Some people who have carefully read the New Moon Collection, especially those who have read the poems such as Family, The Seaside, Source, Children's Way, Children's World, etc., will have the same feeling in their hearts, and they will feel that the lyrical little heroes in the poems seem to be somewhat confusing. They live not so much in the real world as in the clouds and by the sea. It is the sea that plays games with them and sings charming songs for them; It was the new moon and autumn clouds that gave them their first smiles in their dreams. They are people and "gods". This hazy and mysterious color pervades the poem, which is very good for portraying children's images. It makes them more like "angels" in people's minds, more poetic and interesting in form, personality, language, action, fun and living environment, so they are more loved by people. This artistic effect is beyond the reach of other poets. The reason why Tagore wrote children like "God" instead of "God" and "God" and "Man in One" is not mystifying, but closely related to an artistic thought he pursued at that time-regarding the ultimate goal of art as revealing the world of God or Brahma. It allows the author to closely connect the world of man and the world of God, and also gives these children a more lovely image than "man".
The embodiment of the poet's thought and philosophy is also helpful to show children's innocence and maternal love. In poetry, the poet does not regard innocence as an independent factor, but closely links it with maternal love, eulogizes and praises it, and regards the two as complementary things. This idea is particularly evident in poems such as the beginning and the unnoticed flowers. In doing so, he not only provided a broader background for expressing children's childlike innocence, but also wrote the emotional foundation on which childlike innocence depends. In life, we will see that children without maternal love are unlikely to be happy; And childhood without happiness is bleak. His innocence and carefree will be lost. His childlike innocence will be a distorted one, and it may be replaced by "maturity" prematurely. On the contrary, only under the care of "maternal love" will the "flower of innocence" bloom more and more brightly. Tagore praised "maternal love" and "innocence" with * * * because of his deep understanding of the Chinese philosophy. As a result, the New Moon Collection not only has its own ideological characteristics, but also makes the children more emotional and fleshy.
judging from the actual situation of the poems such as Golden Flower and Farewell, the reason why the images of children in this poetry collection are so lovely and charming is inseparable from the rich associations of the poets. It shows the children's golden childlike innocence at a higher level. Most children are curious and imaginative. On the wings of curiosity and fantasy, children's thoughts, personalities, likes and dislikes, and yearning and pursuit are often attached. Therefore, in his poems, poets also let them associate or fantasize boldly. Thereby further enriching the image of children. For example, in "Golden Flower", the poet lets the young "I" spread the wings of fantasy, hoping that he can become "a golden flower". In this way, on the one hand, "I" can "swing in the wind with laughter" and "dance on the leaves"; On the other hand, she can tease her mother and laugh at her ridiculous expression when she can't find me ... Through this series of fantasies, the innocence and naughtiness of me, the sincere feelings of me and my mother are fully displayed, and the image of me is therefore more loved. Imagine that without this childish and beautiful association in the poem, "I" would be greatly inferior.