Appreciation of Ancient Spring Festival Poems (Ⅱ)

Wang chuanxue

The customs of the Song and Tang Dynasties and the Spring Festival are similar to those of the Tang Dynasty.

January Day by Wang Anshi, a poet in the Northern Song Dynasty, describes the scene of the New Year, which is cheerful and moving.

Except for the one-year-old in firecrackers,

The spring breeze brings warmth to Tusu.

Thousands of families are dying,

Always trade new peaches for old ones.

Yuanri is a seven-character quatrain written by Wang Anshi, a politician in the Northern Song Dynasty. This poem describes the moving scene of excitement, joy and Vientiane renewal on New Year's Day, expresses the poet's thoughts and feelings of political innovation, and is full of cheerful and positive spirit.

This poem was written at the beginning of the poet's worship of the Prime Minister and his New Deal. 1067, Song Shenzong succeeded to the throne, and Wang Anshi was appointed as the magistrate of Jiangning, and then he was appointed as a bachelor and lecturer of Hanlin. In order to get rid of the political and economic crisis faced by the Song Dynasty and the constant intrusion of Liao and Xixia, in A.D. 1068, the gods called Wang Anshi to "enter the DPRK again and again", and Wang Anshi immediately wrote a letter advocating political reform. The following year, he devoted himself to politics and presided over the political reform. During the Spring Festival in the same year, Wang Anshi saw that every household was busy preparing for the Spring Festival, and he wrote this poem with emotion when he thought of the new atmosphere at the beginning of the political reform.

This poem describes the scene of the Spring Festival: firecrackers sent away the old year, and when I drank the mellow Tu Su wine, I felt the breath of spring. The rising sun shines on thousands of families, and every family's peaches are replaced with new ones.

This is an impromptu work to welcome the New Year. Based on folk customs, it sensitively absorbs the typical materials of ordinary people during the Chinese New Year, and grasps the representative details of life: setting off firecrackers, drinking Tu Su wine and changing peach symbols, which fully shows the happy atmosphere of the Chinese New Year and makes life colorful.

Poetry is a human voice. The artistic conception and reality expressed in this poem also have their own metaphor and symbolic significance. This poem is full of cheerful and positive spirit, because the poet was then the prime minister and implemented the new law. During his tenure, just as people replaced the old with the new, he abolished the old politics and implemented the New Deal. The poet is full of confidence in the New Deal, so it is particularly cheerful to reflect it in his poems. This poem praises the birth of new things, which is as full of vitality as "the spring breeze picks up"; "Tomorrow" shines on "thousands of families". This is not an ordinary sun, but the beginning of a new life. Political reform has brought a bright future to the people. At the end of the sentence, "new peaches are often exchanged for old peaches" shows the poet's satisfaction and joy at the victory of political reform and the improvement of people's lives. It contains profound philosophy, pointing out that new things always replace declining things.

This poem uses line drawing to render the festive atmosphere, and at the same time, it expresses its thoughts through the custom of updating in January and Sunday, which is implicit but not revealing.

Re-examine Lou Yuchun Yuan Ri by Mao Kun, a poet in the Northern Song Dynasty;

Every year, the lotus leaks water.

Bijing is a crisp and frozen wine.

Xiao is cold, cool and cunning,

There's another village.

The beautiful woman advised Qian to live a long life.

Pepper with cypress leaves and gorgeous sleeves.

I don't know each other in drunkenness,

Only with Dong Jun.

This is a New Year greeting. The word means: the lotus sent away the old year. Tu Su wine, brewed in winter, drunk in spring and frozen in Beijing. At the time of Han Xiao's invasion, Herry Liu's slim figure had already revealed the breath of the Spring Festival. Although there are beauties and singers to persuade them to drink, the poet is shocked by the phenology of early spring, and seeing the spring god is like seeing an old friend reunited after a long separation.

Ci not only skillfully writes the poet's mood for the holidays, but also describes some folk customs celebrating the Spring Festival in detail. Although the cold of spring has not subsided, the poet has been looking forward to the coming spring like an old friend. The whole word is novel in conception and rich in emotion.

Song Dynasty poet Jiang Kui's "Partridge Day Ding Siyuan Day" feels the tranquility of the New Year;

With cypress, green pepper and red pepper, everything is new.

The hedge lights celebrate the New Year.

San Mao zhong moves the west window at dawn,

Poetry is another spring for no reason.

Be careless with the guests and open the door slowly.

Plum blossoms are fragrant with old age.

Joule learned to write about human roles,

What Lei Yu Shen Tu wrote is not true.

This year, Baishi was 43 years old. In the eyes of the ancients, he was already an "old man". At the beginning of the word, it is said that the new year is coming, everything is updated, and people are everywhere to congratulate the new year. In the bell of spring, the temple turned white and ushered in a new spring.

"Casual to the guests, open the door slowly. Plum blossoms accompany the old, "the poet is lazy to be a guest, slowly opens the door, lives quietly, and is accompanied by plum blossoms." "Although there is still a lot of alienation between the lamentations of Shadow of the Fence and Another Spring for No Reason." Joule learned to write, but Lei Yu Shen Tu didn't. "Joule's writing and painting are innocent and lovely, vividly reflecting the folk custom that every household should take down the old peach symbol hanging on the door and put it on a new one, hoping for good luck in the new year.

This word is different from the poet's previous works, and it is written calmly. Poets travel half their lives, but ten years are bleak. Weed peach is at home, and pepper cypress is called scorpion. It is rare to have an inch of time to enjoy peace, but poetry adds spring to the temple and reduces the age for China.

Plum blossoms are also quiet, not old friends, but present people, who always come for company. There is little social intercourse and I don't need to take care of it. I looked at the lights through the fence, as if the New Year had nothing to do with me; It's just about the sense of security that this new year brings you, such as plum blossom leisure company, such as children reading.

In the winter of the ninth year of Xining (AD 1076), Su Shi, a great poet in the Song Dynasty, was ordered to leave Mizhou and move to Zhihe Zhongfu (now Yongji County, Shanxi Province). On the fifteenth day of the first month, he braved the cold and came to Weizhou (now Weifang), where he stayed overnight in the Buddhist Temple because of the heavy snow. The second day is the first day of the tenth year of Xining (A.D. 1077). After the snow, Su Shi set out as soon as possible. But when we arrived in Qingzhou, it began to snow again. To this end, he wrote a poem entitled "In addition to the heavy snow at night, stay in Victoria in the morning of January, and then make a snow recovery" to commemorate this trip:

Besides staying in the snow at night, the sun will shine on the moon.

The east wind blows wine, and the thin horse haunts dreams.

Onions bloom in Guang Xiao, and the rest bloom in turn.

Dismount into the wild, who is better than * * *.

After a while, the clouds merged and nothing was missing.

Three years of drought in the east, fleeing households and even buildings.

The old farmer sighed with tears.

Although the clouds in Chun Xue are very late, spring wheat can still be planted.

Dare to complain about hard work and help you sing and eat.

On New Year's Day, it was snowing heavily, and Dongpo was on the journey. He didn't complain about the hardships of the trip, but hoped that the snow would herald a bumper harvest and make the farmers who suffered from locust plague and drought happy.

In this poem, the poet narrates that he witnessed three years of drought in the east, farmers failed to harvest, and the people fled and were displaced; The old farmer sighed and was deeply saddened by this tragic scene. Just then, it began to snow heavily. Although Chun Xue came a little late, he reminded farmers that it was not too late to plant spring wheat. Finally, "dare to complain about labor and help others sing and eat": it means that although snow brings difficulties to travel, it is beneficial to farming. How dare you complain about labor? Song rice jar: Quote the ancient Shandong agricultural proverb "The rime is heavy and the rime is heavy, and the poor set rice jars", which means that frost and snow will bring good years. In this most important festival of the New Year, the poet is not lamenting the hardships of traveling by boat, nor lamenting that family members can't get together in the New Year, but celebrating the late rain and snow with joy, hoping that this snow will herald a bumper harvest year and make farmers who have suffered from locust plague and drought for many years happy. The sympathy of the scholar-officials is admirable.

The New Unity written by Ye Hao, a poet in Ming Dynasty, is full of spring;

The wind and frost in heaven and earth are exhausted, and the weather in Gankun is harmonious.

Add the New Year, and the old mountains and rivers will spring.

May Liu Fang is full of pride, looseness and old age.

Tu Sucheng was drunk and laughed at Baiyun.

This is a five-character poem about celebrating the Spring Festival. The first couplet wrote about the peace during the Spring Festival from the perspective of climate: no wind and no frost, full of spring. Another year has been added to the calendar written by Zhuan Lian, and the new year has replaced the old one. Spring is all over the earth, and the mountains and rivers are brand-new. Neck couplets write the arrival of spring from the perspective of trees. Plum blossoms and willows have taken on a new look, which shows that pine trees and bamboo that do not wither in winter are a little old. At the end of the couplets, people in the Spring Festival happily drank too much Tu Su wine, and laughter resounded through the sky.

This poem expresses people's longing for the bright future of the Spring Festival.

Look at the New Year message of the Ming Dynasty poet Wen Zhiming;

Don't ask to meet, just talk,

The famous newspaper is coming to our house.

I also throw some paper at people.

The world is too simple to be empty.

This poem shows the custom of New Year greetings in Ming Dynasty.

No face-to-face meeting is required during the Spring Festival. I'm just sending a business card. When I get up in the morning, my business card flies in my humble abode. Poets also follow the custom, laying paper and researching ink, writing a few articles and issuing business cards according to the custom. The world thinks it's too easy to meet directly in New Year's greetings, so they get a "New Year greeting card". It shows the poet's ridicule of this "virtual" thing. In the Song Dynasty, visiting New Year with business cards was called "flying posts". A red paper bag with the word "Fu Fu" written on it is posted in front of every house just for flying. "Qingbo Magazine" said: "During the Yuan You period, New Year greetings often made servants stab their names." It was still like this in the Ming Dynasty. Modern greeting cards and greeting cards can be said to be its heritage.

Wu Jia New Year's Day by Kong, a dramatist in Qing Dynasty, shows a cheerful mood:

Xiao Shu's white hair is not full,

Watching old-age programs around the stove is a waste of sleep.

Cut candles, dry supper wine,

Spend all your money on lucky money.

Listening to firecrackers burning in the child's heart,

Look, the word peach is old and biased.

Add a plum blossom to the drum horn,

Wu Geng smiled to celebrate the New Year.

17 14 Spring Festival is the Chinese and Japanese Lunar New Year, when Kong was 66 years old and at home. Although the poet is old, his childlike innocence still exists. Stay up all night, drink supper, buy spring money, listen to firecrackers and watch the peach blossom change. Between words, his childlike innocence is beating, reflecting the poet's calm state of mind after leaving the officialdom.