1. A collection of famous quotes about calligraphy
▲Words are the voice of the heart; writing is the painting of the heart.
The sounds and shapes can be seen by gentlemen and villains. Sound and painting are the reasons why gentlemen and villains are emotional.
——Yang Xiong's "Fayan" ▲The depth of the pen lies in the distance of the paper. The distance is superficial and weak, and the distance is the weight of the front. Tang Dynasty Lu Xie's "Linchi Jue" ▲ Anyone who wants to learn calligraphy must first learn to use the pen. The method of using the pen is to hook both hands back to the wrist, use the empty palm to point to the solid point, and use the ring finger to press the pen, which will be powerful.
Huang Tingjian's "Lun Shu" ▲The so-called rules are: suppress, hook, uncover, resist, and guide. The Five Dynasties. Li Yu's "Shu Shu" ▲Youjun's pen is inward and forward, mostly in the front, so the law is strict and immersive; Zijing uses the pen to extend outward, with half of the side front, so the spirit is loose and wonderful.
Ming Dynasty. The character "▲" in Feng Wu's "The True Story of Calligraphy" of the Qing Dynasty has the difference of hiding the front and coming out. It is bright and full of Chu. It is better if the hands and tail should match each other, and the top and bottom should be connected.
Song Dynasty. Jiang Kui's "Xu Shu Pu" ▲The power of the pen must be hidden. If the sharp edge is not hidden, the writing will be sick. If the disease is not gone, how can it be done? Tang Dynasty. Xu Hao's "On Calligraphy" ▲Naiwu uses the brush like a cone to draw in the sand, hiding the edge, and the painting is calm. When he uses the brush, he always wants to let it penetrate the back of the paper. This is the ultimate success.
Tang Dynasty. Qing Dynasty. Zhou Xinglian's "Linchi Guanjian" ▲ There are rules in learning and style in writing; otherwise, the writing style will not be refined and the writing will lose its style.
The most important thing about the method of one word lies in the structure: the beauty of the method of one stroke lies in the beginning and end. The secret of structure lies especially in the subtlety of brushwork.
Anonymous "Eight Methods of Yongzi" ▲You will be able to use this pen properly, use it sideways, use it smoothly, use it heavily, use it lightly, use it empty-handedly, be practical, capture it firmly, get it vertically, get it tight, and open it up. , the whole body is full of skills, all controlled by the sharp edge of the pen tip, it is a perfect match. Qing Dynasty. Zhou Xinglian's "Linchi Guanjian" ▲The technique of using the brush can be seen at both ends of the painting, while the ancients' powerful and wanton style that makes people unable to reach it can be seen in the middle of the painting.
There are still signs to be found for the control of the entry and exit of both ends of the cover; the reason why the cut is abundant but not timid, and solid but not empty, is not because of the bone potential, and cannot be caused by anger. Qing Dynasty. Bao Shichen's "Yizhou Double Collection" ▲If the pen is straight, the front is hidden, and if the pen is Yan, the front comes out.
Song Dynasty Jiang Kui's "Xu Shu Pu" ▲The pen must be lifted up at the point where it is started, so as not to let it die on its own. "Essays on Painting a Zen Room" by Dong Qichang of the Ming Dynasty ▲The ancients used the same pen when compiling, including Fen, Zhen, Xing, and cursive scripts. They must mainly use the front edge, and occasionally use the side edge to capture the beauty.
Among the following sub-books, eight are the forwards and two are the flankers. The compilation is completely unpredictable. Ming Dynasty. Fengfang's "Shu Jue" ▲The ancients used to turn the brush point by point to complete the drawings. They did not reach the point where they were pulled, but used the turning function. The ancients drew one by one, all rotating, and put the paper with a straight heart. There is no place where millet has collapsed.
Scholars are skilled at work and have a sharp mind and hands.
However, you need to be proficient in the convenience, and you have to experience the twists and turns before you can know the beauty of breaking hairpins. Wherever the darkness passes, you have to stay somewhere to walk. If you stay wherever you go, you will get really fast.
It is legal for ears. Qing Dynasty. Ta Chongguang's "Shu Raft" ▲ As soon as the front is on the paper, it is appropriate to change: when drawing a person going down, the tube will turn upward; when drawing a person going up, the tube will turn downward; when drawing a person going left, the tube will turn right.
Li Misun's "Junxi Collection" of the Song Dynasty ▲The main points of the book can be summed up in one sentence.
Said: The pen is square and the potential is round. The square one is the folding method, which is the starting and ending point of the dotted wave. The square shape is the finger, which is the bone of the word; the round shape is the pen hovering in the air, which is the gesture, and the round arm and wrist are the tendons of the word.
Square and circle interact with each other, just like yin and yang hide each other.
Therefore, the pen should be round and the font should be square. The circle is the divine circle and cannot be stagnated; the square is the square, which cannot be clung to.
Ming Dynasty. Xiang Mu's "Elegance on Calligraphy" ▲ When the ancients wrote, they would make a circle when they started writing, and they would make a square when they started writing, each forming a kind of composition. "Lanting" uses circles, "Shengjiao" uses squares, and the two stickers are models of calligraphy for generations. The so-called rules of square and round are the best.
▲In terms of turning and bunching, the inside is square and the outside is round; in terms of writing, the bones are square and the flesh is round. This is a certain principle.
Qing Dynasty. Zhou Xinglian's "Linchi Guanjian" ▲If it is soft and moist, both fat and thin will be round, while if it is hard and dry, both long and short will be flat. Therefore, the curve and straightness are based on the temperament and reach the shape and quality; the roundness and flatness are based on the shape and quality and originate from the temperament.
Qing Dynasty. Bao Shichen's "Yizhou Double Collection" ▲The round pen is used instead of lifting, and the strokes are drawn out with pauses and setbacks. Fangbi used the word "du" instead, and used the deed to express it.
Use Jiao for round pens, and Fan for square pens. If a round pen is not Jiao, it will be weak, and if a square pen is not Fan, it will be sluggish. Modern times. Kang Youwei's "Guang Yizhou Double Collection" ▲The tip of the pen is like a falling edge, and there is no sharp edge like a sharp edge. The mood is vivid and refreshing, as if it is a god. It is one character and must be included in both numbers and body.
"On Calligraphy" by Wang Xizhi of Jin Dynasty ▲To write a book, you must be able to pick up the pen, but you cannot trust the pen. If the letter pen is used, the waves and drawings will be weak.
When you pick up the pen, every turn and bundle will be dominated by it. The two characters "Zhuan" and "Xu" are the calligrapher's secret.
"Essays on Painting a Zen Room" by Dong Qichang of the Ming Dynasty ▲The beginning has the priority of separation and combination, the closing has the emptiness and reality, the order and reversal, the opposite has the right and wrong, and the connection has the straight and far. Qing Dynasty. Liu Xizai's "Art Summary" ▲The pen must be calm, and the pen must be calm, and the pen will not be floating;
The use of pen to understand this has the effect of gradual change. The skillful and clumsy pens must be used in conjunction with each other. Skillful writing will lead to flexibility, while clumsy writing will make fun of the past. When they are combined and combined, there will be no risk of turbidity when writing.
Qin Zuyong's "Tongyin Painting Jue" ▲The book has two methods: one is disease, and the other is astringency. The two methods of quickness and astringency make the book wonderful.
"Preface to Pulling the Stirrup" by Lin Yun of the Tang Dynasty ▲ If you write too quickly, there will be no pauses, and if you write too late, you will lose power.
Qing Dynasty. Liang Xian's "Xue Shu Lun" ▲The author is familiar with the theory of astringent writing, but I don't know how to get astringent. But when the pen is ready to move, if there is something to reject, and it tries its best to fight against it, it will become astringent unexpectedly and it will become astringent on its own.
Liu Xizai's "On Using the Brush" of the Qing Dynasty ▲The pen is firm and never sluggish, and the calligraphy is thick and deep. Tang Dynasty. Zhang Yanyuan's "Book of Dharma" ▲Shanzhou said: The pen should be soft, so that it is soft; the tip of the pen should be long, so that it is agile; the ink should be full, so that it is plump; the writing should be fast, so that the idea will come out quickly.
To use the pen sharply, you need to go against the trend and not follow the trend, which will cause it to be lifeless and childish.
"Tongyin Painting Jue" by Qin Zuyong of the Qing Dynasty ▲ People know that the pen and ink have charm, but they don't know that the charm is all in the hands. Qing Dynasty. Da Chongguang's "Hua Qian" ▲There are people who have mastered the technique of brushwork but cannot use ink, and there are no people who have mastered the technique of ink without using the brush.
Qing Dynasty. Bao Shi. 2.= Eight-character couplets of ancient poems and famous lines commonly used in calligraphy
Archeology should be used to assess the current situation;
Treat extraordinary things with a normal mind; live in a romantic world and be a romantic person.
Don’t talk about others’ shortcomings, I also have shortcomings; if you stick to your own strengths, no one will have any.
The mind wants to be quiet and the bones want to move; the heels should be set and the mind will be open.
The character is clear and moral, the moral integrity is firm; the affairs are clear and the mind is peaceful.
Read books with written words and learn rationale without words; speak the truth and be a sincere person.
Be clear in self-cultivation and sincere in order to encourage yourself; be respectful but not lazy, full but not full.
The degree is better than the trickle of a river, and the energy is like the spring and summer of spring and summer.
The green waves of the lotus are a sign of gentlemanly virtue; the orchids coming out of the deep valley are fragrant to everyone.
The wordless poems and books of peaches and plums are passed down from generation to generation; the melodious string songs are passed down from generation to generation.
Gold and stone are in one’s heart and orchid is in one’s room; benevolence and righteousness are friends and morality is teachers.
It is better to think twice before you speak; it is better to be cautious when doing things in your heart.
A sea that accepts hundreds of rivers is great when it has tolerance; a thousand feet standing on a wall without desires is strong.
There is no better way to do good than to establish a foundation; the only way to achieve success is by studying.
If you are good at work, you can work hard; if you are successful, you must learn if you think about it.
Those who are determined to make meritorious deeds will be respected; friends who are honest and understanding will respect what they hear.
Be quiet to cultivate your nature and be frugal to cultivate virtue; be diligent when entering and be friendly when going out.
Boundless ambition is as pure as jade; limited years are as bright as Qiuhong.
Be quiet to cultivate your character and be frugal to cultivate your virtue; be diligent if you are not poor and be agile, and you will be successful.
Strive to achieve meritorious deeds in order to avoid making mistakes; you must first get rid of the old and then establish the new.
Success is watered by sweat; laurels are made of thorns.
Being impetuous will lead to sorrow and regret; the word "following" will make you a hero.
Review the past, learn new things, see the wise, and think about others; seeking truth is better than choosing the good and doing it.
He is well-read and well-informed; he has a keen eye and a sharp ear.
Thoughts and actions are both beautiful and the body and brain are practiced together; movement and stillness are harmonious to the mind and body.
Being upright and kind does not require worshiping Buddha; being upright and aboveboard does not require worshiping gods.
Being able to bend and stretch is called toughness; being able to scrape and grind is indeed a wonderful talent.
There is no easy situation in the world; there is no free time in the world.
Virtue and mature deeds follow the desires of the heart; conduct and elegance are a tribute to old age.
Be honest and forgiving in dealing with things; be diligent and thrifty in managing your family.
The elephant burns the clam with its teeth and cuts the edge of the pearl; the lotus blooms due to the cold and is cleared by the heat.
It is advisable to have a pearl that is as good as jade; to learn from the ancients is to be as balanced as a mirror.
A large number of people can be tolerated and careful handling;
Flattery is the most bitter, but honest advice is the most bitter; it is easy to go downhill but hard to climb up.
Elegant, elegant and upright; upright and bright, with a breeze on both sleeves.
I am willing to stay in poverty and practice self-denial; I am tired of observing the popular customs and work hard to cultivate myself.
Virtual energy can induce and calmness can lead to enlightenment; look up to observe the past and look down to observe the present.
The rain that enters the heart of the flower creates its own sweetness and bitterness; the water returns to the vessel and appears in a circle.
Study hard to overcome difficulties; devote yourself to enlightenment, review the past and learn new things.
When reading, you must be able to come up with your own opinions; when doing things, you must be kind and considerate of others.
It is beneficial to open the book and enter this situation; it is both educational and enjoyable.
A drop of water cuts through a stone without giving up. The sea is vast and the sky is high. Learning is valuable and perseverant.
Only when you understand it on paper will you realize it is too shallow; when you realize it in your heart, you will understand the profoundness.
The love in heaven and earth is as long as the spring sun; if nothing happens in the mountains and forests, please leave. 3. 14 lines of ancient calligraphy poems are simple and beautiful
Impressions after reading the book Zhu Xi opened the half-acre square pond, and the skylight and cloud shadows lingered endlessly.
Ask the canal how clear it is, because there is a source of living water. Autumn Thoughts Zhang Ji, who is from Luoyang, saw the autumn wind in the city and wanted to write a book full of ideas.
I’m afraid that I can’t finish the story in a hurry, and the travelers are about to open the gate again. Autumn thoughts and horses are far away, withered vines, old trees and dim crows, small bridges and flowing water, people's homes, west wind and thin horses on the ancient roads.
As the sun sets in the west, the heartbroken people are at the end of the world. Looking at Liu Yuxi in the Dongting Lake, the light and autumn moon meet each other, and there is no goggles on the lake surface that have not been polished.
Looking at the green mountains and rivers of Dongting in the distance, there is a green snail in the silver plate. When will the swallows fly back from the spring outing to the lake, and the peach blossoms on the bank will bloom when dipped in the water.
The spring rain breaks the bridge and no one can cross it, so the small boat pushes out of the willow shade. The poet Wang Changling left the fortress in the Qin Dynasty and the bright moon was in the Han Dynasty. The people of the long march of thousands of miles have not yet returned.
But the flying generals of Dragon City are here, and Huma is not taught to cross the Yin Mountains. Ode to the Willow by He Zhizhang (Tang Dynasty) The jasper tree is as tall as a tree, with thousands of green silk ribbons hanging down.
I don’t know who cut out the thin leaves. The spring breeze in February is like scissors. Farewell to Dong Dagao, thousands of miles away, the yellow clouds are white and the sun is shining, and the north wind is blowing geese and snow.
Don’t worry about the future of ignorance. No one in the world knows you. Climbing the Stork Tower [Tang Dynasty] Wang Zhihuan The sun sets over the mountains and the Yellow River flows into the sea.
If you want to see a thousand miles away, take it to the next level. "Mountain Travel" by Du Mu of the Tang Dynasty. The stone path is sloping up the cold mountain. There are people living in the white clouds. I park my car and sit in the maple forest at night. The frost leaves are as red as the flowers in February. Early departure from Baidi City (Tang Dynasty). Li Bai's farewell to Baidi among the colorful clouds, thousands of miles away. Jiangling will be returned in one day.
The apes on both sides of the bank can't stop crying, and the boat has passed the Ten Thousand Mountains. Xiaochi Yang Wanli Spring is silent and cherishes the trickle, and the shade of the trees shines on the water, which is clear and soft.
The little lotus has just revealed its sharp corners, and a dragonfly has already stood on it. Nian Nujiao·Chibi Nostalgic Author: Su Shi The great river goes eastward, and the waves are gone, and the romantic figures of the ages are revealed.
To the west of the fortress, the humane way is, Chibi, Zhou Lang of the Three Kingdoms. Rocks pierced through the sky, stormy waves crashed onto the shore, and thousands of piles of snow were rolled up.
The country is picturesque, and there are many heroes at one time. I think back to Gong Jin's time when Xiao Qiao got married for the first time and looked majestic and handsome.
Feather fans and silk scarves, while talking and laughing, the boats and oars disappeared into ashes. My motherland wanders in my mind, I should laugh at my passion, and I will be born early.
Life is like a dream, a statue returns to the moon. Will enter the wine, Li Bai If you don't see it, the water of the Yellow River will come up from the sky, and it will never return to the sea.
If you don’t see me, the bright mirror in the high hall has sad white hair, and it looks like blue silk in the morning and turns to snow in the evening. If you are proud of life, you must have all the joy, and don't let the golden bottle stand empty against the moon.
I am born with talents that will be useful, and I will come back after all the money I have spent. Cooking sheep and slaughtering cattle is a pleasure, and you will have to drink three hundred cups at a time.
Master Cen, born in Dan Qiusheng, will drink wine without stopping. I sing a song with you, please listen to me.
Bells, drums, food and jade are not expensive, but I hope I will never wake up after being drunk for a long time. In ancient times, all the sages were lonely, but only the drinkers left their names.
In the old days, King Chen had a banquet, drinking and drinking, and had a lot of fun. What does the master mean if he has less money? It is up to you to sell it.
The five-flowered horse and the golden fur will be exchanged for fine wine, and I will sell the eternal sorrow with you.
4. Are there any good words or sentences to describe calligraphy works?
The pen is full of ink: the pen and ink are used very freely and fully. It is mostly used to describe calligraphy and poetry. The pen is like a dragon and a snake: the pen is like a dragon and a snake. Teng Yue. Describes the calligraphy strokes as vigorous and free and easy. He also writes on behalf of the commander. He first wrote Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing". Jin people have "Huang Ting Jing" small regular script calligraphy. Old comments on calligraphy include "The first writing of Huang Ting is just right." An idiom. Later used to describe doing things just right. Spring earthworm and autumn snake: a metaphor for poor calligraphy, as curved as the tracks of earthworms in spring and snakes in autumn. Tension: the sword is pulled out of the sheath and the bow is opened. Describes a tense situation , on the verge of breaking out. Later, it is also used as a metaphor for calligraphy that is vigorous and powerful. An example is given: Zuo Qiuming wrote a biography of "Spring and Autumn" and classified the calligraphy of "Spring and Autumn" into several categories and gave a general explanation. Later, it is called a classification example to illustrate a situation. The style of the book is "exemplify the world". See "make examples from the world". The back of the paper: originally refers to the strong and powerful calligraphy, now it is also used to describe the vivid, profound and powerful poetry. Dragon flying and phoenix dancing: like a dragon flying, like a phoenix flying. Original description The momentum is unrestrained and majestic. Nowadays, it is mostly used to describe the lively calligraphy strokes, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art. Flying dragons and snakes: describes the vigorous and vivid calligraphy strokes. Su Shi's "Xijiang Yue·Pingshan Hall" words: "Ten I haven't seen the old immortal for many years, and dragons and snakes are flying on the wall." Luan Piao Feng Bo: Luan: a bird like the phoenix in the legend. It originally described calligraphy as free and unrestrained. It also metaphorically refers to the separation of husband and wife of trainees. Luan flies and Phoenix Zhu: Zhu: Flying high. It is a metaphor for the flying posture of calligraphy. Beauty hairpin: describes the beauty of calligraphy or poetry style. Entering wood three points: originally describes the strong power of calligraphy (it is said that when Wang Xizhi of Jin Dynasty wrote on the wooden board, the ink penetrated The wooden board is three-thirds deep), which is used to describe the profound and powerful analysis, description, and discussion. The similar words are powerful and can be seen through the back of the paper, which is an appropriate description of the root and power of calligraphy. Iron painting and silver hook: painting: stroke; hook: hook. It describes calligraphy as strong and beautiful. Letter pen Graffiti: Letter: writing casually. Graffiti: Metaphor for writing poorly written words and scribbling casually. Later, "letter pen graffiti" and "graffiti" are used to describe poor calligraphy or random writing. Letter: Letter: letting one go, casually; Letter pen: writing casually ; Graffiti: a metaphor for poor calligraphy and random scribbling. Later, "graffiti" or "letter pen scribbling" was used to describe poor calligraphy or random writing. Some people also claim to be scribbling to show their humility. 5. Couplets of famous ancient poems and sentences commonly used in calligraphy creation
Couplets of famous ancient poems and sentences commonly used in calligraphy creation" This article is quoted from Huangshan's "Couplets of famous ancient poems and sentences commonly used in calligraphy creation" Couplets of famous ancient poems and sentences commonly used in calligraphy creation 1. Heaven and Earth Landscape 1. The wilderness is vast, the trees are low, the river is clear and the moon is close to the people - Tang Dynasty. Meng Haoran's "Su Jiande River" 2. The wilderness is clear, the sandy shore is clear, the sky is high and the moon is bright in autumn - (Southern Song Dynasty) Xie Lingyun's "First Arrival to the County" 3 .The sky is blue, the fields are vast, and the grass is blown by the wind, and cattle and sheep are low - (Northern Qi) Folk song of the Northern Dynasties "Chile Song" \4. One man can guard the gate, but ten thousand people can't open it - "The Road to Shu is Difficult" by Li Bai of the Tang Dynasty 5. Qingshan I never tire of watching it, how interesting the flowing water is - Tang Dynasty Qian Qi's "A Banquet with the Kao Gong King in the East Chiting Pavilion in the Outer City" 6. The river is made of green ribbon, and the mountains are like jade hairpins - Tang Dynasty Han Yu's "Send to Dr. Yan of Guizhou" with the same character "nan" " 7. The green mountains cannot cover it, and it will flow eastward after all - "The Bodhisattva Man" by Xin Qiji, Song Dynasty.
"Book on the Ostomy Wall of Jiangxi" \8. From the top of the mountain, you can see all the small mountains - Tang Dynasty. Du Fu's "Looking at the Mountains" 9. The river flows beyond the sky and the earth, and the mountains are beautiful and indifferent - Tang Dynasty. Wang Wei's "Hanjiang Linfan" 10. The mountains are better when clouds come, and the mountains are picturesque when clouds go away. The mountains are dim because of the clouds, and the mountains are high and low because of the clouds - Yuan Zhang Yanghao's "Double Tune of Wild Geese Falling and Victory Order" 11. Both sides of the Taiwan Strait The green mountains are facing each other, and the solitary sail is approaching the sun - Li Bai of the Tang Dynasty, "Looking at Tianmen Mountain" 12. Viewed from the side, it looks like a ridge and a peak on the side, with different heights near and far.
——Su Shi, Song Dynasty, "Inscription on the Wall of the West Forest" 13. Mountains and rivers return to doubt and there is no way, and there is another village with dark willows and bright flowers. ——Lu You, Song Dynasty, "Visiting Shanxi Village" 14. One water protects the fields and surrounds them with green, and two mountains with gates bring greenery. ——Song Dynasty. Wang Anshi's "Book on Mr. Huyin's Wall" 15. The remaining clouds are scattered into clouds, and the Chengjiang River is as quiet as practice. ——(Southern Dynasties) Qi. Shaking Yueyang City - Meng Haoran of the Tang Dynasty, "Looking at Dongting Lake and presenting it to Prime Minister Zhang" 17. The water of the Yellow River comes up from the sky, and rushes to the sea and never returns - Li Bai, Tang Dynasty, "The Wine Will Come in" 18. The water flows down three thousand feet, doubtful It's the Milky Way falling in the sky - Li Bai of the Tang Dynasty, "Wang Lushan Waterfall" 19. The solitary sail is far away and the blue sky is gone, only the Yangtze River can be seen flowing in the sky - Li Bai, the Tang Dynasty, "Yellow Crane Tower Farewell to Meng Haoran in Guangling" 20. The water shines brightly on the clear side Well, the mountains are also strange in the sky and the rain - Su Shi of the Song Dynasty, "The First Sunny and the Rain on the Lake" 2. Sun, Moon, Wind and Rain 1. The majestic red clouds are in the west, the ground is flat under the sun - "Three Poems of Qiang Village" by Du Fu of the Tang Dynasty 2. The setting sun is infinitely beautiful, but it is almost dusk - Li Shangyin of Tang Dynasty, "Leyuan Tour" 3. Deep trees grow in the evening mist, and the setting sun falls under the small building - Du Mu, Tang Dynasty, "Inscribed on Yangzhou Zenzhi Temple" 4. A setting sun spreads over the water, half of it The river is half red - Bai Juyi's "Ode to the Dusk River" of the Tang Dynasty 5. When will the bright moon appear? Asking the Blue Sky for Wine - Song Dynasty's Su Shi's "Shui Tiao Ge Tou" 6. There is a bright moon on the sea, the end of the world is at this time - Tang Dynasty Zhang Jiuling's "Looking at the Moon and Huaiyuan" 7. The bright moon is sentimental and follows people everywhere - Song Dynasty Zhang Jiuling First "Bodhisattva Man" 8. The bright moon shines on the high building, and the stream of light is lingering - "The Song of Resentment" by Cao Zhi of the Three Kingdoms Wei Dynasty 9. There is an afterglow when it shines, but it is not enough to grasp it - "How Bright Is the Bright Moon" by Jin Lu Ji 10. The moonrise scares the birds, and they sing in the spring stream - "Birds Singing in the Stream" by Wang Wei of the Tang Dynasty 11. The moonlight is like water and the water is like the sky - "Jiang Tower Feeling Old" by Zhao Gu of the Tang Dynasty 12. One cannot reach the bright moon by climbing up. The moon moves but it accompanies people - Li Bai of the Tang Dynasty, "Asking Wine to the Moon" 13. If the evening rain does not come, the spring will not go, and the ground is covered with flowers and the moon is hazy - He Zhu, Song Dynasty, "Jiangchengzi" 14. The mountain wind rustles in the empty forest. Someone - Tang Dynasty - Cen Shen's "Late Autumn Mountain Tour" 15. Good rain knows the season, and spring will happen.
Sneaking into the night with the wind, moistening things silently - Tang Dynasty Du Fu's "Spring Night Happy Rain" 16. Fish come out in the drizzle, and swallows slant in the breeze - Tang Dynasty Du Fu's "Two Poems on the Water Threshold to Heart" 17. Seeing the light rain in the pond, and knowing the good wind in the sleeves - Du Mu's "Autumn Thoughts" of the Tang Dynasty 18. The rain is about to come, and the wind fills the building - Xu Hun, the Tang Dynasty, "Light View from the West Tower of Xianyang City" 19. Seeing the Drizzle Wet Clothes Missing, the idle flowers fall to the ground and are silent - "Farewell to Yan Shiyuan" by Liu Changqing of the Tang Dynasty 20. Black clouds rolled over the ink, but the mountains were not covered, and white raindrops jumped into the boat - Su Shi of the Song Dynasty, "Wanghu Tower Drunk Book on the Twenty-seventh Day of the First Month" 21 .Dark clouds are pressing down on the city, and the city is about to be destroyed, and the armor's light is shining towards the golden scales of the sun - Tang Dynasty. Li He's "Yanmen Prefect's Journey" 22. Chaimen hears dogs barking, and returns home on a snowy night - Tang Dynasty. Liu Changqing's "Sleeping at Furong Mountain in the Snow" "Master" 23. The spring snow comes, and flowers bloom everywhere it touches. I don’t know if any of the trees in the garden are real plums - "Spring Snow" by Dongfang Qiu, Tang Dynasty 24. Suddenly a spring breeze came overnight, and thousands of pear blossoms bloomed on the trees - Tang Dynasty, Cen Shen, "Song of White Snow Sends Magistrate Wu Back to the Capital" 3. Flowers, Grass, Insects and Birds 1. There is poetry everywhere, and there is beauty at any time - Zhang Daoqia's "Lingmei" in the Song Dynasty 2. Flowers are flying everywhere in the spring city - Han Hong's "Han Shi" in the Tang Dynasty 3. If you hold a stick of incense in your hand, the world will be filled with flowers. Not yet - "Song of Manna" by Wang Anshi in the Song Dynasty 4. The dawn is cold outside the green poplar smoke, and the spring is full of red apricot branches - "Spring in the Jade House" by Song Qi in the Song Dynasty 5. The garden is full of spring scenery and can't be contained, a branch of red apricot comes out Coming from the Wall - Song Dynasty Ye Shaoweng's "It's Not Worth It to Visit the Garden" 6. It's easy to recognize the east wind, and it's always spring when it's colorful - Zhu Xi's "Spring Day" of Song Dynasty 7. When the sun rises, the flowers on the river are as red as fire, and when spring comes, the river is as green as blue - Tang Dynasty. Bai Juyi's "Recalling the South of the Yangtze River" 8. Thousands of thick green branches and a little red do not need to be too much to move the spring scenery - Song Dynasty Wang Anshi's "Ode to Pomegranate Flowers" 9. Listening to the spring rain in a small building all night, selling apricot flowers in the deep alleys in the Ming Dynasty - Song Dynasty's Lu You "The Early Spring Rain in Lin'an" 10. Sparse shadows slant across the clear water, and the faint fragrance floats in the moonlit dusk - Song Dynasty Lin Bu's "Mountain Garden Xiaomei" 11. The peaches and plums in the city are worried about the wind and rain, and spring is in the shepherd's purse flowers at the head of the stream - Song Dynasty Xin Qiji's " Partridge sky.
"Ode from the Generations" 12. The spring breeze does not release the ban on poplar flowers, and the mist blows at the faces of passers-by. Yan Shu, Song Dynasty, "Treading on the Shasha" 13. In February and March of spring, the grass and water are the same color - Yuefu, Jin Dynasty Ancient poem "Meng Zhu" 14. There are many fragrant grasses in February in the south of the Yangtze River, and spring is in the drizzle - Song Dynasty. Shi Zhongshu's "Quetu" 15. The lotus leaves touching the sky are infinitely green, and the lotus flowers reflecting the sun are uniquely red - Song Dynasty. Yang Wanli "Walking off to Lin Zifang at dawn from Jingci Temple" 16. Helpless, the flowers fell away, and the familiar swallows returned - Yan Shu, Song Dynasty, "Huanxi Sand" 17. It's not that chrysanthemums are preferred among flowers, there will be no flowers after all the flowers have bloomed - Yuan Zhen, "Tang Dynasty" "Chrysanthemum" 18. There is a layer of new green in the forest, and the little buds hide a few red dots deep in it - Jin Yuanhao asked "The Begonias of the Same Generation" 19. The spring breeze is green again on the south bank of the river, when will the bright moon shine on me again? ——Wang Anshi, Song Dynasty, "Boarding at Guazhou" 20. Lotus can be picked in the south of the Yangtze River, and there are fields of lotus leaves! ——Han Yuefu folk song "Jiangnan" 21. The little lotus has just revealed its sharp corners, and dragonflies have already stood on it. ——Song Dynasty. Yang Wan's "Little Pond" 53. 22. The sun is rising on the leaves and the rain is lingering, and the water surface is clear and round. The wind lifts the lotus - "Su Mu Zhe" by Zhou Bangyan of the Song Dynasty 23. I don't know who cut out the thin leaves, the spring breeze in February is like scissors - "Ode to the Willow" by He Zhizhang of the Tang Dynasty 24. Stop and sit in the maple forest at night, the leaves are red with frost Flowers in February - "Mountain Journey" by Du Mu of the Tang Dynasty 25. Nowhere in the world is there no fragrant grass - Su Shi of the Song Dynasty, "Butterflies in Love with Flowers" 26. Wild fires will not burn out, but the spring breeze will blow again - "Fu De Guyuan" by Bai Juyi of the Tang Dynasty "Farewell" 27. Tianjie Xiao. 6. What are the "eight-character couplets" in the couplets of famous ancient poems and sentences commonly used in calligraphy?
The "eight-character couplets" of the couplets of famous ancient poems and sentences commonly used in calligraphy include:
1. Strive to obey the public Work hard without complaining, be kind and considerate in the world.
Definition: work diligently and conscientiously.
2. The love and affection of others are smooth, and the wind changes with the world without feeling unhappy.
Interpretation: Like-minded people drink together and raise glasses, and they won’t feel lost when the scenery is beautiful.
3. It will be very unlucky for you to have spring tomorrow, and you will be unlucky all year round and rarely have any extra money.
Definition: Spring is coming soon, all bad luck will be gone, and you will be blessed with good fortune in your old age.
4. Dragon Luan Bingwen China glows, Hongpeng spreads its wings and China takes off.
Definition: Describes a person who is full of energy and has a promising career.
5. Wine can make or break things, water can carry or capsize a boat.
Interpretation: Wine can make things happen or make things worse. Water can sink a boat or capsize it.
6. Yuyu clarifies that the sun in Kyushu is beautiful, and the east wind is strong and the four changes are new in spring.
Definition: Describes the scenery and the prosperous atmosphere of the home.
7. The talent and wisdom are still there, but the talent is in vain if you are lazy by nature.
Definition: It means that if a person is smart and studious, he or she can be successful, but if a person is lazy, his or her talent will be wasted.
8. The local tyrants and evil gentry collapsed, and the local ruffians were wiped out.
Definition: It is a metaphor that bad people will all disappear.
9. After success, you will build a family and a career, study and eventually return home in glory.
Definition: If you are successful, you will build a family, start a career, and study in order to finally be able to return to your hometown in style.
10. Everything goes well with the natural treasures, and success comes with beautiful mountains and beautiful lands.
Definition: Describes that everything goes smoothly.