making the Kuomintang government kneel, so they tried their best to launch the Changsha Battle repeatedly in an attempt to get through the throat of the north-south traffic in Chongqing. Our side was defeated in the second battle, and Changsha was occupied by Japanese invaders. Xu Beihong, who is holding an art exhibition in Penang, Malaysia, is worried when he hears that the national disaster is coming. He painted "Running Horse" overnight to express his anxiety.
In this painting, Xu Beihong uses rich and unrestrained pen and ink to outline the turning parts such as the head, neck, chest and legs, and uses a dry pen to sweep out the mane tail, which changes naturally. The straight line of the horse's leg is thin and powerful, like a steel knife, penetrating the back of the paper, while the arc of the abdomen, buttocks and mane tail is very elastic and dynamic. On the whole, the front of the picture is big and the back is small, with a strong sense of perspective, and the legs and horse's head stretching forward have a strong impact, which seems to break through the picture.
In Xu Beihong's early Ma Su, there was a literati's indifferent poetry, showing a state of "looking back on loneliness". After the outbreak of the Anti-Japanese War, Xu Beihong realized that artists should not be confined to the narcissism of art, but should share the fate with the country and put their artistic creation into a fiery life, so his horse became a symbol of national spiritual awakening. However, after the founding of the People's Republic of China, his horse became a symbol of "the mountains and rivers have returned to democracy and the rugged road has been leveled". It is still galloping, but less anxious and more cheerful.
A picture with six horses is called "running horses". The painting is 3m high and 1m wide. It is the largest original painting of "Running Horse" by Xu Beihong listed as a national first-class cultural relic. The master used bold ink splashing and beautiful line drawing to describe the charm and temperament of the horse. Ma Xiongjun in the painting is vigorous and delicate, with the aesthetic feeling of "thin bones and copper sound", and the galloping horse is vigorous and powerful. This picture of running a horse not only shows the spirit and characteristics of the horse, but also gives the painter his own personality and ideal-to fight for the revitalization of national art!
This painting is Xu Beihong. He runs with six horses and observes them. Go home and draw what he thinks is the best part. Look! These six horses have different manners and movements. Some are flying on all fours; Some feet tilt up after landing; Yes ... Xu Beihong deserves to be a painter. The horses in his painting "Running Horse" are lifelike. He took me into the painting.
1962 In the spring, Premier Zhou Enlai visited Baoguang Temple. When he saw the "galloping horse" nave of Xu Beihong, he was amazed. After personally measuring the vertical and horizontal dimensions of the painting, he said, "This is the largest painting I have ever seen and should be properly preserved."
1939, Mr. Xu Beihong was invited to give a lecture and hold an art exhibition at the International University of India. At that time, he also visited Darjeeling in the Himalayas at the invitation of Tagore, a great Indian poet. There, he saw many rare horses with high head, long legs, wide chest and shiny fur. He often travels on such a war horse, and gradually understands the horse's aggressive, brave, docile, hardworking and loyal character, and finally becomes a confidant of the horse. During the visit, he drew many sketches of horses and further mastered the most beautiful posture and posture of horses. From then on, he described the temperament and vitality of horses more incisively and vividly, thus creating all kinds of galloping horses, reaching the realm of "perfection", which was praised and cherished by the world.
Mr. Xu Beihong concluded that "the avenue of art is to pursue nature". "My dharma, creation. The pine of the blue cloud is my teacher, the rock of Qixia is my teacher, the cows and horses in the field, the chickens and dogs outside the fence, the donkeys in Nanjing and the big momma in Jiangbei are all my teachers. " Mr. Beihong once said, "I like lotus flowers very much, but I dare not paint them." If you want to draw, you have to give me twenty dollars of rice paper. After painting these twenty knives of rice paper, you can say that you can draw lotus flowers. ""I love painting animals and spend a long time on objects. That is to say, on horseback, he quickly wrote more than 1000 manuscripts, learned the anatomy of horses, and became familiar with the bones, muscles and tissues of horses. Then, it is worth studying its dynamics and expression in detail. "Xu Beihong did draw sketches of thousands of horses in his life. He is familiar with the horse's temperament, structure, daily activities, and the unique expression techniques that need to be created in skills, and has created a heroic horse that has washed away the empty horse forever. This is also a symbol of the author's pursuit of ideals and yearning for freedom.
1942 After returning from India, Mr. Bei Hong gathered painters with basic achievements in the art world, founded China Academy of Fine Arts in Panxi, Sichuan, and studied painting. The horses he painted at that time paid more attention to the structure, and described the horse's demeanor and temperament by splashing ink or freehand brushwork. It is said that Xu Beihong himself thought that his real achievement in horse painting was after his visit to India in 1940. 1940, he wrote an inscription on a horse map: "Once upon a time, there was a madman who thought poetry was like a cloud, and he thought it was true but not evil, and the ancients were the best. When I was sad, I went to Darjeeling in the Himalayas.
His original match, Jiang Biwei, was A Yi, the daughter of Jiang, a famous artist at that time and known as a social butterfly. 1936 Divorced due to disagreement between both parties. 1In the winter of 945, Xu Beihong and Ms. Liao got married in Chongqing. Witnesses were Shen Junru and Guo Moruo, and more than 0/00 people attended the ceremony. Guo Moruo: "Jialing River is green as tea, and pine flowers are greener than flowers. It is brand-new and the beautiful scenery of Panxi is attractive." 1945 Chongqing, Xu Beihong was not afraid of rape. He enthusiastically signed in support of the democratic movement advocated by Guo Moruo and called for the establishment of a democratic Coalition government.
After the national liberation, Mr. Xu Beihong welcomed the birth of New China with great enthusiasm. He was the first president of the Central Academy of Fine Arts and the chairman of the All-China Artists Association. He took the lead in drawing heroes and model figures. 1950, he presented a horse racing map to the soldiers in Chinese people's Volunteer Army, and wrote a poem: "Mountains and rivers return to democracy after hundreds of battles, and the rough road is eradicated." . He also painted a poem by a horse: "A hundred years of heavy burden, the first sight." He expressed his feelings through horses and entrusted the people's love and hate. On their galloping footsteps, he was branded with a distinctive brand of the times. Xu Beihong's "Ben Ma Tu" was also made into a full set of eleven stamps, and won the best special stamp award in the best stamp selection.
1953 On September 26th, during the Second National Congress of Literary and Art Workers, Mr. Xu Beihong suffered a sudden cerebral hemorrhage and died unfortunately at the age of 58. But his outstanding contribution to the people's artistic career will go down in history forever; His integrity also left a shining example for future generations. In order to commemorate him, the China Municipal Government established the "Xu Beihong Memorial Hall" in Beijing, and Premier Zhou personally wrote an inscription; Later, in his hometown Yixing, the "Yixing Xu Beihong Memorial Hall" and "Beihong Former Residence" were newly built, and his works were exhibited for a long time for Chinese and foreign people to pay tribute and appreciate.
Respondent: man 2256- Level 3 2008- 10-7 20: 14
A picture with six horses is called "running horses". The painting is 3m high and 1m wide. It is the largest original painting of "Running Horse" by Xu Beihong listed as a national first-class cultural relic. The master used bold ink splashing and beautiful line drawing to describe the charm and temperament of the horse. Ma Xiongjun in the painting is vigorous and delicate, with the aesthetic feeling of "thin bones and copper sound", and the galloping horse is vigorous and powerful. This picture of running a horse not only shows the spirit and characteristics of the horse, but also gives the painter his own personality and ideal-to fight for the revitalization of national art!
This painting is Xu Beihong. He runs with six horses and observes them. Go home and draw what he thinks is the best part. Look! These six horses have different manners and movements. Some are flying on all fours; Some feet tilt up after landing; Yes ... Xu Beihong deserves to be a painter. The horses in his painting "Running Horse" are lifelike. He took me into the painting.
1962 In the spring, Premier Zhou Enlai visited Baoguang Temple. When he saw the "galloping horse" nave of Xu Beihong, he was amazed. After personally measuring the vertical and horizontal dimensions of the painting, he said, "This is the largest painting I have ever seen and should be properly preserved."
References:
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Interviewee: blue tmde-level12008-10-7 20:15
A galloping horse
194 1 year, paper ink painting.
130×76 cm
Collection of Xu Beihong Memorial Hall
Xu Beihong is good at using horses as metaphors and objects to express his patriotic enthusiasm. The horse in Xu Beihong's works is a "horse that flows forever", full of vitality and heroism.
Judging from the inscription of this painting, this "Running Horse Map" was made during the second Changsha Battle in the autumn of 194 1. At this time, War of Resistance against Japanese Aggression was in a stalemate, and the Japanese army wanted to completely defeat China before launching the Pacific War, making the Kuomintang government kneel, so they tried their best to launch the Changsha Battle repeatedly in an attempt to get through the throat of the north-south traffic in Chongqing. Our side was defeated in the second battle, and Changsha was occupied by Japanese invaders. Xu Beihong, who is holding an art exhibition in Penang, Malaysia, is worried when he hears that the national disaster is coming. He painted "Running Horse" overnight to express his anxiety.
In this painting, Xu Beihong uses rich and unrestrained pen and ink to outline the turning parts such as the head, neck, chest and legs, and uses a dry pen to sweep out the mane tail, which changes naturally. The straight line of the horse's leg is thin and powerful, like a steel knife, penetrating the back of the paper, while the arc of the abdomen, buttocks and mane tail is very elastic and dynamic. On the whole, the front of the picture is big and the back is small, with a strong sense of perspective, and the legs and horse's head stretching forward have a strong impact, which seems to break through the picture.
In Xu Beihong's early Ma Su, there was a literati's indifferent poetry, showing a state of "looking back on loneliness". After the outbreak of the Anti-Japanese War, Xu Beihong realized that artists should not be confined to the narcissism of art, but should share the fate with the country and put their artistic creation into a fiery life, so his horse became a symbol of national spiritual awakening. However, after the founding of the People's Republic of China, his horse became a symbol of "the mountains and rivers have returned to democracy and the rugged road has been leveled". It is still galloping, but less anxious and more cheerful.
Respondent: uu 8774- Level 2 2008- 10-7 20:35
A picture with six horses is called "running horses". The painting is 3m high and 1m wide. It is the largest original painting of "Running Horse" by Xu Beihong listed as a national first-class cultural relic. The master used bold ink splashing and beautiful line drawing to describe the charm and temperament of the horse. Ma Xiongjun in the painting is vigorous and delicate, with the aesthetic feeling of "thin bones and copper sound", and the galloping horse is vigorous and powerful. This picture of running a horse not only shows the spirit and characteristics of the horse, but also gives the painter his own personality and ideal-to fight for the revitalization of national art!
This painting is Xu Beihong. He runs with six horses and observes them. Go home and draw what he thinks is the best part. Look! These six horses have different manners and movements. Some are flying on all fours; Some feet tilt up after landing; Yes ... Xu Beihong deserves to be a painter. The horses in his painting "Running Horse" are lifelike. He took me into the painting.
1962 In the spring, Premier Zhou Enlai visited Baoguang Temple. When he saw the "galloping horse" nave of Xu Beihong, he was amazed. After personally measuring the vertical and horizontal dimensions of the painting, he said, "This is the largest painting I have ever seen and should be properly preserved."
Especially memorable.
The value of1100,000 may be more than that.
Respondent: cccc 159753- Grade I 2008- 10-8 13:54.
I'll forward it.
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