Brother Chui recently devoted himself to the design and promotion of Adi's co-branded clothes. Some time ago, A Y said on ins, "Now it's your turn to design clothes for me, maybe it's your turn to write lyrics and I'll sing". Besides, Y also went to celebrate Xu's birthday before. Therefore, differences are naturally unfounded. Besides, isn't it ridiculous that two old friends who have been dating for 20 years are at odds over copyright issues? Besides, Cui Ge has been busy with his life concert since 13, and it was not until this year that he finally completed two rounds in China. This kind of commercial performance is time-consuming and laborious, so Brother Chui naturally has no time and energy to concentrate on creating music and making albums. Some things are not as simple as we think. I think boasting about mainland travel is really rejected. The money earned from a concert can support "many people", and it is not his decision whether to do it or not and how long to do it. Blow brother's inner OS: I'm so angry but I have to sing with a smile. Brother Cui also made a speech two days ago. The concert of life is coming to an end, and I am ready to pack my new album. I also played one or two new songs for everyone to listen to first, but it seems that there is still no sign of Y.

Tell me more about Y. People who often listen to Hong Kong music should know that in recent years, Ye Y and in order to support the younger generation, they basically focus on the younger generation and newcomers, but rarely do such a big project as arranging the whole disc for a big-name singer like Cui Ge. Instead, I made two concept albums, Addendum and Evil is a Viewpoint, for Juno Mak, a seemingly unknown minority singer (few people around me know him anyway, and few people who listen to Cantonese songs know him, so it looks like this). I wouldn't believe them if they didn't have inspiration. With these two concept albums, I crushed a mainland celebrity online singer (fans don't need to tear it up, after all, Xue's songs have always been among the best in my listening list, and it is undeniable that his songs are excellent among the mainland's bitter songs). Y's works in recent years are really not as many as before, and I'm not interested in writing the trilogy 12345, but the works are not necessarily exquisite, such as hillwood road in Xie Anqi (the song of getting up in winter vacation), Rashomon in Juno, Gemini in Joey Yung, and Dear Black of Ho Mushroom (the theme of DF concert recently is black, and Y once again gave mushrooms. Liu Haolong's "The Third Runway" (I didn't mean to put the three of them together, and Liu Haolong also has a few good songs regardless of personality, and the third runway is really a song worth listening to), Ar Fi's "Me Ten Years Later" (I came to your ten-year date with my singing for ten years, and I just fulfilled that sentence. Ten years later, I still acted like a girl), Zhou Guoxian didn't go home in my life, and the twins were in vain (. I just post songs that I feel good after listening to them for a while, not all the works of 16. Maybe I am tired of listening to love songs and interested in these meaningful songs, so love songs are rarely posted. Y once said that he hates it and hates it. In recent years, more and more people speak Cantonese songs, which is not as good as before. I also want to say that I hate it when more and more people say that Jiang Lang, the lyricist, can't write good words, because the Hong Kong music scene is not only supported by one or two excellent lyricists and one or two excellent singers. There are musicians behind the scenes who are better than songwriters and singers, but the audience seldom pays attention to them. I hope people who like Hong Kong music are right.