Uruguayan watercolor painter - Alvaro_astegnet

Uruguayan watercolor master Alvaro Castegnet (AlvaroCastegnet) is a powerful watercolor painter in the world today. He was influenced by his father since he was a child. Love painting. He studied art in Uruguay, under the tutelage of a famous family, and is now an internationally renowned watercolor master

Looking at the street scenes he painted, it seems like there is a hint of fog, and there is delicacy in the chaos

His works are full of moisture and have strong and vivid colors, which sometimes make you feel as refreshing as a heavy rain

His brushwork is chic and affirmative, and his painting style is wanton and unrestrained. I don’t know why, but seeing his watercolors always makes you feel refreshed. People feel refreshed both physically and mentally

With the unique enthusiasm of South America, the pictures are full of modern flavor. They paint the scenery and the artist's state of mind

Depict unfamiliar ordinary characters with vivid brushstrokes , without finely carved facial features, why can it seem that the expressions of the characters can be read

He has held exhibitions and taught in Australia, Europe, the United States, China and other places, and has won many awards in major international art competitions and exhibitions. Honored and has a large number of admirers

Alvaro Castagnet Mr. Alvaro was born in Montville, Uruguay, South America, and immigrated to Australia in 1983. His works have won many awards, and his watercolors and oil paintings are collected by many national groups and private individuals around the world. He is a passionate watercolor painter. His works have strong and unrestrained colors, smooth and unrestrained brushstrokes and moisture, and have distinctive artistic personality and visual impact.

When he was young, his father sent him to Montevideo. National Art School. Alvaro completed his studies at Universidad Miguel Anje Pareja. After graduation, he came to Australia, where he was appointed Artistic Director of the Latin American Festival in Melbourne (Director of the Melbourne Arts Latin American Festival). So far, he has taught watercolor for beginners as well as professional watercolor works, and helped every student learn to paint watercolors

Alvaro's watercolor painting style is very rough, often shockingly rough. Don’t be surprised when you see a crooked house, with the light shining like two suns at the same time!

This is definitely not a rigorous painter! You can tell just from the use of colors, although he also I use the tall brass hand-made color palette box that can hold 20 colors, but in fact, the commonly used colors are just the 7 fixed colors (excluding white, and it is not gouache white but watercolor white), and other colors are basically on the bench

Painting is also extremely "lazy": pencil drafts, WASH, painting that completely ignores the rules of distance, depth, and depth, and starting to embellish before the paint is dry

Share one of his famous sayings: No matter what, don't follow him I say you need to control your painting. Watercolor does not require control at all. That kind of randomness is the true meaning of watercolor!

South Americans are by nature unrestrained and passionate, and they paint just like they do. It would be strange if he had to dig out the details bit by bit without holding himself back to death.

All NB painters have this characteristic, that is, they are fast and accurate! They are fast, so they have to summarize

Overall summary In outdoor sketches, environmental factors such as light changes change greatly, and you cannot help but elaborate, forcing the painter to We must draw the characteristics of the object quickly and accurately. The characteristics are the elements that you can recognize at a glance

When painting, Uncle Varro only grasps the overall shape of the house and omits a large number of details. This contrast between reality and reality The effect will make people feel that the details are very rich

Light processing If you observe carefully enough, it is not difficult to find that Uncle Varro’s landscape works almost all have this kind of strong light or backlight effect. Of course , you may think that this is just his style, but the skill is here

The advantage of painting with backlight is that it can blur a lot of details. In the scenery under backlight, only the outline of the house can be seen clearly, plus The effect of backlighting itself has a blurry and illusory artistic effect. This technique is commonly used in photography, and of course it will be more interesting when painted.

Even if the scenery light is often changed, you can see clearly even if it is in direct light. Rich house details, in order to achieve a more expressive effect, Uncle Varro will change it mercilessly. The advantage is that the first style is more prominent, and the second is simple and fast

Under strong light contrast Landscape can blur out the shadow parts and emphasize the light-receiving parts. The colors can also form a strong contrast between cold and warm. The whole picture has virtuality and reality, coldness and warmth, full of tension!

You know how to control painting materials! I don’t care how you fight, I will take care of you first! Alvaro’s painting materials are as follows. There is nothing much to say about the paper, and it is no surprise that it is Ashi and Huo Duofu 300 grams. . . This is simply an international practice

The paint used was Holbein, but later it became more famous. Daniel Smith sponsored it, and used DS's HANSAYELLOW to paint a New York rickshaw and won a grand prize, so I think DS also I have to mention that

The brushes are more single. Basically, no matter how small the painting is, it is Alvaro Red Rod No. 10 of NEEF, known as the red fat man in the street, and then 2, 4, 6. Draw separately according to requirements. But the red fat is too soft and thin. When it comes to details, the old man must take out a Leonardo da Vinci V35 that looks like size 12 or 14 to draw the exact shape. As for the drawing line, it is the red fat No. 8 needle point pen. Apart from a small watering can (there is a story behind this...he almost always forgets to bring a small watering can), Alvaro uses almost no other auxiliary painting materials, and the color palette is tall and made of handmade brass! It costs hundreds of pounds!

Let’s summarize his wise words...

1: Never mind him. . . Whatever...

2: Don't tell me to control your painting. Watercolor doesn't need to be controlled at all. That kind of randomness and randomness is the true meaning of watercolor!

3: I don’t wait for it to dry, so I just paint on it while it’s still wet. Look at the effect, wow. The main reason is that the paints I endorse are good!

4: Look at the pens I produce, they are awesome, durable, and all the designs are perfect.

5: Don’t believe it no matter how dark or light he says, his lightest state is thicker than the thickest state of 99 watercolor illustrators.

6: There are 20 colors in the palette, but I basically use those 9 or 10 colors.

7: No matter what the weather or light, I regard it as a sun-sky painting with backlight and side backlight. (He didn't say it, but don't believe it)

8: No matter how big the sun is, as long as the ground is painted, it will always be as smooth as a mirror, and the ground will be full of reflections. (He didn’t say it, but you really don’t believe it.

9: No matter what the color is, the shadows I draw must be a little purple, the sky must be a little earthy, and the dark gray must be One blue and one earthy color, and to show that I’m very particular I’ll add a bit of deep crimson to it (he did this, but said it differently.)

10: I don’t. When I was carrying a water bottle, I would spit on the painting, and once it hit one of my students’ faces. . . . ORZ (He really said it!!!!!!!!!)

Step 1: Accurate pencil draft. Awa also uses a 2mm thick mechanical pencil to start the draft, so there is no nonsense.

I continue to talk about the first layer of smudging (WASH). Ava's WASH is very routine. No matter what I draw, I first use No. 10 Red Fatty and a large amount of water to draw a few strokes of earthy yellow, and then what ultramarine. , deep crescent red, depending on the mood, it gets mixed up. . . Regardless of whether I can really feel the existence of these colors, can I say that this is the enthusiasm of the people of South America? The colors are so strong! Although there is almost no sky in this painting, I still can't get rid of this problem, the lightest The first layer of WASH must be earthy yellow, and then mixed with ultramarine, deep madder, and cooked ocher!

Step 2: This painting is really not drawn from far to near, from light to dark. . . . Just after washing the first layer, I started painting the roof with a very dark color. . . This is also in line with Alvaro's personality. Each of his paintings is not painted strictly in strict theoretical order. He often paints extremely dark colors first, and then paints very bright light colors in a wet state. , and let the two color edges be dyed in a wet state. In this step, Alvaro used deep ultramarine to mix well-cooked ocher, and then added a little bit of deep madder. After that, he felt that it was better to be more honest, and began to draw a silhouette-like distant view from the lightest level. Ava almost never wets a large area of ??paper before painting. Instead, he uses very rich colors to protect the dry paper to create a bright and strong effect. The advantage of painting this way is that the colors are vividly connected and most of them can be retained. Color intensity resulting from dry painting. In addition, he once again showed off by taking out a small needle and drawing a bunch of window frames.

Step 3: Use a relatively intermediate gray tone to draw some mid-range scenes, including the general shape of the sea of ??people and some close-up scenes. For this painting, the colors he chose were cobalt blue mixed with reddish brown. . . Anyway, as long as you paint gray, most of the time it will be a certain blue mixed with a certain earth color, which looks very strange. In fact, among the most traditional watercolors, ultramarine blue mixed with cooked brown is the most widely used tool for painting dark gray tones.

Step 4: In fact, when Awa paints a scene, as long as it is at eye level, even if there are no people, he will draw many vivid shadows of people in it (if you look carefully, none of them look like people. From a distance, they all look like people. It is a standard image of a very obvious class, such as a man in a suit, which is basically fictional.) Then this punk uncle did not wait for the paint to dry! He started painting again! In addition to the moist and rich brushstrokes, he Another powerful tool is dry and rich brush strokes! Although it was a joke, it is true. The uncle took out the large V35, made a deep and accurate description of the parts that needed to be accurate, and then painted the dry ground without any surprise. I painted a marble floor that was as wet as a mirror, with various colorful reflections. Then I painted a brush, and then drew two red lines on the front of the train to represent the lights. I actually found a street lamp post in the train station (maybe a clock Pillars), the standard foreground (close-up view) of this street scene is used in the form of a frame to set off the entire picture. Finally, apply a thick layer of watercolor white to the areas that need highlights. In fact, it is a very standard watercolor finishing stage, but he seems to have almost no concept of waiting to dry it. How to learn watercolor illustration?

Watercolor painting is not only an artistic style, but also widely used in books, magazines, advertisements, animations and other fields because of its transparency, watery charm, smoothness, elegance, and ability to express artistic conception. And because of the simple and convenient nature of watercolor painting materials, it coincides with the timeliness of commercial illustrations that pursue efficiency. It is well known that watercolor is difficult. If you want to become a professional watercolor illustrator with professional qualities, you need a systematic and comprehensive learning process to realize your dream. Let's take a look at becoming a professional watercolor illustrator. Let’s explore the path!

First preparation of materials (from Zhihu Qinana):

Paper

When you paint watercolors, you can save money on paints and pens , only paper, must be of good quality. The quality of paper can directly affect your painting experience and fun. Let you take many unnecessary detours. You can buy ready-made 4-opening, or you can buy the largest opening from an art supply store and cut it into small pieces for painting.

Watercolor Paint_Marley Watercolor

Many foreign forums have given it good reviews. The price/performance ratio is the highest.

After painting for a while, if you have more requirements for colors, you can try watercolors from Windsor, Schminck, Danielsmith and other brands (of course there are many others, so I won’t give examples one by one). Many watercolors are divided into student level and artist level. The advice is not to rush to buy more and better colors. Being familiar with and able to make good use of the limited colors on hand will give you a better understanding of the use and mixing of colors. More colors just make the choice more difficult.

Brushes

So many brushes can really dazzle people! It is necessary to remind novices that if they have just started painting and have limited funds, only buy one with mink hair 6 A round-tipped brush is enough. When buying, pay attention to the fact that the tip of the brush must be able to form a sharp point when wet. You can buy No. 2 and No. 4 as needed. For extremely detailed paintings, you can also consider numbers 0-1.

Fiber brushes

It does not absorb as much water as mink hair, so it is suitable for painting with less blurring. When drawing small illustrations, use fiber pens, which use less water and are easier to control, making it easier to draw details. I have used Windsor's student series pen set and I personally think it is very easy to use.

Sable brush

The most commonly used brush in watercolor is the sable brush. It absorbs enough water and feels good to the touch. Of course there are squirrel hair and other types of hair, but they are not as useful as mink hair. Just find a handy brush and start drawing.

Color box

Rag

Bucket

Second learning process:

Week 1: Geometric still life

Week 2: Monochrome Watercolor Still Life

Week 3: Simple Still Life Watercolor

Week 4: Combined Still Life Watercolor

Week 5: Flower still life watercolor

Week 6: Watercolor landscape sketching and creation

Week 7: Watercolor landscape copy

Week 8: Watercolor landscape Sketching

Week 9: Watercolor Landscape Creation

Week 10: Watercolor Portrait Sketching

Week 11: Watercolor Portrait Sketching (Completed)

Week 12: Watercolor Street Photography of People (Colored Sketches)

Week 13: Watercolor Street Photography of People (Colored Sketches)

Week 14: Watercolor Character Illustrations Copying

Week 15: Copying of watercolor character illustrations

Week 16: Creation of watercolor landscape and still life illustrations

Week 17/18: Copying of illustrations

Week 19: Flower Illustration Creation

Week 20: Illustration Creation Do you know these 6 common illustration poster styles?

2020 can be said to be the world of illustrations

"Long No See Hot Dry Noodles" which has touched countless people

to recent various festival brand posters

You can see illustrations everywhere

Do you know what are the common styles of illustrations?

Little A will pass this article

Let’s take a look at the common styles of illustration posters!

Flat style illustrations are mainly composed of color blocks, with geometric shapes and smooth outlines. The information is more intuitive and allows people to know what the interface is at a glance. the message conveyed.

The flat interface can also better realize the transformation of images, and web pages load faster. Therefore, flat style illustrations are widely used in various fields.

The line drawing style is an extension of the flat style.

Add outlines and strokes to flat elements. Add strokes to the outline of outline illustrations. Compared with the flat style, it is more three-dimensional and cute. It is often used in posters, In the boot page, logo, etc.

Texture style illustrations are also called grainy noise style, which is another branch of the flat style. The grainy texture is superimposed on the page to present a matte texture, a bit like sand painting, but more delicate than sand painting. .

The main form of expression is the use of a large number of color blocks. The elements are single and clean. The texture is often superimposed on the highlights and shadows of the elements. The graininess is used to increase the details in the picture. The picture transition is natural and three-dimensional and vivid. The style of painting is relaxed and casual.

Ukiyo, in Buddhist language, refers to "the prosperous and empty human world." Ukiyo-e expresses the ups and downs of the human world in the form of painting.

The Ukiyo-e painting style is based on traditional prints, emphasizing the flat application of lines and color blocks. The colors are bright, and birds, fish and waves are the main forms of expression.

MBE illustrations are a style created by a designer at Dribbble. They use thick black lines to depict elements, removing unnecessary elements from the picture. The color blocks are clearly differentiated, rounded and cute. In conjunction with small elements, it is often used on guide pages, startup pages, logos, etc.

Watercolor illustration is a relatively popular painting method in recent years. Simple lines and gentle colors are tranquil and natural. The lines are simple and casual. Watercolor illustrations are particularly creative and can express both realism and abstraction. , magic and other various styles.

Illustrations are one of the most common design elements in our lives

In recent years, they have gradually become the mainstream of poster design

Different styles of illustration styles bring People’s different visual experiences

Which one do you prefer?