The famous verses about calligraphy are as follows:

1. The calligrapher is the best if the form is similar. However, there is very little information in this, so don’t let it die at the end of the sentence. The way to hold the pen is to use the empty palm and the real finger. If the fingers gather, the palm will be strong; if the fingers are strong, the palm will naturally be empty.

2. The calligrapher has no choice but to wait and see. If the finger is dead, it will be straight, if the wrist is alive, the word will be smart. Starting from the opposite direction is the most powerful. Chu Henan's books are all reversed, and they are also official.

3. The words must be delivered pen-by-pen. When the pen edge is collected, the pen is still straight before it can be delivered. When writing regular script, you must clearly understand the official script, and avoid regular script when writing official script. To be an official, you must have the atmosphere of thousands of valleys and rocks rushing to your feet.

4. When learning to write calligraphy for the first time, look for similarity in form first. If the structure is not good, let alone the writing and writing. The pen must be flying in the air, which is solid. However, scholars misunderstood Sri Lankan language and slipped all the way into the sky. Only when the day's energy is empty and the pen is solid can there be no harm.

5. Familiarity with books is valuable, and familiarity brings joy. It is taboo to be familiar with books, and familiarity will lead to vulgarity. Failure to draw straight and straight lines and seeking magic suddenly is like deviating from the rules in order to seek cleverness, which is not something I dare to know.

6. There is no fixed method for writing. Could it be that nature calls it law? The official method promotes the Han Dynasty, and the regular script promotes the Jin Dynasty. It is natural. People in the Tang Dynasty regarded the law as too strict, so the official script was not as good as that of the Han Dynasty, and the regular script was not as good as that of the Jin Dynasty.

7. It is appropriate to learn regular script from the Tang Dynasty to the Jin Dynasty, but the official script must be from the Han Dynasty. The Han official pen is reversed and the pen is accumulated. The starting point is reverse, the ending point is accumulation. The vertical and horizontal characters are like the beams of a house. They should be straight and straight, not tilted.

8. Familiarity with ancient monuments is more important than seeing them in life. To understand the wonders of the world, you need to borrow a pen to express them, and then you can achieve spiritual resemblance. The meaning comes first, and the form follows the law.

9. If you want to know, start writing later, and stop writing before. If you understand this, then the writing will echo, the words will be connected, the front, back, left, and right, and they will be able to create each other in one breath. The brushwork should be round, but if it is too round, it will be weak and boneless. The genre should be square, but if it is too square, it will be rigid and unrhymed.

10. Practice makes perfect, as is the case in everything. The book is not yet familiar and he specializes in bizarre and demonic ways. It is better to be clumsy than to be clumsy. The books of the Qin and Han Dynasties are incomprehensible in their cleverness, but inaccessible in their clumsiness.

11. The work is deep and the structure is stable; the natural appearance is good and the writing is outstanding. He took off his hat and exposed his head in front of the prince, and the paper fell like clouds of smoke. Angry hoofs trample on the Cangshan Mountain, making it look bloated and awkward

12. The characters are majestic, like a dragon jumping over the Tianmen, or a tiger lying on the Phoenix Tower. The origin of the word is that the water of the Three Gorges flows backwards, and the pen array sweeps away an army of thousands of people alone. One point becomes one word, and one word is the final word.