one

A machine. The time of knitting flies. Lan Fang never sleeps at night. Oh, oh, roll it up, weave it into spring hate, and keep Lang back.

Two machines. Under the moonlight, people are quiet and quiet. Are inextricably linked. Weave it into a piece and weave it back into a brocade. Will be sent to Iraq.

Three machines. There is a flower playing in the middle. Delicate red, tender green and bright spring. Be sure to fold it early, one thick and one colorful, and don't treat wheat straw.

Four machines. Yuanyang wants to fly together as soon as she knits. Poor old man, white first, green grass in spring, deep in Han Xiao, relatively bathed in red.

Five machines. The period when the soul is tempted. The branches of Albizia Albizia are connected together. Under the double-headed flower, two concentric places, a pair of young people.

Six machines. Carved flowers and brocade are half separated. Lan Fang has no intention of staying in spring. Furnace seal script is a long line, and embroidery is late.

Seven machines. Spring silkworms spit out all the raw silk. If you don't teach, it's easy to behead Luo Qi. Cut for no reason, Xian Xiong Cai Feng, divided into two kinds of clothes.

Eight machines. Delicate hands live all the time on the charming banks of the Shu River. Musk deer, embroidered quilt in greenhouse, delayed to return.

Nine machines. A heart grows in a hundred flowers. A hundred flowers blossom and a pile of quilts are red. They all hide the spring scenery in their heads and are not afraid of sleeping for a long time.

Light silk. Like a jade bed, the hands are novel. Flowers and grass, bright and beautiful. Dressed as a tailor, singing and dancing in spring, flying butterflies and orioles.

Spring clothes. It's sad to dye with plain silk. The world is dull and colorless. It should be abandoned forever like the autumn fan, and there is no time to serve you anymore.

Explanation:

one

This group has eleven songs. The first song "A Machine" started from the night when I missed my wife, and "Weaving Time flies" lamented the passage of time. Forever Lanfang Night is the place and feeling of lonely sleepers. This period shows the time and place, and also shows the situation of lovesickness. ?

Under "spit, spit and grind", brocade is used to express feelings of parting, sadness, hatred and longing for reunion. This is a psychological portrayal of the typical image of working women in feudal society in China for thousands of years, with sad and touching emotions.

It has the charm of folk songs, but the words used in making sentences are elegant, such as "Forever Lanfang Night" and "Spring Hate", which are obviously processed by literati.

The second song, following the first song "The Moonlight is Silent", writes a tapestry in the middle of the night. "inextricably linked" has a pun meaning, and it is affectionate and lingering.

The last three sentences put the man into quicksand and sent acacia allusions with his wife Su Brocade as a palindrome, which made people feel sad.

The third song "San Zhang Ji" is an extension of the first "Golden Palindrome". "There is a flower show in the middle, bright red and green, and bright spring" symbolizes the beautiful youth and passionate love of the Weaver Girl. The last three sentences express the yearning for love and contrast the anxiety of wasting youth.

Du Qiuniang's poem "Golden Dress": "I advise you not to cherish the golden dress, but to cherish your youth. Flowers can be folded straight, don't wait until there are no flowers. " You can use it to read. Zhen Tingzhuo thinks that "three machines, Wu silkworm has flown" is "a thorn in the side". For reference.

The fourth song, "Yuanyang Weaves for Qi Fei" symbolizes the beautiful wish of loving each other forever. "Poverty" is the turning point, lamenting the passage of time, and the beauty is getting old in the torment of troubles, Mr. White Hair.

Du Mu's quatrain in Houchi, Qi 'an County: "No one watches the light rain all day, and the mandarin duck bathes in red", which reflects the loneliness of missing women through pairs of mandarin duck baths. The writing is gorgeous and elegant.

The eighth song, skipping the "five machines" and "six machines", is called "seven machines", describing the sadness after disappointment, "Spring silkworms spit all their silk", and using the homonym of "silk" and "thinking" to describe the soft and long-lasting feelings in their hearts.

Spring silkworms spit out all their silk to symbolize their loyalty to death. In Jiao Mo, symbolism is also used. I hope that when cutting clothes, I will cut them carefully, so as not to separate the husband and wife on the brocade, which means not to destroy the beautiful love I have worked so hard to weave. Send out a call, eager to save lost love, the language is almost piercing.

"Spring Dress" is the last of eleven songs, followed by "Eight Machines", "Nine Machines" and "Light Silk".

"It's sad to dye plain silk." It is said that plain silk loses its original whiteness after dyeing, so it is very sad. In the allusion of "Huai Nan Zi said Xun Lin", "Mozi cried when he saw Lian Si, because he could be black in Huang Ke."

"plain silk dyeing" completes the whole process of brocade represented by "nine machines" from brocade ready-made clothes. Happiness and sadness lead to the following. "The dust is light and sweaty, and there is no color." It is said that spring clothes were spoiled, stained with dust and sweat, and lost their original luster.

Bai Juyi's poem Twinkle Silk also said: "Sweat is stained with powder and dirt, dragging the soil and treading the mud without pity." Here, it is a metaphor of a new soul, a weaver girl, and her beautiful face, haggard and aging because of being destroyed.

The following "should be the same as the autumn fan", abandon it with the autumn fan, and lament the sorrow of your own fate. Ban Jieyu's "Elegy" says: "The newly split Su is as bright as frost and snow. Cut into acacia fans, round like the bright moon.

In and out of your arms, shaking the breeze. I am often afraid that the autumn festival will come and the cold will seize the heat. If you give up your donation, your kindness will be lost. "Desperate sorrow, seeing resentment, is also hidden in the fate of autumn fans and the metaphor of * * *.

Secondly,

A machine, picking mulberry and trying on spring clothes. It's sunny and warm, and on the peach branches, warblers sing and refuse to let people go home.

Two machines, pedestrians were immediately delayed. I couldn't bear to pay lightly, but I turned and smiled. I returned the flowers for fear of being known.

Third machine, Wu silkworm is old and young. The Dongfeng banquet will stop at Changzhou Garden, and the ladies-in-waiting will change their dancing clothes.

Four machines, black eyebrows in the dumb voice. Back to weaving lotus seeds, the flowers are easy to swallow, the heart is difficult to complete, and the pulse is like silk.

Five machines with stripes woven with Shen Lang's poems. The central sentence says that no one will, don't worry, don't worry, don't worry, just send acacia.

Six machines. Everything is playing with flowers. There were even two butterflies among the flowers, who stopped for a day and watched alone in the window shadow for a long time.

After seven machines, Yuanyang hesitated to knit. I'm afraid of being chopped lightly, flying in two places and hating you once. What's your plan?

Eight machines. Palindrome knows which poem it is. Woven into a desolate meaning. After reading all the lines, I am too tired to speak and can't bear to think about it.

Nine machines, two flowers, two leaves and two branches. Since ancient times, fickle feelings have been separated from each other from beginning to end, and hearts are tied together by a thread.

Explanation:

Secondly,

This is a group of lyrical words with strong folk colors, which creates a tapestry girl image from the folk who is extremely loyal to love. She loves the beautiful spring scenery and the persistent pursuit of a happy life.

From mulberry picking to brocade, from farewell to nostalgia, a colorful and vivid picture of life has been formed, which gives people great aesthetic enjoyment. Obviously, it is an expression of a girl's spring sorrow and parting feelings.

"One Machine" expresses the love for nature and life through the beautiful feelings and spiritual intoxication of mulberry girls. "Zhang Ji" in the first sentence is a common metaphor in folk songs.

The second sentence "picking mulberry and trying on spring clothes" points out the object, place and season of labor, and "warm and unintentional in sunny days" shows the charming attitude of a girl intoxicated with nature. She was fascinated by Huang's wonderful singing and couldn't bear to go back.

"Two Machines" shows her infinite affection for the lover who is about to leave through the parting affection of pedestrians and women turning their heads and smiling.

"Pedestrians Delay Immediately" is to see from the heroine's eyes that pedestrians are hesitant and want to stop, which truly depicts that kind of reluctant ambivalence.

"I can't bear to pay lightly in my heart" is a description of the heroine's inner activities, depicting the shy psychology and reserved attitude of a girl in her first love.

A "looking back and smiling" is not only her unique tacit understanding of expressing her "innermost feelings" to each other, but also her artistic reflection of covering up her inner secrets.

"Sanji" borrowed the maids of the ancient king of Wu to change their dancing clothes, and wrote that when silkworms were old in early summer, the girls began to work hard on brocade. "Wu silkworm, old and young" is vividly manifested in the change of time sequence and season.

After "Dongfeng Banquet", I wrote "The Night Banquet at Feng Gong Gate" to persuade the cold women to weave brocade quickly in exchange for dancing clothes, which enriched the social content of the ci.

Zhang Siji expresses the heroine's deep yearning for love by using the artistic technique of homophonic pun in Yuefu folk songs. Women are worried when spinning. She did not stop because of the pain of lovesickness, but woven the meaning of lovesickness into the silk brocade.

Therefore, there is a saying called "weaving lotus seeds in a lotus leaf", in which "lotus seeds in a lotus leaf" is a homophonic pun, that is, "pity the child", which means "love you".

"It is easy to weave beautiful flowers in twists and turns, but it is difficult to clear my parting heart." .

Zhang Wuji expresses the heroine's infinite affection for her sweetheart by weaving poems and entrusting her with the description of lovesickness.

She silently weaves acacia poems with horizontal grids, but she is worried that the meaning in the poems will not be understood by her lover. So what are her poems woven on brocade? "Don't talk about sorrow and hate, don't talk about haggard, just send acacia."

Here, she repeated two "nothing to say", indicating that she didn't want to tell the other party about her inner sadness after leaving, nor did she want to reveal the haggard she described. But only in poetry is it endowed with its own tenderness and tenderness.

"Six Machines" shows the heroine's rich inner world and complicated lovesickness feelings by stopping at the window to watch alone through butterflies flying in brocade. This is a symbol of youth and happiness.

For a girl who is first in love, it is naturally very sensitive, so she can't help but "stop for a day and watch it alone in the window for a long time."

"Seven Machines" worries about the "light cut" of the pattern of Yuanyang playing in the water, highlighting the doubts about the destruction of the happy life of youth and expressing the heroine's endless worries about the future and destiny.

Woven into a pattern of Yuanyang playing in the water, it should be happy. Why do you hesitate instead? It turned out that she was "afraid of being lightly cut" and she had a hatred that was difficult to send away.

Ba Zhangji expresses the heroine's endless bitterness through reading palindromes. If we know that this palindrome poem was sent to her husband by Su Hui, why did she ask the question "Which poem"?

Because of her homesickness, her desolation is integrated with Sue's palindromes. Su Shi's palindromes express her thoughts and feelings, and her thoughts and feelings are pinned on Su Shi's palindromes, which are integrated and difficult to distinguish.

Through the metaphor of flowers and branches, Nine Zhang Ji shows the heroine's persistent pursuit of a better life and her profound criticism of thin people. "Thin lover" and "more parting" have always been "since ancient times"; However, what about "sentimental women"?

And "tying the heart with a silk thread from beginning to end" means using a silk thread full of sweet feelings to tightly connect the red flowers, green leaves and soft branches. This "heart" is not so much a flower heart as a lover's heart.

This "silk", that is to say, United lovesickness, is punning and meaningful, highlighting the girl's true feelings, beautiful personality and beautiful desires, leaving an indelible impression on people.

This group of "nine-piece machines" is the words of the weaver girl, the lovesickness of the weaver girl. Nine poems can be written independently, which is also a whole and a beautiful chapter. The first three songs are written from picking mulberry leaves to brocade;

Starting from the fourth song, I dug out the lovesickness from different brocade patterns. Feelings are lingering and the rhythm is euphemistic. Sincere and sincere, affectionate and touching. Folk songs are fresh and natural, full of life, elegant and refined.

Extended data:

Nine Chapters Collection is a great song, which is included in Yuefu Elegant Poems. There are two words, which are anonymous works: one is the whole song with eleven slogans; One is the whole song of nine songs, without slogans before and after. Stylistically, there are both the characteristics of folk songs and the imprint of literati processing.

Evaluation: Chen Tingzhuo's "White Jade Zhai Flower Thorn": "This is a sad and beautiful word of banishing ministers and abandoning women, and it is a wonderful ancient composer." "There is no shortage of Wind, Sao, and Midnight, the horse of complaining songs, which has not been tuned for thousands of years."

Another cloud said, "The word is the most perfect, but no matter how beautiful it is (Zhou Bangyan) or Baishi (Jiang Kui), it can't be done."