Thousands of reds cry, and thousands of beauties share the same sorrow
In the book "A Dream of Red Mansions", there is no idle word, even ordinary fragrant tea, there is a meaning in it. The waiter of Shenying once tasted two teas when he traveled to Taixu Fantasy Land, one was called "Thousands of Reds in One Cave" and the other was called "Ten Thousands of Colors in the Same Cup". The names of the two teas already pointed out the ending of a daughter——
" Jia Tanchun can be regarded as one of the four daughters of the Jia family, but she was born in the last days of the world and her luck has declined, leaving her with only "Three thousand people in a rough sailing road, throwing away their flesh and blood and their homeland" "The ending. Tanchun is a commoner, but has outstanding talents. Even Sister Feng has a grudge against her, which makes Baochai regard her as a "political enemy", which makes her eventually persecuted until she is "powerless after the hairspring is cut off". Tanchun is "sensitive", and she can see at a glance that the internal relations of the "big family" are just like "everyone is like a black eye, wishing you could eat me, and I can eat you!" She tried her best to eliminate the old disadvantages, but her identity is the biggest In order to eliminate this obstacle, she attaches great importance to "master and slave". Her mother is a person who has no ability and is at the mercy of others. She also has no love for Tanchun, leaving Tanchun with no one to rely on and having to be strong on her own. She stood up and became a "rose with prickly thorns". Anyone who raises his hand to insult her will not be given face. She raised her hand and gave Wang Shanbao a slap in the face for his frivolous behavior. Ping'er covered up Wang Feng, but she also pointed it out to the point. Tanchun advocated reform, but she was alone. How could she, with her weakened power, stand up to the arrogant Wang family? She could only say bitterly: "I must commit suicide at home first before I can be completely defeated." Then she set out on her journey. The point of no return of "leaning on and carrying".
Jia Yuanchun, who had just chosen Fengzao Palace, brought prosperity to the Jia family with "fire cooking oil" and "flowers and brocades at dusk", but he himself found himself in a secluded palace. When she returned to the province, she openly confided her pain: "In a farm house, even if it is covered with salt, cloth and silk, it can eventually gather unparalleled happiness. Now that the wealth has reached the extreme, the flesh and blood are all different, but it is ultimately meaningless." In the end, she "cannot be seen" there. "Where People Go" passed away when he was only twenty years old. On the surface, she was written to be graceful and luxurious, but in reality she was a lonely and down-to-earth beauty. When she faced her biological parents during the wedding ceremony, what she heard was not family words, but "mandarin" that was like reciting lines. In various comments, Yuanchun is a defender of feudalism, who brought it upon herself, and is also a key point in destroying the former alliance between wood and stone. Her old roots lie in her environment, but she was forced to go.
Yingchun is a cowardly young lady, nicknamed "Er Mu". She even pokes a needle without making a sound, and her servants blatantly steal her things and use her to make money, but she doesn't care. Read "Tai Shang Induction Chapter". She was resigned to the situation, but did not know that resistance made her "the flowers of the golden country and the quality of willows, and they went to Huangshen for a long time." She became a living victim of the feudal rulers, but her own weakness is the most tragic.
Xichun's name means "regret". She saw through that the "three springs did not last long" was due to the sins of the Jia family, so she retreated, "Zi Yi suddenly changed her makeup from the past", and went to " "I don't listen to Lingge and listen to Buddhist scriptures" and "lying alone next to the ancient Buddha with a green lantern". She was once an innocent girl and eventually became a nun. The reason why she converted to Buddhism was all the sour blood and tears.
As a representative of integrity and virtue, Cao Xueqin only wrote about Li Wan in a few words, but it was very clear. She was widowed at a young age, but she was able to have a "heart like a gaunt tree" that the feudal high-ranking officials praised her several times and set her as a role model for many women in the Grand View Garden. Li Wan just does needlework with his sisters every day, or writes a poem or two. It seems leisurely and comfortable, but deep down? She is willing to sacrifice her life for feudal ethics, but it is a false name. I am afraid it is not true, but she is also a "weak" and will inevitably suffer the fate of being eaten. The ethics she follows is nothing more than "a joke to future generations."
After her death at home, the little Qiaojie was "living in Fireworks Alley" by her ruthless uncle and adulterous brother who "loved money and talked about flesh and blood". If she hadn't met a benefactor by chance and was rescued by Grandma Liu, what would have happened? , I'm afraid that I will go to Huangliang to welcome the spring. Does Cao Xueqin's arrangement in this way emphasize cause and effect, or reduce the "sadness"? I don't understand this point, but the sharp contrast between the high-profile smallpox outbreak and the subsequent living in the countryside makes readers feel a lot of emotions during the great joys and great sorrows.
Miaoyu, who is "too pure", calls herself an "outsider". She is no less withdrawn than Daiyu, so there are comments about Miaoyu and Daiyu being of the same type. Let's not talk about these, just talk about why she "wants to be clean, why is she so clean? The clouds are not necessarily empty"? Not only was it "poor gold and jade, and ended up trapped in the mud", but it also had its own reasons. Chai Dai was drinking tea because she was not interested in drinking. When she saw Baoyu following her, she was overjoyed and took out the green jade she was eating. Come fight. On Baoyu's birthday, she was the first to send congratulatory messages. Baoyu begged for plum blossoms, and Li Wan ordered people to follow him. Daiyu realized the hypocrisy of Miaoyu taking off her red makeup, so she ordered Baoyu to go alone, and returned home with a full load. Therefore, Miaoyu's aloofness is worldly, which is exactly the opposite of Daiyu's "ethereal" nature.
Regarding Qin Keqing, the daughter brought by the health care hall, the only comment was "Qinxi deleted a paragraph." There are many doubts in the book, which are difficult to explain, but she is a seemingly pampered victim who was born to meet the circumstances. She asked Sister Mengfeng to save a big family that was about to collapse. This is also very confusing.
In "Red", the chaichai's experiences are different, but their essences are different, but they are "sorrowful" together. They are also representatives of all kinds of feudal women. Their "crying" and "sadness" are exactly the characteristics of feudal society. All women have an inevitable fate.