How did Chen Shufen draw her beautiful illustrations?

Most of them use a pressure-sensitive pen to express the body shape directly with a brush. Of course, some places also need the darkening and dodge tools.< /p>

Use darkening and dodging as little as possible, and try to use the pressure-sensitive pen directly to bring out the transition area. Does anyone know how Chen Shufen's paintings were drawn?

You should draw it yourself first, and then use Photoshop to do it afterward.

The poster can take a look at: White Paper on Famous Illustration Techniques Series "Pingfan & Chen Shufen's Techniques"

==================== ===

Basic information about Chen Shufen

Type B, Goat, born in Badu.

After graduating from Deming Business School in 1988, he worked in a securities company. Later, due to interest, he moved to the illustration industry. Likes to collect information and Japan. Now a full-time illustrator, his works can be seen in "Talking Star Magazine", novel covers and video game software.

The main works are the reproduction albums "Touch", "WaitingLove", and "Amour", the album "Life Is Like a Dream? Red Mansions Scroll", the illustration collection "Douban Fish", the rainbow book "Blue, True". "It's called loneliness" and "Red, I miss you so much". Collaborated with Ordinary *** on the rainbow books "Yellow, That Afternoon" and "White 1224", reproduced the picture albums "Meeting Eyes", "Burial Flowers", "Blue Silk", the picture albums "Heartbeat", "Love Me Not" "Love", "Swordsman", "Love Notes", selected illustrations "Autumn Colors I (Ancient Edition)", "Autumn Colors II (Modern Edition)", "Autumn Colors III (Constellation Edition)" ”, “Spring? Summer? Autumn? Winter”, postcard collections “Romantic. Classical. Dream”, “Men on the Left and Women on the Right”, illustration series of famous illustration techniques “White Paper on Ordinary & Chen Shufen Techniques”.

Origin

Chen Shufen is just like the women in her paintings, with a delicate and eye-catching appearance. Her fair skin makes people wonder, "How do you maintain it?" But what is surprising is that Shufen has a chivalrous character. It’s no wonder that he is so frank, generous and cheerful that he is so fascinating. Getting to know her is like meeting a blooming water hibiscus by the lake.

The securities career and transition when I first entered the society

Actually, I already liked drawing. I started looking for a job when I was about to graduate, and then I found a part-time job as an illustrator. I was very happy to draw cards, so I started drawing. The most interesting thing is that more than ten years later, those cards can still be seen in the market every Christmas, but my name is not written on them, only my signature.

But after painting for a while, I later joined a securities company. Because I don’t draw pictures seriously enough, I can’t draw more than a few pictures throughout the year, and I can’t support myself at all. But at that time, I was still living at home, so my mother couldn't stand it. She felt that a normal person should have a job and shouldn't hang around like this. Then I was really messing around at home, sleeping until the afternoon, and then I wouldn't get up even if I was hungry. I didn't wake up for long, and then everyone fell asleep at night, and I was awake again. Later, my mother Help me introduce you to a securities company. So after I entered, I actually continued to draw illustrations, but at a slower pace, because now that I was already working, I only drew one picture a year.

Securities companies were very relaxed at that time. When the company was established, the economy was very good, but when it really started, the economy became very bad again. At that time, the stock price crashed and fell to about 2,000 points. Then some departments of the company have nothing to do, and there are too many people in it, so I will be very idle. Of course the company has its own countermeasures, which is to assign some employees to very busy departments. For example, I was assigned to the stock agency , very tired, very tired, and the work will never be finished. But even though I'm very busy at work, I never work overtime, because forget it if I don't finish it. Anyway, I can't finish it even if I work overtime. Later, I began to think about leaving my job, but my mother asked many high-level people to introduce me, so when I suddenly left, I no longer expected anyone to introduce me, so I went to find a job on my own.

But I didn’t find any suitable job at that time, but suddenly I found that I could draw novel covers, and then I started calling those publishers, and I happened to meet a very gentle editor-in-chief, so I painted novel covers at that publishing house. After painting for a while, I felt relieved to leave my original job at the securities company. From that moment on, I didn’t dare to mess around like that anymore. Although I wasn't as serious as I am now at the beginning, I felt that I should at least draw enough to make money every month to support myself.

But in fact, I didn’t support myself at that time, I just paid some money. I didn't have any idea of ??a career at the time, and I still regarded this job as a part-time job. It was only after I got to know mediocre people that I changed this concept. Next, there are letters from readers. I didn’t expect someone to write to me after seeing the pictures, so I suddenly felt a little guilty. Originally, I drew pictures because I was happy, and I didn’t care much about how others felt when they saw the pictures. But When strangers write to me, they start to worry about the issue of face. When the painting is terrible, they are afraid that others will think that this person is getting uglier with each painting!

Family members Opposition

When I was a student, my family was actually very opposed to it. They would rather I watch TV than draw, because when I was obsessed with drawing in middle school, my daily schedule ranged from reading to dozing off every night. , evolved into painting. If I still didn’t sleep at two or three in the morning, my mother would come in and say, “It’s late enough, you can go to bed!” In addition, my family has set bedtimes since I was a child, but it’s strange that I read books. I just couldn't see that time, so I would stare at a page of the textbook for two or three hours. When my mother found out, she would ask, "You must have been reading that page of the English textbook for too long!"

Favorite of drawing

I like coloring the most, not drawing. For me, drawing shapes is just for coloring later, like a fill-in-the-blank game. In order to draw the popular ancient costumes, I bought a lot of books on ancient Chinese costumes, which already accounted for one-third of all books. And among them, the costumes of the Qing Dynasty are the most complicated, especially for characters like Gege, but if they are not gorgeous, they don’t look like Qing Dynasty costumes.

When I was a child, I loved ancient costumes and would pick up curtains and use them as sleeves. But to be honest, it was very painful to draw ancient costumes at the beginning, because the wrinkles of the cloth are very important. I think the wrinkles of the cloth are very charming, but I couldn't draw them well, so I felt very frustrated at that time.

Next is the pattern of the clothes. The pattern of the clothes is also very important, but I can’t draw it well either. So I was very frustrated when I started painting ancient costumes, because I felt that the paintings looked like beggars, wearing very plain and poor fabrics. However, ancient costumes are very realistic and they have to be gorgeous and bright to look beautiful. Just like a kimono, you can tell from a distance whether it is cheap or expensive. In recent years, there has been a lot of demand for costumes, so there are many opportunities for me to practice continuously, and the more I draw, the more interested I become.

I have always liked drawing people. This is innate. When I was about ten years old, I remember a little girl in her teens whose hair was clipped in an unknown way. It looked like Just beautiful. Anyway, I pay special attention to certain beautiful things.

Later, sometimes when I see a beautiful star, I will draw this star for a while, but now I will start to pay attention to the issue of portrait rights, because some stars’ agencies do not like others to draw their stars. , some people will be happy, of course some people will be unhappy. So later I started to draw people I knew around me, or I would see some pretty little girls at autograph sessions, and sometimes I would shamelessly leave my phone number and ask them to come out to take pictures. How are Chen Shufen’s classical beauty illustrations expressed?

The speed of hand-drawing is indeed a bit slow. If you use PhotoShop software, directly select "Filter - Special Blur", and then "Edit - Draw Outline", you will basically get the same effect.

Of course, it would be better if hand-painted and software were combined! Personally, I feel that the outlines of Chen Shufen’s works of classical beauties are particularly clear—otherwise, I feel that a few brush strokes of pastel colors are used, which has a particularly poetic flavor. It can well embody the soft poetry of watercolor, with the clarity and transparency of water and the softness and elegance of gauze - very suitable for depicting a classical young, pure and intelligent woman!

You can first draw the outline with hand painting, Express clear contour lines, pay attention to the transformation of soft and hard strokes - then use software to inkjet, and finally do post-processing, such as blurring, softening edges, feathering, overlay methods, etc. During the processing, pay attention to the adjustment of the overall tone of the picture. And maintain a pastel softness.